Lisa See - The Interior

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The Interior, Lisa See's gripping follow-up to her best-selling novel Flower Net, follows Liu Hulan and David Stark into China 's remote countryside on a heart-pounding journey that begins as a favor to an old friend- and ends with a shocking revelation of murder, betrayal, and greed. After a hit and run accident that leaves a close friend dead, David accepts the job opportunity of a lifetime when he's asked to open a law office for Phillips, MacKenzie Stout in Hulan's home city of Beijing. Meanwhile, Hulan has received an urgent message from an old friend imploring her to investigate the suspicious death of her daughter. The scent of trouble wafts up almost immediately as David and Hulan realize their separate cases have a surprising element in common: the dead girl worked for Knight International, the toy company about to be sold to David's new biggest client, Tartan Enterprises.
In spite of David's protests, Hulan goes undercover, transforming herself from Red Princess to peasant girl, to gain entry into the Knight factory compound. Once inside, rather than finding answers to the girl's death, Hulan unearths more questions, all of which point to possible crimes committed by David's client- ranging from corruption to child labor to unsafe manufacturing practices to far worse. Suddenly Hulan and David find themselves on opposite corners: One of them is trying to expose a company and unearth a killer, while the other is ethically bound to protect his client. Their independent activities collide when a female worker, who gets seriously wounded on the factory floor where Hulan is working, later winds up dead- her body discovered close to where David is finalizing the details of the merger with Knight and Tartan executives.
As the body count rises, the "accidents" and "suicides" begin to look more and more like cold-blooded murders, with the possible suspects ranging from an old peasant farmer to a popular government official to the genius inventor behind Knight International's wildly popular action figure toys. Hulan's trip into the countryside to help piece together clues about her friend's daughter's life brings her back to the past she's long been running from- and forces her to face some ugly truths about herself. At the same time, David sees that his deep desire to overlook the truth- about Hulan's feelings concerning his move to Beijing, about his colleague's death, about his new client's activities- could possibly cost him everything, both professionally and personally.
Deftly weaving her plot from the affluent streets of Los Angeles to the teeming city of Beijing to the primitive culture of China's country villages, Lisa See reveals the striking contrast between Eastern tradition and Western beliefs, the privilege and betrayal of the ruling class, the poverty and desperation of peasant life, and the pull of professional duty and the power of "true heart love." An enthralling story that keeps you guessing until the end, The Interior takes readers deep into the heart of China to reveal universal truths about good and evil, right and wrong- and the sometimes subtle lines that distinguish them.
***
"Lisa See is one of the classier practitioners of that ready-for-Hollywood genre, the international thrillerÖ She draws her characters (especially her Chinese heroine, Liu Hulan) with convincing depth, and offers up documentary social detail that reeks of freshly raked muckÖ Seeís China is as vivid as Upton Sinclairís Chicago." The New York Times
"[Seeís] true ambition is not simply to entertain (which she does) but to illuminate the exotic society that is contemporary China, and to explore the consequences ‚ present and future ‚ of its growing partnership with the United StatesÖ See paints a fascinating portrait of a complex and enigmatic society, in which nothing is ever quite as it appears, and of the people, peasant and aristocrat alike, who are bound by its subtle strictures." The San Diego Union Tribune
"SophisticatedÖ.Seeís writing is more graceful than is common in the genre, and she still has China passionately observed." The Los Angeles Times
"The Interior is packed with well-researched and nuanced reporting on todayís ChinaÖHulan is an insightful guide to both Chinese corruption and those who resist it." Washington Post
"Immediate, haunting and exquisitely rendered, a fine line drawing of the sights and smells of the road overseas." San Francisco Chronicle
"[An] unflinching portrait [of] modern-day China." Booklist
"The novel eschews any cheap exoticism to plunge the reader into the puzzle that is China today as seen through the eyes of outsiders. A unique read, whose credible protagonists make this a thriller with a heart." The Saturday Review
"A cracking good story." The Good Book Guide
"The strength of Seeís work here is her detailed and intimate knowledge of contemporary China, its mores, its peculiar mixture of the traditional and the contemporary, and its often bedeviled relationships with the U.S. " Publishers Weekly
"A must-read for those looking for foreign intrigue." Rocky Mountain News
"A well-written book with a complex plotÖShines a harsh and revealing light on the modern-day Chinese interior and on Beijing, the real China beneath the postcard imagesÖShe explores themes of Old China and new China, and how the more things change the more they remain the same. She illuminates tradition and change, Western and Eastern cultural differences, and the real politics behind the system. All this in the middle of her thriller which is also about greed, corruption, abuse of the disadvantaged, the desperation of those on the bottom of the food chain, and love." Nashville Tennessean
"A unique readÖa thriller with a heart." The Guardian

