Рита Браун: The Tell-Tale Horse

Covert.Pronounced cover. A patch of woods or bushes where a fox might hide.

Cry.How one hound tells another what is happening. The sound will differ according to the various stages of the chase. It’s also called giving tongue and should occur when a hound is working a line.

Cub hunting.The informal hunting of young foxes in the late summer and early fall, before formal hunting. The main purpose is to enter young hounds into the pack. Until recently only the most knowledgeable members were invited to cub hunt, since they would not interfere with young hounds.

Dog fox.The male fox.

Dog hound.The male hound.

Double.A series of short sharp notes blown on the horn to alert all that a fox is afoot. The gone away series of notes is a form of doubling the horn.

Draft.To acquire hounds from another hunt is to accept a draft.

Draw.The plan by which a fox is hunted or searched for in a certain area, such as a covert.

Drive.The desire to push the fox, to get up with the line. It’s a very desirable trait in hounds, as long as they remain obedient.

Dwell.To hunt without getting forward. A hound who dwells is a bit of a putterer.

Enter.Hounds are entered into the pack when they first hunt, usually during cubbing season.

Field.The group of people riding to hounds, exclusive of the master and hunt staff.

Field master.The person appointed by the master to control the field. Often it is the master him-or herself.

First flight.The riders following the hunt who jump and therefore go first.

Fixture.A card sent to all dues-paying members, stating when and where the hounds will meet. A fixture card properly received is an invitation to hunt. This means the card is mailed or handed to a member by the master.

Flea-bitten.Said of a horse whose coat is white or gray and flecked with darker spots.

Gone away.The call on the horn when the fox leaves the covert.

Gone to ground.A fox who has ducked into his den or some other refuge has gone to ground.

Good night.The traditional farewell to the master after the hunt, regardless of the time of day.

Gyp.A female hound.

Hilltopper.A rider who follows the hunt but does not jump. Hilltoppers are also called the second field.

Hoick.The huntsman’s cheer to the hounds. It is derived from the Latin hic haec hoc, which means here.

Hold hard.To stop immediately.

Huntsman.The person in charge of the hounds, in the field and in the kennel.

Kennelman.A hunt staff member who feeds the hounds and cleans the kennels. In wealthy hunts there may be a number of kennelmen. In hunts with a modest budget, the huntsman or even the master will clean kennels and feed hounds.

Lark.To jump fences unnecessarily when hounds aren’t running. Masters frown on this, since it is often an invitation to an accident.

Lieu in.Norman term for “go in.” English hunting terms derive from Norman French after 1066. Most of those terms go back to Latin. The hunting vocabulary is literally thousands of years old. For Western people it starts with Greek.

Lift.To take the hounds from a lost scent in the hopes of finding a better scent farther on.

Line.The scent trail of the fox.

Livery.The uniform worn by the professional members of the hunt staff. Usually it is scarlet, but blue, yellow, brown, and gray are also used. The recent dominance of scarlet has to do with people buying coats off the rack as opposed to having tailors cut them. (When anything is mass-produced, the choices usually dwindle, and such is the case with livery.)

Mask.The fox’s head.

Meet.The site where the day’s hunting begins.

MFH.Short for master of foxhounds; the individual in charge of the hunt: hiring, firing, landowner relations, opening territory (in large hunts this is the job of the hunt secretary), developing the pack of hounds, determining the first cast of each meet. As in any leadership position, the master is also the lightning rod for criticism. The master may hunt the hounds, although this is usually done by a professional huntsman, who is also responsible for the hounds in the field and at the kennels. A long relationship between a master and a huntsman allows the hunt to develop and grow.

Music.The sound of hounds in full cry.

Nose.The scenting ability of a hound.

Override.To press hounds too closely.

Overrun.When hounds shoot past the line of a scent. Often the scent has been diverted or foiled by a clever fox.

Ratcatcher.Informal dress worn during cubbing season and bye days.

Rate.Slow down or speed up. Think of a car’s clutch.

Second field.Those who follow the hunt but do not jump; hilltoppers.

Stern.A hound’s tail.

Stiff-necked fox.One who runs in a straight line.

Strike hounds.A hound who, through keenness, nose, and often higher intelligence, finds the scent first and presses it.

Tail hounds.Those hounds running at the rear of the pack. This is not necessarily because they aren’t keen; they may be older hounds.

Tally-ho.The cheer when the fox is viewed. Derived from the Norman ty a hillaut, thus coming into the English language in 1066.

Tongue.To vocally pursue a fox.

View halloo (halloa).The cry given by a staff member who sees a fox. Staff may also say tally-ho or, should the fox turn back, tally back. One reason a different cry may be used by staff, especially in territory where the huntsman can’t see the staff, is that the field in their enthusiasm may cheer something other than a fox.

Vixen.The female fox.

Walk.Puppies are walked out in the summer and fall of their first year. It’s part of their education and a delight for both puppies and staff.

Whippers-in.Also called whips, these are staff members who assist the huntsman, who make sure the hounds “do right.”

CHAPTER 1

Dots of brightness sparkled in the night from electric fairy lights shaped like tiny candles on the denuded dogwoods lining the driveway. Slashes of yellow light spilled onto deep snow from the high windows in the ballroom. The brick Georgian building had settled into the landscape over the years, so that people viewing this scene from outside might have thought themselves in the eighteenth century. The faint music would have put an end to that reverie. No Mozart, but everything else a hunt ball could wish. The swirl of elegant people inside added to the beauty of the scene. It was Saturday night, February 16, and the Casanova Hunt Ball was in full swing. Only stars and tiny glittering lights offered relief from the blackness of a new moon, and it was bitterly cold. Perhaps that, too, fed the frenetic energy inside, for the moon always pulls on humans whether visible or not.

Jane “Sister” Arnold, Master of Foxhounds of the Jefferson Hunt, her escort, Gray Lorillard, and a large contingent of Jefferson members had come to the Casanova Hunt Ball. The two clubs enjoyed warm relations as well as a touch of competitiveness. The Jefferson Hunt members, whose own ball had been marred by a drunken scuffle and torn bodices, relaxed here. Surely nothing so tacky could happen at Casanova.