Tana French - The Secret Place

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The Secret Place: краткое содержание, описание и аннотация

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The sensational new novel from "one of the most talented crime writers alive" ("The Washington Post") The photo on the card shows a boy who was found murdered, a year ago, on the grounds of a girls' boarding school in the leafy suburbs of Dublin. The caption saysI KNOW WHO KILLED HIM. Detective Stephen Moran has been waiting for his chance to get a foot in the door of Dublin's Murder Squad-and one morning, sixteen-year-old Holly Mackey brings him this photo. "The Secret Place," a board where the girls at St. Kilda's School can pin up their secrets anonymously, is normally a mishmash of gossip and covert cruelty, but today someone has used it to reignite the stalled investigation into the murder of handsome, popular Chris Harper. Stephen joins forces with the abrasive Detective Antoinette Conway to find out who and why. But everything they discover leads them back to Holly's close-knit group of friends and their fierce enemies, a rival clique-and to the tangled web of relationships that bound all the girls to Chris Harper. Every step in their direction turns up the pressure. Antoinette Conway is already suspicious of Stephen's links to the Mackey family. St. Kilda's will go a long way to keep murder outside their walls. Holly's father, Detective Frank Mackey, is circling, ready to pounce if any of the new evidence points toward his daughter. And the private underworld of teenage girls can be more mysterious and more dangerous than either of the detectives imagined. "The Secret Place" is a powerful, haunting exploration of friendship and loyalty, and a gripping addition to the Dublin Murder Squad series.

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Chris Harper is behind them, blue T-shirt against the blue sky as he balances arms-out on top of another pile of breeze blocks, crinkling his eyes down at Aileen Russell as he laughs about something she’s said. He’s maybe eight feet away from Holly and Selena wrapping their arms around each other and puckering up their new lipstick ready for a dramatic smooch, Becca rounding her heavy lashes and her Fierce Foxxx mouth at the camera in fake shock, Julia hamming up the photographer act – ‘Oh yeah, sexayyy, gimme more’ – but they barely know he’s there. They feel someone, the green fizz and force of him, the same way they feel hot patches of it pulsing all across the Field; but if you closed their eyes and asked them who it was, none of them would be able to name Chris. He has six months, three weeks and a day left to live.

James Gillen slides in next to Julia, holding a bottle of cider. ‘Oh, come on,’ he says to her. ‘Seriously?’

James Gillen is a babe, in a dark slicked way, with a curl to his mouth that puts you on the defensive: he always looks amused, and you can never tell whether it’s at you. Plenty of girls are into him – Caroline O’Dowd is so in love with him that she actually bought a can of Lynx Excite and she puts it on a piece of her hair every morning, so she can smell him whenever she wants to. You look over at her in Maths and she’s there sniffing her hair, with her mouth hanging open, looking like she has an IQ of about twenty.

‘Hi to you too,’ Julia says. ‘And: what?’

He flicks her phone. ‘You look good. You don’t need a photo to tell you that.’

‘No shit, Sherlock. I don’t need you, either.’

James ignores that. ‘I know what I’d like a few pics of,’ he says, and grins at Julia’s boobs.

He obviously expects her to blush and zip up her hoodie, or squeal and get outraged – either one would be a win for him. Becca is blushing for her, but Julia isn’t about to give him the satisfaction. ‘Believe me, buddy,’ she says. ‘You couldn’t handle these.’

‘They’re not that big.’

‘Neither are your hands. And you know what they say about guys with small hands.’

Holly and Selena are getting the giggles. ‘Jesus,’ says James, eyebrow lifting. ‘You’re pretty fucking forward, aren’t you?’

‘Better than being backward, dude,’ Julia tells him. She clicks her phone shut and puts it back in her pocket, ready for whatever’s going to happen next.

‘You’re so disgusting,’ Joanne says from her breeze block, wrinkling her nose cutely. To James: ‘I actually can’t believe some of the stuff she actually says?’

But Joanne’s out of luck: James has his eye on Julia, not on her, for today anyway. He gives Joanne a grin that could mean anything and turns his shoulder to her. ‘So,’ he says to Julia. ‘You want some?’ and holds out the bottle of cider.

Julia feels a quick puff of triumph. She shoots Joanne a super-sweet smile, over James’s shoulder. ‘Sure,’ she says, and takes the bottle.

