Эрл Гарднер - The Case of the Counterfeit Eye

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"Peter Brunold has a bloodshot glass eye to use the "morning after". It is distinctive, closely identified with him, and thus quite a handicap when a corpse is found clutching a bloodshot glass eye. Later, another corpse is found, with another bloodshot glass eye in hand. Perry Mason is in almost as much jeopardy as his client: the lawyer's fingerprints have been found on one of the alleged murder weapons."

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"Think you can get it open without too much fumbling around?"

"I think so. Let me study the lock a minute. Okay, I think I've got it. Let's go."

Drake took some keys from his pocket, selected one, inserted it in the door, twisted it into just the right position, put pressure on it, and heard the lock click back. He gave a muttered exclamation of satisfaction and the two men entered the room.

"The one next to this, on the right?" Mason asked.

"That's right."

"You're sure that's the woman?"

"Virtually certain."

"If it isn't, we're going to be in a jam."

Drake said irritably, "We're going to be in a jam anyway, if we get caught. It's going to be something we can't explain away."

"Forget it," Mason said. "Where's that belt?"

Drake handed him a safety belt. Mason slid out of the window and hooked the belt in an eye placed for that purpose in the wall just outside the window of the adjoining room. He stood out on the window ledge, caught Drake's hand, steadied himself, and then moved across to the adjoining window, standing for a long moment with his legs spread out across six stories of space.

"Take it easy," Drake cautioned.

Mason slipped the other hook of the belt through the eye on the near side of the window.

"Okay now," he said. "Hand me the water."

Drake stretched out and handed across a pail of water. Mason started sponging the window. A moment later, he knocked on the glass. A woman, attired in underthings, threw a kimono hastily about her shoulders and came to the window, glaring angrily.

Mason made motions indicating that she was to raise the window.

Sylvia Basset flung open the window.

"Look here," she said, "what do you mean by cleaning these windows when I'm dressing? I'm going to complain to the management. You can't…"

"Lower your voice," Perry Mason said, "and take it easy."

At the sound of his voice, she started; then her eyes widened with surprise.

"You!" she said.

Perry Mason slid the bucket of water along the ledge.

"Now, listen," he said. "You haven't much time to waste. I want to get the lowdown on this thing. Did you know Brunold was arrested?"

"Brunold?" she said, and frowned.

"Yes, Brunold."

"Who is he?"

"Don't you know who he is?"

"No."

"Why did you come here under an assumed name?"

"I wanted to rest."

He nodded toward some bags that were sitting on the floor by the bed.

"Those yours?"

"Yes."

"Did you bring them with you last night?"

"No."

"When did you get them?"

"Dick brought them to me early this morning."

"What's in them?"

"Things."

"You mean you're skipping out?"

"My nerves are all upset. I'm going away for a few days until this thing straightens out."

Mason tightened his lips and said, "You poor little fool, were you trying to take a runout powder?"

She said, "Well, what if I was?"

"That," he told her, "is exactly what they're trying to get you to do. Flight is an indication of guilt. It's something that can be proved in a case the same as any other fact."

"They'd never catch me—not where I'm going."

"They'd catch you," he said, "before you went there, with a ticket in your pocket."

"Don't fool yourself," she said. "I'd be too smart for that—only I'm not running away. I just don't want…"

"Listen," he told her. "There's a police detective in the hall, watching the door of your room. There's another one in the lobby and one at the elevators. The police have put in a special operator at the switchboard. You've been shadowed, your son has been shadowed, and all of your telephone conversations have been overheard. Now…"

She clutched her hand to her throat.

"Good heavens!" she exclaimed. "Do you suppose…?"

"Give me the lowdown," he interrupted. "What happened after I left?"

"Nothing very much. They asked me a few questions. I had hysterics."

"What did you tell them?"

"I told them the truth at first—that I had wanted to see my husband about a matter of business, that I went into the outer office and found Hazel Fenwick lying on the floor; that I worked with her and brought her to consciousness, and then she told a story of a man with an empty eye socket, running from the room where my husband had his office."

"Did they ask you why you didn't call your husband?"

"I told them that I was so engrossed thinking of Hazel Fenwick, and trying to bring her to consciousness, that I'd forgotten about my husband."

Mason made a grimace of disgust.

"What's wrong with that?"

"Everything," he said. "What happened after that?"

"Then," she said, "they started getting a little nasty and I became hysterical and lied to them."

"What did you lie to them about?"

"Everything. I told them I knew my husband had gone out, and then I told them I knew he hadn't gone out. They asked me if I knew anyone who had an artificial eye, and I told them my husband had an artificial eye. I laughed and screamed, and they called a doctor and I wouldn't let him touch me. I insisted that Dick call my own physician and then when he came out, he sized up the situation and gave me a hypo and sent me to my room."

"Then what?"

"Dick scouted around until he found a back way unguarded and then he came and got me. I was pretty groggy from the hypo, but I managed to walk, keeping an arm on his shoulder. He took me here and put me to bed. I woke up early this morning and telephoned him, using an assumed name so the police wouldn't know who it was—but, if they were listening over the switchboard—my heavens!"

"Did you make any admissions?" Mason asked.

"No. I didn't have anything to admit, except about the hysterics."

"What about the hysterics?"

"He asked me if I'd told the police anything, and I told him no, that my hysterics completely fooled them."

"Anything else?"

"I talked with him two or three times today."

"Make any admissions?"

"Well, I talked pretty freely with him, but I didn't make any damaging admissions."

"Did he?" Mason asked.

"He told me he was glad my husband was dead. Dick had hated him bitterly for some time."

"Now, listen," Mason told her. "You can't stall the police the next time they start questioning you. So you've got to get your story in order. How about the gun?"

"I'll tell them the truth, that I gave it to Dick to protect me with."

"Was that the gun that was used in the killing?"

"I don't know."

"How about Brunold?"

"I don't know any Brunold."

"You should," Mason said. "He's the father of your child."

She clutched at the edge of the table.

"What!" she exclaimed.

Mason nodded and said, "I found out that much through my own detectives. The police can find it out just as easily as I did, providing Brunold hasn't told them already. Brunold has been taken into custody."

"Even Dick doesn't know," she said.

"Does he suspect?"

"I don't think so."

"Brunold was out at the house last night?"

"No."

"Tell me the truth."

"Yes."

"What time did he leave?"

"Do I have to tell the police this?"

"I can't tell yet."

"He left just before I discovered Hazel Fenwick unconscious."

"What were you doing in your husband's outer office?"

"I went down there to see if Hazel had fixed things up with Hartley. She had been gone a long time and I was worried."

"Brunold was with you just before you went down?"

"Yes."

"Had he been with you all the time?"

"No, not all the time. I'd gone to my bedroom and left him in my sitting room. I think he stepped into the corridor for something. He wasn't there when I came back, but he came in after a few moments."

"You knew Hazel Fenwick was going down to see your husband?"

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