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Still clanking, drumming, and blowing, the musicians slowly set off down the alley. Following this cue, the old folks-continuing their dancing rhythm-filed past Hulan. She waited for Madame Zhang to pirouette by, but when she didn't Hulan walked to the old woman's home, silently cursing this current wave of nostalgia to sweep through the city.

One month it was restaurants celebrating "the long-past good days" of the Cultural Revolution; the next month there was a run on collectible Mao buttons. One month there was a craze for Western-style white wine mixed with Coca-Cola and ice; the next month old people were bringing their rumpled yangge costumes and instruments out of trunks and closets and taking to the streets like a bunch of teenagers.

Yang ge music had originated among the peasants of China 's northeast and had been brought to Beijing by the People's Liberation Army in 1949. Now, after years of deprivations and political upheavals, the old people had resurrected twin passions-dancing and singing. The only problems-and they were big ones as far as Hulan was concerned-were the time of day and the noise. China, although a large country, operated on one time zone. While in the far west farmers might not go to their fields until the sun came up at nine, in Beijing the day started unconscionably early. Psychologically Hulan hated waking up before six, let alone four in the morning, to the ungodly racket of the yang ge troupe.

This constant clamoring had also been extremely upsetting to Hulan's mother. Rather than filling Liu Jinli with sentimental longings or carefree memories, these raucous sounds made the older woman quite querulous. Since the Cultural Revolution, Jinli had been confined to a wheelchair and still suffered from bouts of catatonia. During the first weeks that she'd come back to the quiet of the hutong, her health had improved considerably. But with the yang ge music stirring up the past, Jinli's condition had once again spiraled downward. Which was why Hulan had gone several times already this summer to Neighborhood Committee Director Zhang to register complaints. But the old woman, whose duty it was to keep tabs on the comings and goings of the residents of this Beijing neighborhood, had joined the troupe herself and for once seemed completely immune to Hulan's imprecations.

"Huanying, huanying," Madame Zhang Junying said automatically, opening the door to Hulan. Then, seeing how her neighbor was dressed, the older woman quickly pulled Hulan inside. "Where are your day clothes? You are trying to scare the neighbors?"

"There's nothing to see that they haven't seen before," Hulan said, pulling her robe more tightly around her.

Madame Zhang considered these words, then said, "For most people this is true. After all, what surprises can any of us have? But with you…" The Committee director shook her head in a maternal show of disapproval. "Come sit down. Will you drink tea?"

Hulan, as custom dictated, politely refused.

But Madame Zhang would have none of it. "Sit down here. You pour. I'll put these papers away." As Hulan did as she was told, the old woman continued, "Today no fun for me. I have to file my report. So much paperwork, right, Hulan?"

"I have something for you to add to your report."

"Don't worry," the Committee director chortled. "I have already put in your complaints. Formal, as you requested."

"Then why isn't anything done?"

"You think you are the only one to complain? Remember that hot line the government set up for people to call? They got almost two thousand calls the first day. Then they turned off the phone!" Madame Zhang clapped her hands on her knees.