Julia doesn’t like James Gillen, but that’s not the point, not out here. In the Court, back in the Court any eye you catch could be Love peal-of-bells-firework-burst Love, all among the sweet spray of the music and the rainbowing prisms of the lights, this could be the one huge mystery every book and film and song is sizzling with; could be your one-and-only shoulder to lean your head on, fingers woven with yours and lips gentle on your hair and Our Song pouring out of every speaker. This could be the one heart that will open to your touch and offer up its never-spoken secrets, that has spaces perfectly shaped to hold all of yours.

Out here in the Field it’s not going to be Love, it’s not going to be the mystery everything talks about; it’s going to be the huge mystery everything talks around. The songs try so hard to pump it in your face, but they’re just throwing the right words into the air and hoping they sound dirty enough to fuzz your mind till you can’t ask questions any more. They can’t tell you what it’s going to be like, someday when; they can’t tell you what it is. It’s not in the songs; it’s out here, in the Field. In the apple and smoke of everyone’s breath, in the reek of ragwort and the milk of broken dandelion stems sticky on your fingers. In the emos’ music, rising up through the earth to pound at the bottom of your spine. Everyone says the reason Leanne Naylor didn’t come back for fifth year is because she got pregnant in the Field and she didn’t even know which guy it was.

So Julia not liking James Gillen is beside the point. The point out here is the hard handsome curve of his lips, the flecks of stubble along his jaw; the tingle sparking down her wrist veins when their fingers touch on the bottle. She holds his eye and licks a leftover drop off the rim of the bottle, with the tip of her tongue, and grins when his eyes widen.

‘Do we get some of that?’ Holly wants to know. Julia passes her the bottle without looking at her. Holly rolls her eyes and takes a good swig before she passes it on to Selena.

‘Want a smoke?’ James asks Julia.

‘Why not.’

‘Oops,’ says James – he doesn’t even bother patting his pockets first. ‘I must’ve dropped my smokes over there. My bad.’ He stands up and holds out his hand to Julia.

‘Well,’ Julia says, only a tenth of a breath of hesitation. ‘Then I’ll just have to come help you find them.’ And she catches James’s hand and lets him pull her up. She takes the cider bottle off Becca and winks while she’s got her back to James, and they walk away side by side, into the tall bobbing weeds.

The sunlight opens to receive them and blinks closed again behind them; they’re lost in its dazzle, vanished. Something between loss and pure panic shoots through Becca. She almost screams after them to come back, before it’s too late.

‘James Gillen,’ Holly says, half-wry, half-impressed. ‘For God’s sake.’

‘If she starts going out with him,’ Becca says, ‘we’ll never see her again. Like Marian Maher: she doesn’t even talk to her friends any more. She just sits there texting Whatshisname.’

‘Jules isn’t going to go out with him,’ Holly says. ‘With James Gillen ? Are you joking?’

‘But what…? Then what…?’

Holly shrugs, one-shouldered: too complicated to explain. ‘Don’t worry. She’s just snogging him.’

Becca says, ‘I’m never doing that. I’m not getting off with some guy unless I actually care about him.’

There’s a silence. A shriek and an explosion of laughter, somewhere down the Field, and a girl from fifth year leaps up to chase after a guy waving her sunglasses over his head; a victory howl as someone gets a bullseye on the graffiti face.

‘Sometimes,’ Holly says suddenly, ‘I actually wish it was still like it used to be fifty years ago. Like, no one shagged anyone till they got married, and it was this huge big deal if you even kissed a guy.’

Selena is lying back with her head on her jacket, scrolling through her photos. She says, ‘And if you did shag a guy, or even if you just acted like you might someday think about it, you could end up locked in a Magdalen laundry for the rest of your life.’

‘I didn’t say it was so totally perfect. I just said at least everyone knew what they were supposed to do. They didn’t have to figure it out.’

‘Then just decide you’re not going to shag anyone till you get married,’ Becca says. Usually she likes cider, but this time it’s left her tongue coated in a thick stale layer. ‘And then you’ll know, and you won’t have to figure it out.’

‘That’s what I mean,’ Selena says. ‘At least we’ve got the choice. If you want to be with someone, you can. If you don’t want to, you don’t have to.’

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