Джо Горес - Gone, No Forwarding

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“I’m going to have your license, shamus!”
The line is as familiar to television viewers and readers of detective fiction as the blonde in the bedroom or the bottle in the drawer. But when the State of California cold-bloodedly sets out to grab Dan Kearny’s license, the phrase is no longer a cliché. The “irregular” case upon which the state is building its suit was handled by Kathy Onoda. Now she is dead. As the disciplinary hearings before the State Bureau of Private Investigators proceed, Kearny’s central problem becomes: Who could have witnessed the events in the DKA Oakland office on a rainy Friday afternoon nearly a year before?
Seven people. Kearny’s staff ranges the state and then the country in search of them, but they are mysteriously Gone, No Forwarding from their addresses. The search becomes desperate when Kearny’s detectives find other, deadly hunters dogging their footsteps. As Bart Heslip becomes enmeshed in the strange odyssey of a fugitive black girl, it becomes evident that her testimony, and hers alone, can unravel the intricate human puzzle at the core of the novel.
Moving, often comic, always taut, Gone, No Forwarding is another intensely real picture of modern investigative techniques from Joe Gores, the writer Anthony Boucher called “one of the very few authentic private eyes to enter the field of fiction since Dashiell Hammett.” The author gives us break-neck action, sparkling characterizations, machine-gun dialogue and, as critic James Sandoe said, “He handles violence as a wise man handles nettles.”

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The women stopped inside the door to let their eyes adjust to the gloom. On the stage to their right, bathed in red light, a topless dancer gyrated to the soul beating from the juke box. She had more breast and buttock than was to either woman’s taste, but it wasn’t them she had to please.

“Oh mama, shake that stuff!” yelled one of the college types.

The woman on the platform did not respond in any way. She was green as a Martian at the moment, courtesy of the spotlight.

“Jesus!” said the blond sotto-voce. The black girl threw back her head and laughed loudly, as if at a very funny remark. Then she said, “Git-down time fo’ us girls.”

They sauntered on. It was one-thirty of a Saturday morning, and there were a number of tables open below the raised platform where the dancer jounced and quivered her talents. A scantily clad waitress appeared, tired of face and bare of breast apart from pasties.

“We want a table, shugah,” drawled the blond. She was smoking a cigarette made to look forearm-long by its holder.

“And what to drink?”

The black girl simpered. “We was hopin’ maybe some kind gen’mans take care of that little item fo’ us.”

“Sure, sure. But while you’re waiting for Mr. Right.”

“Misters Right, baby, cause we two togethah is dy-no-mite!” She waved a peremptory hand. “Two Scotch-and-waters.”

The waitress turned away.

“An we wants to taste the Scotch, shugah,” called the blond.

The dancer — yellow at her finale — finished, and a black girl of about the same dimensions took her place as the jukebox flipped sides.

“Boogie on me, baby!” yelled a college type.

The blond at the table caught the eye of a hard-faced fiftyish man sitting with a red-headed man at a nearby table. She winked. The redhead intercepted the wink and leaned forward to say something to his companion. They laughed loose and dirty laughs.

“Rattle those milk cans!” shouted a college type at the dancer.

“Chocolate milk!” called a third, to loud laughter.

The curtain was swept aside and the girls’ pimp entered. Over his Edwardian suit was a knee-length white fur coat. He sauntered back to the L-shaped bar past the black topless dancer, who was now turned to gun metal by the blue spotlight. The newcomer found an empty stool at the arm of the bar habited by other black males as outrageously colorful of dress as himself. He swept back his fur coat to sit. “Scotch-and-water,” he told the bartender.

A very tall, lean man detached himself from the group and moved with a dancer’s grace between the tables. He did a sudden expert dance step to the music, finished with some bumps and grinds, yelled “Shake dat moneymaker, momma!” at the dancer, and sat down at the girls’ table. “You a fine-lookin’ stallion,” he told the blond. “You got a old man?”

“You tryna take my application, jiveass?” she said.

“Now, momma, we jus’ talkin’ a little shit here. Your of man black an beautiful?”

“At de bar, mack man,” said the black woman.

