Alex Grecian - Devil's Workshop

Здесь есть возможность читать онлайн «Alex Grecian - Devil's Workshop» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Исторический детектив, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Devil's Workshop: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Devil's Workshop»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Devil's Workshop — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Devil's Workshop», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Alex Grecian

Devil's Workshop

Push me down and shut my box,

And twist my arm about.

And listen to my merry tune.

I’ll soon be coming out.

Push me down again, Dear Childe,

I’m safely hid away.

But I’m not gone; it won’t be long

Till Jack comes out to play.

— RUPERT WINTHROP, “JACK IN THE BOX,” FROM Londontown Rhymes for the Nursery (1893)

Karstphanomen | kärst 'fän • o • men |

noun

1. A geological phenomenon of underground limestone formations that have selectively eroded and are consequently riddled with fissures, sinkholes, and cavities.

2. A secret society made up of prominent London citizens who believed that criminal punishment should more directly match the actions of the criminals themselves. The society operated throughout the Victorian era, but is thought to have disbanded by the early twentieth century.

— FROM Fulton’s Guide to Unfamiliar Words (1923)

PROLOGUE

LONDON

LATE APRIL 1890

The canvas hood covered his nose and eyes and ears, but there was a slit near the bottom of it for his mouth. He could hear muffled sounds, low voices when his captors entered his cell, direct questions when they were spoken close to his ear. When they asked him things, he could feel their hot breath through the canvas, on his cheek and on his scalp, and it raised goose bumps along his arms and the back of his neck, an almost sexual thrill. He could see floating halos of light whenever they brought a lantern into the room, a pale orange haze. They had cut off his long black beard where it curled out from under the edge of the hood. He had been proud of that beard, and the loss of it hurt him almost as much as the abuse his captors heaped on him. He could breathe through his nose, but inhaling caused the canvas to snug up against his face unless he kept his breath shallow. When he breathed through his mouth, through the hole in the canvas, his tongue dried out, and when he tried to swallow he felt an unpleasant clicking sensation at the back of his throat. They never gave him enough water. Food came once a day, barely enough to keep him alive. He couldn’t smell it, could barely taste it. They fed him, poking chunks of bread through the slit in the hood and into his mouth. It was dry and hard, but he choked it down. They spooned broth through the slit and past his lips, spilling it onto the rough fabric and dripping it down his naked chest. The heat from it made his skin itch. He still tried to scratch himself, and tried to reach for those men when they came, but his wrists were chained to the wall behind him and his ankles were shackled. The irons bit into him, but the wounds had scabbed over and had bonded with the shackles so that they seemed to be a part of him now. It was this last detail that had convinced him they were never going to let him go. If they tried to remove those shackles, they’d have to rip them out of his skin. He accepted that they meant to keep him here, wherever this was, for the rest of his life. But he didn’t want to die. Even here, in the dark and the silence, he still wanted to live. So he ate their bread and drank their broth and he sipped at the ladleful of water they gave him twice a day, and he tried not to think about his absent beard.

He didn’t know how long he’d been there. A month? A year? More? The men came every day in shifts, sometimes one at a time, sometimes three or four at once. Always men; never a woman. He had long ago decided that he must be in a small room made of stone, no more than ten feet across and ten feet deep. The ceiling was low, not even six feet, but the shackles prevented him from standing anyway, and so it presented no great hardship for him. Some of the men who came had to stoop as they moved around him. He had learned to recognize the voices of all the men by now. He listened to the way they moved, to the pace of their shoes on the stone. He would know any of them if he met them in the street, even on the darkest of nights. Two of the men were familiar to him from his life before, when he had been a free man. He was sure of it. Something in their voices, something in the way they walked. They had pursued him and he had led them on a merry chase, but in the end he had been careless and they had captured him before he could finish his grand design, his nasty business.

And now they kept him in a box.

Sometimes, in the stillness, he found peace. He couldn’t tell if his eyes were open or closed. The darkness was absolute. He sat without moving, partially suspended by the chains that held him fast. He was a spider, made helpless in its own web, unable to seek prey.

He was part of an old story, a story that spanned many centuries and many cultures. He was Loki chained in the Netherworld, Prometheus on the rock. He was a god and these men were mortals. They could hurt him, but they had not killed him yet. Perhaps they could not kill him. He was more than a man. He was an idea and was, therefore, immortal.

He heard them coming long before they reached his cell. Their hard-soled shoes struck the cobblestones and packed earth, and their footsteps rang out ahead of them. They stopped nearby, out there somewhere in front of him, and there was the faint splintery scrape of metal on metal before a door swung open on rusty hinges and they entered. There were two of them today.

He moved his tongue, tore it free from his teeth. It rasped against the roof of his mouth. He tried to muster some moisture, but there was none. He tried to laugh at the men, but the only sound he could make was a low dry rumble somewhere behind his sternum.

He heard the clunk of the ladle against the inside of a wooden bucket and then felt a welcome splash of water on his chin as the ladle was pressed against the hood and emptied in the general vicinity of his mouth. He gobbled at the air, at the meager stream of water, sucking in as much liquid as he could, but felt most of it dribble away. The canvas hood absorbed some of the water, and it spread upward through the fabric against his face. It was wonderfully cool.

The ladle was taken away and there was a long moment of silence. He knew what was coming and he tensed. His senses were hypervigilant, but he willed his muscles to relax. There was nothing he could do to prevent the coming trauma.

Far in the distance, beyond the confines of the cell, there came the hard, fast rapping of boots on stones. It came nearer and slowed, and he heard a man panting as he entered the cell.

“Exitus probatur.” The man’s voice was low and halting as he gasped for breath.

“Ergo acta probantur,” said another voice, another man.

This was a greeting he had not heard before, and he presumed it must be something formal, a way in which his tormentors identified themselves to one another, or a part of some ritual. This man must have been late, missed some scheduled rendezvous with the others. They rarely spoke when they were near him. How many of them were there? Where did they meet before they paid him their daily visits?

Now he heard the snap of a clasp, the creak of leather on leather. The one with the bag was here. He was the worst of them. Was he the one who had been late? Had he brought the bag or did he always leave it here in the cell?

“Use the iron?”

“No,” one of the men said. “I told you. He didn’t use it, we don’t use it.”

There was a grunt, a faint guttural protest from the other men, but no further argument.

Two metal instruments touched each other, a soft clink as the man took them from the bag. Silence again. Then a hand on the back of his head. The man with the bag grabbed his hair through the hood and yanked his chin up, exposing his throat. He felt metal against the stubble of his old beard and he closed his eyes. Then a blade dug in, deep, but not so deep that he would bleed to death there in the small stone cell. It was a careful cut, and he felt a brief flash of admiration for the skill involved before pain turned the insides of his eyelids red. A moment to let him recover, then the blade sunk in on the other side of his throat. Two cuts. He felt the tickle of blood running down his neck and pooling in the hollow of his collarbone.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Devil's Workshop»

Представляем Вашему вниманию похожие книги на «Devil's Workshop» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Devil's Workshop»

Обсуждение, отзывы о книге «Devil's Workshop» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x