Блейз Клемент - The Cat Sitter's Cradle

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Blaize Clement won fans all over the world with the charm and wit of her pet-sitting mysteries. Now, with the help of her son, author John Clement, Blaize’s beloved heroine Dixie Hemingway is back for yet another thrilling adventure in this critically acclaimed series.
Dixie has built a nice, quiet life for herself in the sleepy town of Siesta Key, a sandy resort island off the coast of Florida. In fact, her pet-sitting business is going so well she’s even taken on part-time help: Kenny, a handsome young surfer who lives alone in a rickety old houseboat. Things get a little messy, however, when, on an early morning walk in the park with a client’s schnauzer, Dixie makes a shocking discovery: hidden among the leafy brambles is a homeless girl, alone and afraid, cradling a newborn baby in her arms.
Dixie takes the young girl under her wing, even though she’s just been hired by Roy Harwick, the snarky executive of a multinational oil company, to care for his equally snarky Siamese cat, Charlotte, along with his wife’s priceless collection of rare tropical fish. It’s not long before Dixie stumbles upon a dead body in the unlikeliest of places, and soon she’s set adrift in a murky and dangerous world in which no one is who they appear to be.
Smart, fast-paced, and entertaining, The Cat Sitter’s Cradle is a perfect illustration of why Dixie’s loyal fans have come to know and love her and eagerly await the next instalment of her adventures.

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He was climbing across some kind of scaffolding that extended all the way to the top of the dome, and as he climbed higher and higher, he was poking little holes in the ceiling with the tip of a pool cue. Occasionally we would see dust and little pieces of the dome come floating down in the shafts of light.

I was just about to ask Ginger if her red hair was natural when Todd lost his footing. I watched in horror as he fell all the way down to the ground. He landed in a pool of light about thirty yards away from us. I ran as fast as I could to his side, but when I got to the place where he’d fallen, his body was gone. Lying on the bright green Astroturf was a small embroidery frame. It was oval shaped, with little pegs to hold in place a piece of fabric stretched across it. But instead of fabric in the frame, there was a paper-thin piece of balsa wood. I laid the tip of my finger on the center of the wood and felt a steady heartbeat.

I took the frame home to my hut and placed it on the abalone shelf over my bed. Throughout the night, I would wake up, reach out, and touch the thin membrane of wood to feel the heartbeat. It never stopped. At some point before morning came, Ginger snuck in and was gently nudging my shoulder. I looked up at her, and she said, Dixie, I found it!

I shot straight up in bed and said out loud, “I know where those letters are.”

* * *

When I backed out of the carport, I was still reeling a little bit from the dream, which was about the strangest, most surreal dream I’d ever had. I rolled down the lane with the headlights off. Michael and Paco are pretty heavy sleepers, but I didn’t want to take any chances, so I drove as slowly as I could until I got to the end. I didn’t switch on the headlights until I was heading north on Midnight Pass. It was the middle of night, and there was nobody on the road but me.

I drove through the deserted village in the center of town and past the park where Joyce and I found Corina. At Jungle Plum Road, I made a left and drove at a snail’s pace along the trees lining the street where the Harwicks’ house was. As I pulled through the gates and up the long driveway, I breathed a sigh of relief. There were no cars in the parking area.

I pulled my ring of keys out of my backpack and unlocked the door. The alarm system beeped when I went in, and with a trembling hand I punched in the security code to disarm it and then closed and locked the door behind me. It was pitch dark inside, but I was a little reluctant to turn on any lights. I told myself that technically I wasn’t really doing anything wrong. Nobody had told me I couldn’t come and check on the aquarium in the middle of the night, but still I didn’t want to arouse the suspicions of any of the neighbors.

I fished out the little flashlight I keep in my backpack and made my way across the foyer and up the marble stairs to Mr. and Mrs. Harwick’s bedroom. Even though I knew the house was totally empty, I was terrified. It seemed like every time I thought I was alone in this house, I was dead wrong.

