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Эд Макбейн: Barking at Butterflies and other stories

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Эд Макбейн Barking at Butterflies and other stories
  • Название:
    Barking at Butterflies and other stories
  • Автор:
  • Издательство:
    Five Star
  • Жанр:
  • Год:
    2000
  • Город:
    Unity, Maine
  • Язык:
    Английский
  • ISBN:
    978-0-7862-2536-1
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    3 / 5
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Barking at Butterflies and other stories: краткое содержание, описание и аннотация

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Ed McBain is a pen name of Mystery Writers of America’s Grand Master Evan Hunter, who wrote the screenplays for Alfred Hitchcock’s “The Birds” and “Strangers When We Meet,” and the novel The Blackboard Jungle. As Ed McBain, he has written fifty 87th Precinct novels, the blueprint series for every successful police procedural series. This original collection of eleven short stories takes you onto the gritty and violent streets of the city, and into the darkest places in the human mind. “First Offense” is narrated from behind bars by a cocky young man who stabbed a storeowner in a robbery attempt. In “To Break the Wall,” a high school teacher has a violent encounter with several punks. And a Kim Novak look-alike blurs the line between fantasy and reality in “The Movie Star.” These and eight more stories showcase the mastery for which the San Diego Union-Tribune dubbed McBain “the unquestioned king.”

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I think it all started with the kids. Everything usually starts with kids. I once read a Ray Bradbury story called “Invasion” or something, about these Martians, or aliens, anyway, I don’t remember which planet, who are planning an invasion of Earth, and they’re doing it through the kids. Boy, that story scared me, I can tell you, since I have a kid brother who gets a very fanatical gleam in his eye every now and then. I wouldn’t be at all surprised.

The thing that started with the kids was the marbles. Now every kid who goes to camp for the summer takes marbles with him. There’s usually what they call Free Play or Unassigned, and that’s when the kids go to ping pong or tether ball or marbles. Marbles were very big at Camp Marvin, especially after the quarantine started, though I’m still not sure whether the quarantine really had anything to do with the craze. Maybe there was just an unusual number of marbles at camp that summer, I don’t know. At the end there, it sure seemed like a lot of marbles. The most marbles I had ever seen in my life before that was when I was eight years old and still living in Manhattan, before we moved up to the Bronx. My mother and father gave me a hundred marbles for my birthday, and they also gave me a leather pouch with drawstrings to put the marbles in. I went downstairs with the hundred marbles, and I lost them all in a two-hour game. I almost lost the pouch, too, because a kid on the block wanted to trade me forty immies and a steelie for it, but I had the wisdom to refuse the offer. I’ll never forget my mother’s face when I went upstairs and told her I’d been wiped out.

“You lost all the marbles?” she asked incredulously.

“Yeah, all the immies,” I said.

“How?”

“Just playing immies,” I said.

They didn’t play immies at Camp Marvin; they played marbles. They used to draw a circle in the dirt, and each kid would put five or six marbles in the circle and try to hit them out with his shooter. I didn’t know how to play marbles because all I played as a kid was immies, which is played by the curb, in the gutter. In fact, it was best to play immies after a rainstorm because then there would be puddles all over the street, and you never knew where the other guy’s immie was. You just shot and prayed and felt around in the dirty water with your hand spread, trying to span the immies. It used to be fun when I was a kid. A city street is something like a summer camp all year round, you see. There are always a thousand kids on the block and a hundred games to choose from: stickball, stoopball, skullies, Johnny-on-a-Pony, Kick the Can, Statues, Salugi, Ring-a-Leavio, hundreds of games. I sometimes wonder why the Herald Tribune sends slum kids to the country. I think somebody ought to start sending country kids to the slums. In a way, when the marble craze started at Camp Marvin, it was very much like a craze starting on a city street, where one day a kid will come down with his roller skates, and the next day the roller-skating season has started. It was the same thing with the marbles at Camp Marvin. A couple of kids started a game, and before any of us were really completely aware of it, there were marble games being played all over the camp.

