David Alexander - Masters of Noir - Volume 2
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- Название:Masters of Noir: Volume 2
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- Издательство:Wonder Publishing Group
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- Год:2010
- ISBN:нет данных
- Рейтинг книги:3 / 5. Голосов: 1
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Masters of Noir: Volume 2: краткое содержание, описание и аннотация
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“Why not?”
“Because Leda had conned him out of them. She’d sold them for peanuts. He was real gone on her, I guess. He was an ugly guy, and no woman had ever given him a tumble before. Anyhow, Bucky went nuts. He hit Connors across the throat with the side of his hand and knocked him out. Then he clipped Leda over the temple with the butt of his gun. She fell down and made out she was unconscious, but she wasn’t. Then Bucky grabbed a rag or something and started choking Connors. He turned his back on Leda a moment, and she saw her chance and jumped up and beat it.”
I rubbed my cigarette out in a tray, studying him. “Why’d you and your wife check out of your hotel, Mr. Willard?”
“I must have been a little crazy myself, I guess. Leda — she was almost nuts. She thought sure her part in the jewelry heist would come out, once they really got to checking. She’d done a bit out on the West Coast once, for fingering another guy to a burglar — and that’s something else I didn’t know till this morning. And she said it’d be her word against Bucky’s, and that she might end up in the death house with him. Anyhow, I couldn’t think straight, right at first. All I could think about was trying to help her get away. And then all at once it hit me, what a goddamned fool I’d been all these years. And all of a sudden I knew I wasn’t going to be a nanny for her any more. I’d had a gut full of her. It was like I was seeing her for the first time since I’d known her.”
“If she’s earned a fall, then she’s going to take it alone — is that what you mean?”
“You’re damned right. I’ve been a chump long enough. From now on, she’s on her own.”
“Where is she now?”
“She’s in room fourteen-oh-nine, at the Milsener Hotel.”
8.
We picked up Leda Willard. She was in such a state of panic that it took us almost two hours to get a coherent story from her. But when we did, it was a complete admission. She was too frightened to fight us, even too frightened to be capable of lying. She completely absolved Janice Pedrick and Eddie Willard of any implication.
Four nights later we cornered Bucky Sullivan in the men’s room of a bar in Harlem. He shot it out with us, and took two slugs through the chest. While he was waiting to be operated on, he became convinced he was dying and called for a priest. Afterward, he made a full admission. Declarations by persons who think they are dying are powerful instruments. It was powerful enough to close the case for us, though Bucky Sullivan lived through the operation.
He was very bitter toward the doctor who saved him. He couldn’t understand why the State should save his life — only to send him up the river and take it away from him again in the electric chair.
I Don’t Fool Around
by Charles Jackson
Tonight Lynette McCaffrey was wearing a short red skirt that seemed all torn and jagged around the edge, like fringe; and when George Burton, watching through the open window, looked more carefully, he saw that it was fringe. Above the skirt was a thin blouse that you could see through, and above that, a small close-fitting hat of silver straw, with her brown curls bunched out below the curling brim. On her feet were flat sandals, the kind that children used to wear. He had never seen a fringed skirt before, or sandals on a girl her age, or a hat at the Yacht Club dance. As if her beauty alone was not enough to set her apart, it was like Lynette McCaffrey to wear something different, to create a new style, to get herself looked at and talked about. George Burton followed her around the floor with his eyes, and hoped that it was love.
The small orchestra from the city was playing Hindustan and she was dancing with Arthur Wallace again. Art had on white flannels and a blue double-breasted jacket with shining brass buttons. The flannels were certainly his own, because he had been wearing them all summer long at the Saturday night dances. George Burton said aloud, “Damn Dad anyway,” feeling a momentary burst of anger that frightened him.
He looked around quickly to see if anybody had heard. There was no one. He was alone on the raised edge of weather-beaten planks that ran alongside the Clubhouse to the broad pier fronting the bay. But if his father had only let him borrow his white flannels, which fitted perfectly all right if he tightened the belt enough, he might have had a chance with a girl like Lynette McCaffrey.
The music ended with a matched crescendo of piano and banjo, and Lynette and Art strolled from the floor toward the open doors at the bay end. She did not applaud, as the other girls did, and when Art Wallace saw how indifferent she was, he arrested his palms in midair and didn’t applaud either. She reached into a side pocket of Art’s jacket and drew out a pack of cigarettes. Right in front of everybody she put one in her mouth and tilted her face up for a light. Then, with the cigarette hanging from her lip in the most wonderful way, she passed through the doors and out to the pier.
George Burton had never felt so lonely, but he was not, except for one brief moment, really unhappy. He loved from afar, and merely to look on was enough. In fact he was almost happy. He waited for, and appreciated, each new feeling of exaltation; and when these came, he felt a strong new sense of being older, aware that he was experiencing himself in a way that he never had before. But Lynette was out of sight now, so after another minute he moved along the raised beam toward the open pier.
It was a marvelous August night, cool and clear, and there was a yellow moon hanging over the bluff at the far end of the bay, right over that part of the Bluff where his parents’ cottage was. He heard the wash and slap of the small waves against the pilings beneath the wharf, and he saw the gently swaying night lights, and their bobbing reflections, on the sailboats anchored offshore. Several couples stood around in the light that streamed from the Clubhouse, waiting for the band to start up again. Then he found Lynette McCaffrey.
She was seated on the flat top of one of the low iron posts at the edge of the pier. Four or five fellows hovered about her admiringly, but George knew they were thinking far more of themselves and the figures they cut than they were of her; not one of them could begin to appreciate how marvelous she was. He edged closer to listen, but not near enough, he thought, to be seen. He heard her say, “Just look at that moon.” Then, in the most matter-of-fact tone, as if she had been merely commenting on the weather, she added: “It’s as yellow as piss” — and George Burton fell in love for good and all.
Lynette McCaffrey was the new girl that summer. Her family was from Cleveland, and she not only thought, but said openly, that Parsons Point was dead. What on earth was there to do in a dump like this, why didn’t somebody put some life in the old place, where were all the mean men? — things like that. It had never occurred to George Burton before that the Point was dead, but he accepted the idea at once. Well, not really. It was dead for her — how could it help being? — but with a girl like Lynette McCaffrey around, it was far from dead for him.
For almost a month, now, every single day had been different, and better, than last year, because of the certainty and promise that sometime or other before nightfall, he would run into Lynette McCaffrey not once or twice but several times: sailing on the bay, having a soda at Mike’s, climbing the steep path to her cottage on the Bluff (and not leaning forward in the effort, as nearly everybody else did), sunning herself in a yellow or red or green bathing suit on the pier where the Wrinkle came in (actually swimming was for kids), or, dressed in a fresh new frock in the late afternoon, sauntering down to the post office below the Bluff to get the evening mail. When they met, he always waited for her to speak first, and she always did. “Hi, Georgie,” she said, in the most democratic fashion. He hated being called Georgie by anybody, but when she said it, somehow it became her own special name for him, private and intimate as if it were something between them, a kind of secret that was his and hers together.
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