Дональд Уэстлейк - Enough [A Travesty (novel) and Ordo (novelette)]

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Enough [A Travesty (novel) and Ordo (novelette)]: краткое содержание, описание и аннотация

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Following last year’s hilariously funny Dancing Aztecs, the prolific Donald E. Westlake now produces a pair of miniatures — two brief strokes of genius for the price of one — which is certainly ENOUGH for anybody.
“A Travesty,” follows the twists and turns in the career of movie critic-cum-murderer Carey Thorpe, as he flails and connives his way through a plot so devious that it finally sums up the entire genre of the Mystery Story once and for all. Carey successively becomes the Detective’s Sidekick, the Least Obvious Suspect, the Amateur Detective, the Innocent Accused, several other detective story standbys, and ultimately the Murderer Himself.
What happens to Carey when he accidentally kills his girlfriend (she shouldn’t have annoyed him) is as quick and twisty as a roller-coaster ride, an endlessly intricate Murder Mystery with a true Surprise at the finish. A fast and funny story, with enough cleverness and invention for two books, it is here only half the story of ENOUGH.
Completing the abundance of ENOUGH is a total change of pace, “Ordo,” the sardonic brooding character study of Ordo Tupikos, a man dealing with an astonishment out of his own past. What would you do if you discovered the plain Jane you’d married (and divorced) sixteen years ago was now, under another name, Hollywood’s reigning movie star sex queen? What Ordo does, and what is done to him reach a level of power seldom found in comedy.
A study in contrasts, ENOUGH displays a pair of totally different story styles from the same fertile brain. If you’ve never had ENOUGH, you have it now.

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“They’ll have both. I may go to jail, but you’ll go right along with me.”

“Oh, I don’t think so.” He could not have been more calm. “I’d be their whole case, you know,” he said. “Their star witness. I don’t think they’d want to cast any aspersions on their own star witness, do you? I think you’d generally be called a liar. I think generally people would say you were doing it out of spite.”

I thought. He watched me thinking, with his curly little smile, and finally I said, “Two thousand. I could raise that somewhere, I’m sure I could.”

“I’m sorry, Mr. Thorpe, I told you I won’t bargain. It’s ten thousand or nothing.”

“But I don’t have it! That’s the Lord’s own truth!”

“Oh, come on, Mr. Thorpe, surely you’ve got something set aside for a rainy day.”

“But I don’t. I’ve never had the knack, it’s one of the things my father’s always hated about me. He’s the squirrel, I’m the grasshopper.”

He frowned, deeply. “What was that?”

“I don’t save up my nuts,” I explained, “or whatever grasshoppers save up. You know, you know, the children’s story. I’m the one that doesn’t save.”

“Well, Mr. Thorpe,” he said, “it seems to me you should have listened to your father.” And, turning away, he crossed the room toward the front door.

I should have killed him, that would have been the most sensible thing to do. Picked up something heavy — that can containing North By Northwest , for instance — and brained him with it. Unfortunately, I wasn’t sufficiently used to being a killer, so what I did was grit my teeth and get to my feet and say, “Wait.”

He waited, turning to look at me again, the same patient smile on his face, letting me know I could have all the time I needed. But that’s all I could have.

I said, “I’m not sure I can do it. I’ll have to borrow, I’ll have to— I don’t know what I’ll have to do.”

“Well, sir,” he said, coming back to me, “I don’t want to make things difficult for you if I can possibly avoid it. Here’s my card.”

His card. I took it.

He said, “You call me at that number before eleven-thirty if you decide to pay.”

“You mean, if I can pay.”

“Any way you want,” he said. “I’d mostly like a cashier’s check, made out to bearer.”

“Yes, I suppose you would.” I looked at the card he’d given me. Blue lettering read Tobin-Global Investigations Service — Matrimonial Specialists . In the lower left was a phone number, and in the lower right a name: John Edgarson.

“If you do call,” John Edgarson told me, “ask for Ed.”

“I’ll do that.”

“And Mr. Thorpe,” he said, “do try to look on the bright side.”

I stared at him. “The bright side?”

“You’ve had an early warning,” he told me. “If you decide not to pay, you’ve got almost three hours’ head start.”