“You jivin’ me?” He turned to look at the bar. “I know all them players...”

He stopped as his eyes lit on the newcomer in the white fur coat. He looked back at the girls again, then stood up and strolled to the door, pulled aside the curtain and stood talking with the barker outside. The hard-faced man and his red-headed companion stood up and went over to the girls’ table.

“Park the frame, Red,” said the blond.

As they sat down, the lean black man let the curtain fall and returned to the bar without another look in their direction. The red-headed man had Huck Finn freckles on a debauched Huck Finn face. His hard-eyed companion smiled at the black girl. “Do you think we should buy you ladies a drink first?”

“No need.” In the background, the blond and the redhead laughed loudly together. “We just have to talk price.”

At the bar the tall, lean pimp was buying a round. “An fix up de brother here, too,” he added.

The man in the white fur coat turned to look at him. Not even his heavy white coat and beautifully tailored clothes could disguise the breadth of his shoulders or the hard muscularity of his body. He nodded and smiled and stuck out a palm to be slapped. The lean man did. “I see by yo short you jus’ out here from Dee-troit,” he said.

The new man laughed. “That too fas’ a track back there fo’ this sucker.”

“Bein?”

“Black Bart.”

The tall man put out his palm to be slapped. “Ready Eddie.” He looked over at the two girls, just getting to their feet with the men who had picked them up. “That gray woman could open my nose fo’ me, man.”

“That be my bottom woman.”

“You bringen her out here fum Dee-troit?”

“Both of ’em,” Black Bart said. “Johnny Mack tol me my ladies’d bring me plenty cookies in this town.”

“Johnny Mack Brown?”

“He’s de one.”

“That nigger in Dee-troit now?”

“If I’m lyin, I’m flyin.”

The pickup foursome was just disappearing through the front curtain to the street.

“Looks like they gonna break luck. I could get behind some partyin tonight to celebrate our firs’ night in this town.”

Ready Eddie looked at his watch. “Me an’ my partners goin to de jam house fo’ a little blow after the man cuts us aloose here.”

“Mmm-hmm! Say it loud, brother!”

Out on Broadway, the two hookers and their tricks had walked to the parking lot just off Rowland Alley. The hard-faced man gave the white-jacketed attendant his ticket, the black girl hanging adoringly on his arm. Behind them, the blond and the red-headed man were giggling together. The attendant returned with a four-door LTD hardtop, and they got in. The hard-faced man waved away the change from his five and they drove out into Broadway’s bumper-to-bumper bar-close traffic.

“Where now?” demanded Corinne Jones. “The night is yet young.”

“And I’m not,” said Kearny from behind the wheel. “How in hell Bart dreams up these scenarios...”

Giselle was disentangling herself from O’B in the back seat to begin repairs by her compact mirror. “Wait’ll I tell Bella.”

“We had to make it look good,” said O’Bannon.

“Not that good.”

“I’m still not totally clear on what this accomplished,” said Corinne.

“It established Bart’s bona fides,” said Kearny. “You girls, and us picking you up, were his credentials with those pimps so he can try to find where Johnny Mack Brown went with Verna Rounds.”

“Remind me never to become a prostitute,” yawned Giselle.

Kearny looked in the rear-view mirror to catch O’Bannon’s eye. “Want to take a drive down to L.A. over the weekend?”

“With the hearing coming up Monday?” asked O’B, surprised.

“Larry got a direct lead to Jeff Simson from his ex-roommate, and I want to get a statement from Simson myself. So I’m going down to talk to him while Larry goes north to get hold of Rose Kelly. She apparently was on the switchboard that night.”

Corinne said abruptly, “I wonder what Bart’s doing right now.”

Bart Heslip took from his vest pocket a crisp new hundred dollar bill folded longways. He said, “I like the way you got yo crib freaked off, man,” unfolded the bill and extended it toward Ready Eddie. They and several other players from the bar were at Eddie’s apartment on Page Street in the Haight.

Eddie dipped a tiny gold pocket spoon into the hundred dollars’ worth of cocaine the folded bill held. “You one bad nigger,” he said, lifting the spoon daintily toward a nostril. The other players followed suit.

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