Джо Горес - Gone, No Forwarding

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“I’m going to have your license, shamus!”
The line is as familiar to television viewers and readers of detective fiction as the blonde in the bedroom or the bottle in the drawer. But when the State of California cold-bloodedly sets out to grab Dan Kearny’s license, the phrase is no longer a cliché. The “irregular” case upon which the state is building its suit was handled by Kathy Onoda. Now she is dead. As the disciplinary hearings before the State Bureau of Private Investigators proceed, Kearny’s central problem becomes: Who could have witnessed the events in the DKA Oakland office on a rainy Friday afternoon nearly a year before?
Seven people. Kearny’s staff ranges the state and then the country in search of them, but they are mysteriously Gone, No Forwarding from their addresses. The search becomes desperate when Kearny’s detectives find other, deadly hunters dogging their footsteps. As Bart Heslip becomes enmeshed in the strange odyssey of a fugitive black girl, it becomes evident that her testimony, and hers alone, can unravel the intricate human puzzle at the core of the novel.
Moving, often comic, always taut, Gone, No Forwarding is another intensely real picture of modern investigative techniques from Joe Gores, the writer Anthony Boucher called “one of the very few authentic private eyes to enter the field of fiction since Dashiell Hammett.” The author gives us break-neck action, sparkling characterizations, machine-gun dialogue and, as critic James Sandoe said, “He handles violence as a wise man handles nettles.”

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“Monday morning is acceptable to the Respondent, Your Honor.”

Or never, even, thought Tranquillini. It looked as if he had been successful in showing Simson’s testimony was tainted and thus, in keeping the letter out of evidence. Temporarily. But on Monday he had to start all over again with Pivarski. Pivarski’s direct testimony would get the letter in for sure, unless he was also able to discredit him. He’d gambled that by pushing a subpoena for Pivarski, Heslip would get enough time to find Verna Rounds, so they’d have direct testimony on their side. It looked like he’d lost the gamble. And cost Kearny his license in the process.

“Very well,” said the Hearing Officer. “These proceedings are adjourned until ten o’clock on Monday morning.”

Twenty-Five

It was eight at night before Cliff Brown appeared at the three-decker in Roxbury; a slight, black man with big feet he pointed out as he walked. His receding poll and horn-rim glasses gave him a spuriously intellectual look.

“Johnny Mack?” He shook his head. He smelled companionably of beer and cigars. Down the hall, a TV blared. “California.”

Heslip had a foot in the door. He was wearing shades to get the slightly menacing effect of a hooded falcon. “I heard different.”

“You heard wrong.” He gestured with his cigar. His voice was high-pitched and breathless, like a jackleg preacher shouting after parishioners on the street. “And if you don’t move that foot outta my door you gonna need a surgeon to sew it back on the ankle.”

“We heard Johnny Mack was livin’ with you.”

Brown came out on the porch a couple of feet, and Heslip stepped back. “Okay, that was four-five months back. But he lef, said he was goin back to California.”

“What about his woman? Verna take her dollar-a-day habit back to California, too?”

“Never heard of her.”

And Brown stepped nimbly back and slammed the door in Heslip’s face. Through the frosted glass panel, which was decorated with scrolls and fountains, he could hear Brown’s high-pitched sneering laughter. Chagrined, Heslip grunted, and went up the exterior stairway to the third-floor porch outside sister Ethel’s place. He had seen her going off somewhere an hour before; maybe her man knew something she didn’t.

He turned the knob and pulled the door back hard toward the hinges, then put his shoulder to the shellacked wood framing the glass panel, just where it met the door frame, and shoved violently. The door flew open and Heslip was in a hallway that ran back to the head of interior stairs leading down through the building. Opposite the head of the stairs was a varnished oak door leading into Ethel’s apartment.

Heslip knocked. After about forty-five seconds, a heavy-set black man wearing a striped shirt and maroon slacks and slippers opened the door. “How’d you git inside this buil—”

Heslip crowded against him and was inside. With a heel he hooked the door shut behind him. He didn’t know what degree of crime he was committing, since he knew nothing of Massachusetts statues; but he knew it was some sort of breaking and entering — at night, a dwelling, unarmed. The heavyset man gave before Heslip’s shove, then stood against the far side of the hall and let out a long, sad breath.