I passed through the bedroom suite and made my way slowly down the short hall toward the master bathroom. Very gently, I pushed the door open and waited just in case there was someone hiding inside, which of course there wasn’t. Still, I could literally feel my heart pumping in my chest. I tiptoed across the marble floor directly to the little alcove with the peach-colored velvet bench and sat down.

I took a deep breath and slowly raised the flashlight. I followed the pool of light as it slid across the floor to the tank, to the edge of the mermaid’s tail fanned out across the aquarium floor, then up her glittering turquoise body. As her face came into view, her pouting red lips, her pale porcelain skin, and her deep violet eyes, I knew I was right.

She had been moved.

On that morning I had searched the house looking for Charlotte, the same morning I found Mr. Harwick at the bottom of the pool, I had sat in this exact same place. I distinctly remembered looking up and seeing two pairs of eyes staring directly at me: the porcupine fish’s and the mermaid’s. But earlier today, after Mrs. Harwick left, I sat here and imagined the mermaid was looking out the window and fantasizing about some faraway land. At the time I didn’t think anything of it, but now I knew I was right. She had definitely been moved, and recently. She wasn’t looking at me at all. She was gazing off at least three feet to the right, directly at one of the stained-glass windows.

My eyes floated down to the black-and-gold treasure chest she was sitting on. I wasn’t one bit happy about what I was about to do, but at the same time, I felt like I didn’t have a choice.

I needed to see what was inside that chest.

I slid one of the large pocket doors open and stepped through the hidden pathway and around to the back of the aquarium. The nets and poles with hooks on one end were hanging in a row on the wall behind the tank, and the fish were all drifting about aimlessly in the darkened water. When I switched on the overhead light, they all darted around a bit, and I whispered an apology for waking them up and intruding into their silent world. I rolled up my sleeves and slid my arms down into the tank. I was worried the mermaid would be too heavy to move by myself, but she must have been hollow, because it was surprisingly easy.

As all the fish retreated to the far corners of the tank, I put both my hands on the back of the mermaid’s head and tilted her forward. I felt a momentary jab of pity when I saw the lid of the treasure chest lift up with her. I thought, No wonder she just sits in here all day. I’d do the same thing if I had the lid of a treasure chest fused to my butt.

I brought her up a little farther so that she was balanced on her own against the front wall of the aquarium, and then I pointed my flashlight down into the open treasure chest.

Inside was a black rectangular package, wrapped in what I thought at first was twine but then realized were rubber bands. I reached behind me and brought one of the wooden poles off the wall and lowered it down into the tank. As carefully as possible, I looped its hook under one of the rubber bands and then gently drew the package up out of the water.

The whole thing had taken less than a minute. I spread a towel on the floor and laid the dripping package down on top of it. It was light, about half a pound. The rubber bands were wrapped around what looked like a black plastic garbage bag, and I thought of Kenny and how he had described his father wrapping a change of clothes in a plastic bag and carrying it into the ocean.

Carefully, I took the rubber bands off one by one and laid them in a neat pile on the floor next to the towel. Before I looked inside the bag, I glanced up at the tank. The porcupine fish was floating aimlessly in the middle of the tank, puffed up like a beach ball and covered in sharp white quills.

I whispered, “Sorry about that.”

Slowly, I opened up the package and pulled out two clear plastic bags. They were the gallon-sized type with watertight zippers across the top.

Inside one of the bags was a collection of envelopes, exactly as Kenny had described them. They all had a post office box here in Siesta Key for the return address, and they had all been sent to the same person: Daniel Imperiori—Kenny’s real name. There were probably about ten envelopes total. The other bag had only two things in it. One was a piece of paper, like a receipt, and the other was a small, amber-colored plastic bottle with a white label.

I brought the plastic bag up closer and squinted at the tiny print on the bottle. It read BUTORPHANOL, 40 ML.

I should have known.

I never aced a chemistry test in high school, and I don’t have a medical degree, but I have spent a lot of time around animal clinics, so I know a thing or two about animal medications. Vets use butorphanol every day. It’s powerful and relatively tasteless. It’s mostly used for sedating animals before surgery, but I had a feeling it might come in handy in other situations as well. For example, if you needed an animal to be quiet for a few hours. Like, during a plane ride.

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