Lisa See - The Interior

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The Interior, Lisa See's gripping follow-up to her best-selling novel Flower Net, follows Liu Hulan and David Stark into China 's remote countryside on a heart-pounding journey that begins as a favor to an old friend- and ends with a shocking revelation of murder, betrayal, and greed. After a hit and run accident that leaves a close friend dead, David accepts the job opportunity of a lifetime when he's asked to open a law office for Phillips, MacKenzie Stout in Hulan's home city of Beijing. Meanwhile, Hulan has received an urgent message from an old friend imploring her to investigate the suspicious death of her daughter. The scent of trouble wafts up almost immediately as David and Hulan realize their separate cases have a surprising element in common: the dead girl worked for Knight International, the toy company about to be sold to David's new biggest client, Tartan Enterprises.
In spite of David's protests, Hulan goes undercover, transforming herself from Red Princess to peasant girl, to gain entry into the Knight factory compound. Once inside, rather than finding answers to the girl's death, Hulan unearths more questions, all of which point to possible crimes committed by David's client- ranging from corruption to child labor to unsafe manufacturing practices to far worse. Suddenly Hulan and David find themselves on opposite corners: One of them is trying to expose a company and unearth a killer, while the other is ethically bound to protect his client. Their independent activities collide when a female worker, who gets seriously wounded on the factory floor where Hulan is working, later winds up dead- her body discovered close to where David is finalizing the details of the merger with Knight and Tartan executives.
As the body count rises, the "accidents" and "suicides" begin to look more and more like cold-blooded murders, with the possible suspects ranging from an old peasant farmer to a popular government official to the genius inventor behind Knight International's wildly popular action figure toys. Hulan's trip into the countryside to help piece together clues about her friend's daughter's life brings her back to the past she's long been running from- and forces her to face some ugly truths about herself. At the same time, David sees that his deep desire to overlook the truth- about Hulan's feelings concerning his move to Beijing, about his colleague's death, about his new client's activities- could possibly cost him everything, both professionally and personally.
Deftly weaving her plot from the affluent streets of Los Angeles to the teeming city of Beijing to the primitive culture of China's country villages, Lisa See reveals the striking contrast between Eastern tradition and Western beliefs, the privilege and betrayal of the ruling class, the poverty and desperation of peasant life, and the pull of professional duty and the power of "true heart love." An enthralling story that keeps you guessing until the end, The Interior takes readers deep into the heart of China to reveal universal truths about good and evil, right and wrong- and the sometimes subtle lines that distinguish them.
***
"Lisa See is one of the classier practitioners of that ready-for-Hollywood genre, the international thrillerÖ She draws her characters (especially her Chinese heroine, Liu Hulan) with convincing depth, and offers up documentary social detail that reeks of freshly raked muckÖ Seeís China is as vivid as Upton Sinclairís Chicago." The New York Times
"[Seeís] true ambition is not simply to entertain (which she does) but to illuminate the exotic society that is contemporary China, and to explore the consequences ‚ present and future ‚ of its growing partnership with the United StatesÖ See paints a fascinating portrait of a complex and enigmatic society, in which nothing is ever quite as it appears, and of the people, peasant and aristocrat alike, who are bound by its subtle strictures." The San Diego Union Tribune
"SophisticatedÖ.Seeís writing is more graceful than is common in the genre, and she still has China passionately observed." The Los Angeles Times
"The Interior is packed with well-researched and nuanced reporting on todayís ChinaÖHulan is an insightful guide to both Chinese corruption and those who resist it." Washington Post
"Immediate, haunting and exquisitely rendered, a fine line drawing of the sights and smells of the road overseas." San Francisco Chronicle
"[An] unflinching portrait [of] modern-day China." Booklist
"The novel eschews any cheap exoticism to plunge the reader into the puzzle that is China today as seen through the eyes of outsiders. A unique read, whose credible protagonists make this a thriller with a heart." The Saturday Review
"A cracking good story." The Good Book Guide
"The strength of Seeís work here is her detailed and intimate knowledge of contemporary China, its mores, its peculiar mixture of the traditional and the contemporary, and its often bedeviled relationships with the U.S. " Publishers Weekly
"A must-read for those looking for foreign intrigue." Rocky Mountain News
"A well-written book with a complex plotÖShines a harsh and revealing light on the modern-day Chinese interior and on Beijing, the real China beneath the postcard imagesÖShe explores themes of Old China and new China, and how the more things change the more they remain the same. She illuminates tradition and change, Western and Eastern cultural differences, and the real politics behind the system. All this in the middle of her thriller which is also about greed, corruption, abuse of the disadvantaged, the desperation of those on the bottom of the food chain, and love." Nashville Tennessean
"A unique readÖa thriller with a heart." The Guardian

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Suchee had one more purchase to make-a coffin. Undertaker Wang, knowing that Suchee was almost as poor as he, suggested that the girl be cremated. But Suchee shook her head. "I want a coffin, a good one," she insisted.

