Boris Akunin - Murder on the Leviathan

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12.01.2024 Борис Акунин внесён Минюстом России в реестр СМИ и физлиц, выполняющих функции иностранного агента. Борис Акунин состоит в организации «Настоящая Россия»* (*организация включена Минюстом в реестр иностранных агентов).
*НАСТОЯЩИЙ МАТЕРИАЛ (ИНФОРМАЦИЯ) ПРОИЗВЕДЕН, РАСПРОСТРАНЕН И (ИЛИ) НАПРАВЛЕН ИНОСТРАННЫМ АГЕНТОМ ЧХАРТИШВИЛИ ГРИГОРИЕМ ШАЛВОВИЧЕМ, ЛИБО КАСАЕТСЯ ДЕЯТЕЛЬНОСТИ ИНОСТРАННОГО АГЕНТА ЧХАРТИШВИЛИ ГРИГОРИЯ ШАЛВОВИЧА.


### Amazon.com Review
Usually, crime writers who give birth to protagonists deserving of future series want to feature those characters as prominently as possible in subsequent installments. Not so Boris Akunin, who succeeds his celebrated first novel about daring 19th-century Russian sleuth Erast Fandorin, __, with the less inventive *Murder on the Leviathan*, in which the now former Moscow investigator competes for center stage with a swell-headed French police commissioner, a crafty adventuress boasting more than her fair share of aliases, and a luxurious steamship that appears fated for deliberate destruction in the Indian Ocean.
Following the 1878 murders of British aristocrat Lord Littleby and his servants on Paris's fashionable Rue de Grenelle, Gustave Gauche, "Investigator for Especially Important Crimes," boards the double-engined, six-masted *Leviathan* on its maiden voyage from England to India. He's on the lookout for first-class passengers missing their specially made gold whale badges--one of which Littleby had yanked from his attacker before he died. However, this trap fails: several travelers are badgeless, and still others make equally good candidates for Littleby's slayer, including a demented baronet, a dubious Japanese army officer, a pregnant and loquacious Swiss banker's wife, and a suave Russian diplomat headed for Japan. That last is of course Fandorin, still recovering two years later from the events related in *The Winter Queen*. Like a lesser Hercule Poirot, "papa" Gauche grills these suspects, all of whom harbor secrets, and occasionally lays blame for Paris's "crime of the century" before one or another of them--only to have the hyper-perceptive Fandorin deflate his arguments. It takes many leagues of ocean, several more deaths, and a superfluity of overlong recollections by the shipmates before a solution to this twisted case emerges from the facts of Littleby's killing and the concurrent theft of a valuable Indian artifact from his mansion.
Like the best Golden Age nautical mysteries, *Murder on the Leviathan* finds its drama in the escalating tensions between a small circle of too-tight-quartered passengers, and draws its humor from their over-mannered behavior and individual eccentricities. Trouble is, Akunin (the pseudonym of Russian philologist Grigory Chkhartishvili) doesn't exceed expectations of what can be done within those traditions. *--J. Kingston Pierce*
### From Publishers Weekly
Akunin writes like a hybrid of Caleb Carr, Agatha Christie and Elizabeth Peters in his second mystery to be published in the U.S., set on the maiden voyage of the British luxury ship *Leviathan*, en route to India in the spring of 1878. Akunin's young Russian detective/diplomat protagonist, Erast Fandorin, has matured considerably since his debut in last year's highly praised *The Winter Queen*, set in 1876, and proves a worthy foil to French police commissioner Gustave Gauche, who boards the *Leviathan* because a clue suggests that one of the passengers murdered a wealthy British aristocrat, seven servants and two children in his Paris home and stole priceless Indian treasures. The intuitive, methodical Fandorin, who joins the ship at Port Said, soon slyly takes over the investigation and comes up with an eclectic group of suspects, all with secrets to hide, whom Gauche assigns to the same dining room. The company recite humorous or instructive stories that slow down the action but eventually relate to the identification of the killer. Gauche offers at least four solutions to the crimes, but in each case Fandorin debates or debunks his reasoning. The atmospheric historical detail gives depth to the twisting plot, while the ruthless yet poignant arch villain makes up for a cast of mostly cardboard characters. Readers disappointed by the lack of background on Fandorin will find plenty in *The Winter Queen*.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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‘And why in damnation’s name would he want to send such a telegram?’

‘To gain control of the ship. He knew that if Cliff received news like that he would not be able to continue the voyage. The real question is, why did Renier take such a risk? Not out of idle vanity - so that he could command the ship for a week and then let everything go hang. There is only one possible explanation: he did it so he could send the Leviathan to the bottom, with all the passengers and crew on board. The investigation was getting too close for comfort and he could feel the noose tightening around his neck. He must know the police will carry on hounding all the suspects. But if there’s a shipwreck with all hands lost, the case is closed. And then there’s nothing to stop him picking up the casket at his leisure.’

‘But he’ll be killed along with the rest of us!’

‘No, he won’t. We’ve just checked the captain’s launch and it is ready to put to sea. It’s a small craft, but sturdy. It can easily weather a storm. It has a supply of water and a basket of provisions and something else that is rather touching - a travelling bag all packed and ready to go. Renier must be planning to abandon ship as soon as the Leviathan has entered the narrow channel and can no longer turn back. The ship will be unable to swing around, and even if the engines are stopped the current will still carry it onto the rocks. A few people might be saved, since we are not far from the shore, but everyone who disappears will be listed as missing at sea.’