It’s amazing what you can do in an hour when your life depends on it. By eleven o’clock, I’d converted into cash the following:

Eleven oclock Five after eleven I was back in my apartment my pockets full - фото 1

Eleven o’clock. Five after eleven. I was back in my apartment, my pockets full of cash. But where was I going to get three thousand five hundred fifty-one dollars and six cents?

My grandmother’s trust fund? Not a chance. I’d cried wolf with the people at the bank two or three times already, and they’d made it perfectly clear my well-being didn’t matter to them one one-hundredth as much as the fund’s well-being.

My father? Another blank. He had the money, all right, and plenty to spare, but even if he was willing to help — which he wouldn’t be — the cash would never get here from Boston in the next twenty-four minutes. Besides, if I did ask him the first thing he’d say — even before no — would be why .

Would Edgarson take less? Six thousand dollars in the hand was surely better than ten thousand dollars in the bush. I dialed the number on the card he’d given me, and when a harsh female voice answered with the company’s name I asked for Ed. “Minute,” she said, and clicked away.

It was a long minute, but it finally ended with a too-familar voice: “Hello?”

“Edgarson?”

“Is that Mr. Thorpe? You’re a few minutes early.”

“All I can raise is, uh, six thousand, uh, dollars. And four hundred. Six thousand four hundred dollars.”

“Well, that’s fine,” he said. “And you’ve still got twenty minutes to get the rest.”

“I can’t. I’ve done everything I could.”

“Mr. Thorpe,” he said, “I thought we had an understanding, you and I.”

“But I can’t raise any more!”

“Then if I were you, Mr. Thorpe, I’d take that six thousand four hundred dollars and buy a ticket to some place a long way from here.”

South America. The Lavender Hill Mob . But I liked the life I had here in New York, my career, my girl friends, my name on books and magazines. I didn’t want to run away to some absurd place and learn how to be somebody else.

“Well, goodbye, Mr. Thorpe,” the rotten bastard was saying, “and good luck to you.”

“Wait!”

The line buzzed at me; Edgarson, politely waiting.

“Somehow,” I told him. “Somehow I’ll do it.”

“Well, that’s fine,” he said. “I’m really relieved to hear that.”

“But it might take a little longer. You can give me that much.”

He sighed; the sound of a just and merciful man who knows he’s being taken advantage of but who is just too darn goodhearted to refuse. “I’ll tell you what I’ll do, Mr. Thorpe,” he said. “Do you know a place in your neighborhood called P. J. Malone’s?”

“Yes, of course. It’s three or four blocks from here.”

“Well, that’s where I’ll have my lunch. And I’ll leave there at twenty after twelve to go turn in my report. Now, that’s the best I can do for you.”

An extra twenty minutes; the man was all heart. “All right,” I said. “I’ll be there.” And I broke the connection.

And now what? I went to the John to pop another Valium — my second this morning — and then I sat at my desk in the living room, forearms resting where my typewriter used to sit, and waited for inspiration. And nothing happened. I blinked around at my pencils and reference books and souvenirs and trivia, all the remaining bits and pieces of the life I was on the verge of losing, and I tried to think how and where to get the rest of that damned money.

From my brother Gordon? No. My sister Fern? No. Not Shirley, not Kit, none of my friends here in New York. It was too much money, just too much.

What story could I tell my father? “Hello, Dad, I want you to wire me four thousand dollars in the next ten minutes because—” Finish that sentence in twenty-five words or less and win... a free trip... a free chance to stay home.

There was a pistol on my desk; not a real one, a mock-up that had been used in a movie called Heller In Harlem . I’d watched some of the filming uptown, for a piece in Third World Cinema , and the producer had given me this pistol as a kind of thank-you. His name and the name of the movie and my name and a date were all inscribed on the handle.

I picked up this pistol, hefted it, turned it until I was looking into the barrel. Realistic little devil. If it actually were real I could kill Edgarson with it.

But it wasn’t real. So there was only one thing to do.

“This is a stick-up,” I said.

The teller, a skinny young black girl with her hair in rows of tight knots like a fresh-plowed field, looked at me in amused disbelief. “You’re putting me on, man.”

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