"The musicians are not supposed to be near residences…"

"Or hospitals. I know. You don't have to tell me. But you must look on the positive side. We are together maybe sixty thousand old people in different dance troupes. We are going outside the house and giving young people time at home alone. Daughters-in-law are happy. Sons are happy. Maybe next year we get a grandchild or great-grandchild-"

"Auntie," Hulan cut in sternly.

At her tone Madame Zhang finally turned serious. "I remember when your mother returned to our neighborhood from the countryside all those years ago," she said. "She's the one who taught us these songs. She's the one who taught us these dances. Now you tell me she doesn't want us to make noise? Ha!"

"But do they have to do it so early in the morning?"

At this Madame Zhang put her head back and laughed and laughed. "This is summer, Hulan. We are in Beijing. What is the temperature at this hour? Thirty-eight degrees centigrade? The people want to practice early before it gets too hot."

The old woman watched Hulan's face as she struggled to come up with another argument. Finally Madame Zhang leaned over and put a hand on Hulan's knee. "I know this must be hard for your mother. But she is just one person, and the people want to have fun." Her voice changed, becoming gruffer, deeper. "We all went through so much. We just want to enjoy the rest of our lives."

Later, as Hulan walked back to her compound, she thought over Madame Zhang's words. It was true, they'd all been through so much, too much really. In China the past would always be a part of the present. But unlike her neighbors, Hulan had the money and connections to make sure her family could escape it on occasion. And so Hulan made a plan. When she reached the Liu compound she went directly to her mother's quarters. The nurse had dressed Jinli, who now sat in her wheelchair. Her eyes were red and swollen from crying. Hulan tried to speak to her, but Jinli had retreated into silence. Hulan sat on the bed, dialed the phone, and made arrangements to send her mother and her nurse to the seaside resort of Beidaihe. They would be cooler there and away from the disturbing sounds of the yang ge troupes.

When Hulan was done, she carefully explained everything to Jinli, knowing that she might not understand anything that was said. Then Hulan kissed her mother, gave a few last instructions to the nurse, and made her way back to her own quarters.

At seven, Liu Hulan, dressed in a cream-colored silk dress, once again stepped through the gate of her hutong home to a waiting black Mercedes. A young man leaned against the back passenger door. "Good morning, Inspector," he said as he opened the door and motioned for her to get in. "Step inside quickly. I have kept the car running. The air conditioning is good."

Hulan sank into the soft leather cushions. Her driver, Investigator Lo, stepped on the gas and began heading toward Tiananmen Square and the Ministry of Public Security compound. Lo was a compact man- short, muscular, and prudent with his thoughts and emotions. From reading his secret personal file, Hulan knew that he was from Fujian Province, single, and an expert at several martial arts disciplines.

Several times during the last two months since Investigator Lo had been assigned to her, Hulan had tried to include him in the analytical aspects of her investigations, but he'd seemed circumspect, preferring to concern himself only with his chauffeuring duties. She'd invited him out for drinks, hoping that over a beer they might begin a friendship, but Lo had politely refused these offers as well. All of this was odd. Who would turn down an offer to "climb the ladder" at the ministry? It was through the successful conclusion of cases, recommendations from superiors, or political activities that investigators usually earned promotions. Investigator Lo appeared to have either no inkling of these rules or no aptitude for accomplishing any of these things, but Hulan was not surprised.

Her old driver, Peter, had been assigned to spy on her. Despite his lack of personal loyalty, Hulan had learned to depend on his judgment and instincts. She had hoped to build a similar relationship with Lo, but he seemed focused solely on his instructions from Vice Minister Zai, which apparently were limited to keeping tabs on her and working as some sort of bodyguard-a moving block of muscle with her protection as his goal. More than once she had needed to restrain Investigator Lo, who took it upon himself to physically bully witnesses who did not respond quickly enough to Hulan's questions.

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