It would have been all right if the craze had restricted itself to the kids. But you have to remember that we were quarantined, which meant that we worked with the kids all day long, and then were not permitted to leave the grounds at night, on our time off. Children are very nice and all that, and someday I hope to have a dozen of my own, but that summer it was important to get away from them every now and then. I mean, physically and geographically away from them. It was important to have other interests. It was important to have an emotional and mental respite. What it was important to do, in fact, was to hold Becky in my arms and kiss her, but Marvin of course had made that impossible with his stupid quarantine. The funny thing was he didn’t seem to miss his wife Lydia at all. Maybe that’s because they’d been married for fourteen years. But most of the rest of us began to feel the strain of the quarantine by the end of the second week, and I think it was then that Uncle Jimbo ventured into his first game of marbles.

Jimbo, like the rest of us, was beginning to crave a little action. He was a very tall man who taught science at a high school someplace in Brooklyn. His real name was James McFarland, but in the family structure of Camp Marvin he immediately became Uncle Jim. And then, because it is fatal to have a name like Jim at any camp, he was naturally renamed Jimbo. He seemed like a very serious fellow, this Jimbo, about thirty-eight years old, with a wife and two kids at home. He wore eyeglasses, and he had sandy-colored hair that was always falling onto his forehead. The forehead itself bore a perpetual frown, even when he was playing marbles, as if he were constantly trying to figure out one of Einstein’s theories. He always wore sneakers and Bermuda shorts that had been made by cutting down a pair of dungarees. When the quarantine started, one of the kids in his bunk painted a big PW on Jimbo’s dungaree Bermuda shorts, the PW standing for prisoner of war — a joke Jimbo didn’t think was very comical. I knew how he felt. I wasn’t married, of course, but I knew what it was like to be separated from someone you loved, and Jimbo’s wife and kids were away the hell out there in Brooklyn while we were locked up in Stockbridge.

I happened to be there the day he joined one of the games, thereby starting the madness that followed. He had found a single marble near the tennis courts and then had gone foraging on his free time until he’d come up with half a dozen more. It was just after dinner, and three kids were playing in front of my bunk when Jimbo strolled over and asked if he could get in the game. If there’s one thing a kid can spot at fifty paces, it’s a sucker. They took one look at the tall science teacher from Brooklyn and fairly leaped on him in their anxiety to get him in the game. Well, that was the last leaping any of them did for the rest of the evening. Jimbo had seven marbles. He put six of them in the ring, and he kept the biggest one for his shooter. The kids, bowing graciously to their guest, allowed him to shoot first. Standing ten feet from the circle in the dust, Jimbo took careful aim and let his shooter go. It sprang out of his hand with the speed of sound, almost cracking a marble in the dead center of the ring and sending it flying out onto the surrounding dirt.

The kids weren’t terribly impressed because they were very hip and knew all about beginner’s luck. They didn’t begin to realize they were playing with a pro until they saw Jimbo squat down on one knee and proceed to knock every single marble out of the ring without missing a shot. Then, because there’s no sucker like a sucker who thinks he knows one, the kids decided they could take Jimbo anyway, and they spent the rest of the evening disproving the theory by losing marble after marble to him. Jimbo told me later that he’d been raised in Plainfield, New Jersey, and had played marbles practically every day of his childhood. But the kids didn’t know that at the time, and by the end of that first evening Jimbo had won perhaps two hundred marbles.

I wasn’t sure I liked what Jimbo had done. He was, after all, a grown man, and he was playing with kids, and one of the kids he’d beaten happened to be a kid in my bunk. I watched that kid walk away from the game after Jimbo collected all the marbles. His name was Max, which is a funny name for a kid anyway, and he was walking with his head bent, his hands in the pockets of his shorts, his sneakers scuffing the ground.

“What’s the matter, Max?” I asked.

“Nothing,” he said.

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