‘Don’t be such a stupid ass, monsieur policeman!’ the navigator butted in. ‘We’ve wasted far too much time already. Mr Fandorin woke me up and said the ship was on the wrong course. I wanted to sleep and I told Mr Fandorin to go to hell.

He offered me a bet, a hundred pounds to one that the captain was off course. I thought, the Russian’s gone crazy, everyone knows how eccentric the Russians are, this will be easy money. I went up to the bridge. Everything was in order. The captain was on watch, the pilot was at the helm. But for the sake of a hundred pounds I checked the course anyway, and then I started sweating, I can tell you! But I didn’t say a word to the captain.

Mr Fandorin had warned me not to say anything. And that,’ the navigator looked at his watch, ‘was twenty-five minutes ago.’

Then he added something in English that was obviously uncomplimentary about the French in general and French policemen in particular. The only word Gauche could understand was ‘frog’.

The sleuth hesitated for one final moment and then made up his mind. Immediately he was transformed, and began getting dressed with swift, precise movements. Papa Gauche might be slow to break into a gallop, but once he started moving he needed no more urging.

As he pulled on his jacket and trousers he told the navigator: ‘Fox, bring two sailors up onto the top deck, with carbines.

The captain’s mate should come too. No, better not, there’s no time to explain everything all over again.’

He put his trusty Lefaucheux in his pocket and offered the diplomat a four-cylinder Marietta.

‘Do you know how to use this?’

“I have my own, a Herstal-Agent,’ replied Fandorin, showing him a handsome, compact revolver unlike any Gauche had ever seen before. ‘And this as well.’

With a single rapid movement he drew a slim, pliable sword blade out of his cane.

‘Then let’s go.’

Gauche decided not to give the baronet a gun - who could tell what the lunatic might do with it?

The three of them strode rapidly down the long corridor. The door of one of the cabins opened slightly and Renate Kleber glanced out, with a shawl over her brown dress.

‘Gentlemen, why are you stamping about like a herd of elephants?’ she exclaimed angrily. ‘I can’t get any sleep as it is with this awful storm.’

‘Close the door and don’t go anywhere,’ Gauche told her sternly, shoving her back into the cabin without even slowing his stride. This was no time to stand on ceremony.

The commissioner thought he saw the door of cabin No. 24, which belonged to Mile Stamp, tremble and open a crack, but he had no time now to worry about minor details.

On deck the wind drove the rain into their faces. They had to shout to make themselves heard.

There were the steps leading to the wheelhouse and the bridge. Fox was already waiting at the bottom with two sailors from the watch.

‘I told you to bring carbines!’ shouted Gauche.

‘They’re in the armoury!’ the navigator yelled in his ear. ‘And the captain has the key!’

‘Never mind, let’s go up,’ Fandorin communicated with a gesture. There were raindrops glistening on his face.

Gauche looked around and shuddered: in the flickering lightning the rain glittered like steel threads in the night sky, and the waves frothed and foamed white in the darkness. It was an awesome sight.

Their heels clattered as they climbed the iron steps, their eyes half-closed against the lashing rain. Gauche went first. At this moment he was the most important person on the whole Leviathan, this immense 200-metre monster sliding on unsuspectingly towards disaster. The detective’s foot slipped on the top step and he only just grabbed hold of the banister in time.

He straightened up and caught his breath.

They were up. There was nothing above them now except the funnels spitting out occasional sparks and the masts, almost invisible in the darkness.

There was the metal door with its steel rivets. Gauche raised his finger in warning: quiet! The precaution was not really necessary - the sea was so loud that no one in the wheelhouse could have heard a thing.

‘This is the door to the captain’s bridge and the wheelhouse,’ shouted Fox. ‘No one enters without the captain’s permission.’

Gauche took his revolver out of his pocket and cocked it.

Fandorin did the same.

‘You keep quiet!’ the detective warned the over-enterprising diplomat. I’ll do the talking. Oh, I should never have listened to you.’ He gave the door a determined shove.

But of course the damned door didn’t budge.

‘He’s locked himself in,’ said Fandorin. ‘You say something, Fox.’

The navigator knocked loudly and shouted in English: ‘Captain, it’s me, Jeremy Fox! Please open up! We have an emergency!’

They heard Renier’s muffled voice from behind the door: ‘What’s happened, Jeremy?’

The door remained closed.

The navigator glanced at Fandorin in consternation. Fandorin pointed at the commissioner, then put a finger to his own temple and mimed pressing the trigger. Gauche didn’t understand what the pantomime meant, but Fox nodded and roared at the top of his voice:

‘The French cop’s shot himself’

The door immediately swung open and Gauche presented his wet but living face to Renier. He trained the barrel of his Lefaucheux on the captain.

Renier screamed and leapt backwards as if he had been struck.

Now that was real hard evidence for you: a man with a clear conscience wouldn’t shy away from a policeman like that.

Gauche grabbed hold of the sailor’s tarpaulin collar.

‘I’m glad you were so distressed by the news of my death, my dear Rajah,’ the commissioner purred, then he barked out the words known and feared by every criminal in Paris. ‘Get your hands in the air! You’re under arrest.’

The most notorious cut-throats in the city had been known to faint at the sound of those words.

The helmsman froze at his wheel, with his face half-turned towards them.

‘Keep hold of the wheel, you idiot!’ Gauche shouted at him.

‘Hey you!’, he prodded one of the sailors from the watch with his finger, ‘bring the captain’s mate here immediately so he can take command. In the meantime you give the orders, Fox. And look lively about it! Give the command “halt all engines” or “full astern” or whatever, don’t just stand there like a dummy.’

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