“After cash, there ain’t any. Movables, there’s the TV set and me.”

Heslip had his hands thrust deep in his topcoat pockets because he had no gloves and didn’t want to leave fingerprints. But he realized that with the shades and his bulky muscularity and those hands which could be holding guns in the pockets, he would pass as muscle.

“No rip-off,” he said. He let his head swivel theatrically to check down the hall toward the unlighted kitchen, up the hall toward the living room where a TV murmured, “You sittin’ the kids?”

The heavyset man stiffened slightly. His eyes went to the rear bedroom adjacent to the doorway where they stood. “Now you leave them kids outta whatever—”

“You sittin’ em?”

He sighed again, and nodded. He had a subdued but massive dignity. Heslip liked him but had to reduce him so the thought of resistance would seem remote to the man. “Your wife, Fat Stuff?”

“No need...” Heslip moved his right arm slightly. The man sighed again and the stiffness went from his stance. “Church.”

“We want a little chat with Johnny Mack, Stuff.”

“Is this... bad?”

“Don’t be worryin’ about his soul, if that’s what you mean.”

The heavyset man thought about it for a while. Heslip let him. He was in as deep as he could get anyway, if anything went wrong. He pushed a little more in the direction he wanted to go.

“No argument with you an’ yours, Stuff. Just think of us as a cloud cross the face of the moon.”

Another sigh. “He’s living with his brother Willy.”

“Where?”

“Don’t know the exact address. Few streets over on Madison. Ethel and Willy don’t get on even more than Ethel and Cliff don’t get on.”

“Cliff and Willy close?”

“Christmas and Easter — you know.”

Heslip nodded and gestured down the hall toward the kitchen. “I’ll use the back stairs. Gotta tell my man out back that we has drawn a blank covert.” He used a tight grin he figured went with his dark glasses and the theatricality of his entrance. “You go on back an’ watch that TV, and tell yourself your phone is out of order for an hour or two. Dig?”

“I got a woman and kids I care more about than pimps and drug pushers. Go with God, brother.”

Heslip used his grin again. “Just so I go, right, blood?”

On his way out of the apartment to the rear stairs, he took the key from the kitchen door. It was a simple three-tumbler, not a cylinder lock, and he hoped the key might be joggled around to open Clifford’s back door, below.

Ten minutes later, when a commercial sent Cliff Brown down to the kitchen for another beer, Heslip was waiting. As Cliff started in from the hall, Heslip’s open left hand collided with his face and sent him windmilling across the room backwards to slam up against the old-fashioned porcelain sink with the slanted tile drainboard beside it.

Heslip advanced, his right hand jammed in the coat pocket, bunched and slightly raised in the best Bogart tradition, one knuckle pressed against the cloth to approximate a gun.

“I told you we had business with Johnny Mack.” He let his voice rumble deep in his chest. “Now, without I get brother Willy’s address, we gonna have business with you first.”

At about the same time, Ballard was making a score of his own, although he didn’t know it at first. He hadn’t had a decent cup of coffee all day, and his hours in various Sacramento offices — county recorder, tax assessor, vital statistics, registrar — had been fruitless. Greenly was pure, pure, pure. So when the little green Toyota zipped over into a tow-away zone on Broadway just off Twenty-fourth Street, Ballard didn’t expect anything except someone getting a ride home. Not even when the someone was a hefty mid-twenties girl with a pretty face and meaty thighs.

But the ride wasn’t home. Instead, up onto the freeway at the massive interchange of 99 and 80, then west on Interstate 80. That was when Ballard’s hopes started to rise, especially when they went off on West Capitol Avenue where all the rendezvous motels were located. But their destination was a costly anonymous steak house, not one of the hot-sheet joints which flanked it. They had cassis and soda in the lounge while Ballard — who had never heard of cassis and soda — had a Miller’s at the bar, and while they ate filet mignon with mushroom caps in the dining room, Ballard had another Miller’s at the bar, to wash down two sacks of pretzels.

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