"I can make you something nice," Wang said. "See this wood over here? This will be perfect for you."

But when Suchee ran her fingertips over the rough grain, she shook her head again. She looked about her until her eyes rested on a crimson lacquer coffin with hand-wrought hardware. "That one there," she said, pointing. "That is the one for Miaoshan."

"Oh, too expensive! My nephew buys that one in Beijing and sends it here to me. At first I'm thinking, my nephew has put me out of business! That kind of coffin is for a Red Prince, not someone in our poor village. But these days…" The undertaker rubbed his chin. "We have some prosperity in our village now. I am keeping it for one of the village elders. They are all old men, and they can't live forever."

But Suchee didn't appear to be listening. She crossed the small, hot room and placed her hands on the crimson surface of the coffin. After a moment she turned and said, "I will take it." Before Wang could voice his objections, Suchee reached into a pocket, pulled out a wad of old bills, and began counting them. She was not prepared to bargain with him as she might have under other circumstances, and, to his honor, he did not cheat her but accepted a fair price with a solid profit. Undertaker Wang considered that if a peasant woman like Ling Suchee was willing to buy a coffin like this for a no-account daughter, then perhaps that nephew of his should send a few more lacquer coffins to the village.

Her business with Wang completed, Suchee stepped back outside into the harsh sunlight. With each of these stops her determination grew. She would make Captain Woo hear her. She crossed the street to the building that housed the Public Security Bureau, then waited while a secretary went into one of the offices to speak with the captain. When she came out, her face was set in a disapproving grimace. "The captain is busy," the woman said. "He says you should go back home. Be a proper mother. You have a duty, you know. Take care of your daughter." The woman's voice softened just a little. "You have things you need to do for her. Go on."

"But I have to tell him-"

The secretary's firmness returned. "Your case has been heard. Captain Woo has already finished the paperwork."

"How can this be?" Suchee asked. "Captain Woo has not interviewed anyone. He has not asked me if Miaoshan had any enemies. We are a small village, but you and I both know there are many secrets here. Why isn't he asking about those?"

Instead of answering these questions, the secretary said, "The official file is complete." As an afterthought she added, "Do not cause trouble for yourself."

Suchee bent her head, looked at her callused feet, and tried to absorb what she had heard.

"Go on," the secretary insisted, a strident tone creeping into her voice. "We are sorry for your loss, but you must go away. If you don't, I will have to call…"

Suchee slowly stood, looked the woman directly in the eye, and uttered the worst curse she could think of. "Fuck your mother," she said and walked out.

She headed straight for the post office, knowing she would have to pass the Silk Thread Cafe. Approaching it, she saw the elders of the town-some old, some not so old, but all of them in clean and ironed white shirts that seemed an affront to all those who labored in the rocky fields that surrounded this village-sitting at their customary tables at the front of the establishment. When the men saw her approaching, their banter quieted so that all that could be heard was the sound of the cafe's television in the background.

She met their stares straight on. With the vision of her daughter hanging in the shed looming before her eyes, she said, "You will pay. I will make you pay if it takes my last breath and my last drop of blood." Then she lifted her chin and continued on to the post office, where she bought paper, a pen, and an envelope. At the counter she slowly, painstakingly wrote out a few characters. It was important to her that their form be neat, that their content be as clear as her simple mastery of the written language would allow. Then-copying from a slip of paper that she had brought with her from that buried box in her fields-she wrote on the envelope the name and address of the only government official she knew, Liu Hulan, who had lived and worked in the village so many years before.

1

THIS MORNING, AS EVERY MORNING THIS SUMMER IN Beijing, Liu Hulan woke before dawn to the deafening sounds of drums, cymbals, gongs, and, worst of all, the horrible squeals of a suo-na, a many-piped wind instrument that resounded for blocks, maybe even miles. Competing to be heard over the instruments were the exuberant voices, cheers, and yelps of the Shisha Hutong Yang Ge Folk Dance and Music Troupe. This was the beginning of what would be a three-hour session, and this morning it appeared to be taking place directly outside Hulan's family compound.

Hulan hurriedly wrapped her silk robe around her, slipped on a pair of tennis shoes, and stepped outside onto the covered veranda outside her bedroom. Though it was only four, the air was already thick as custard with heat, humidity, and smog. Once the summer solstice passed, Beijingers prepared for the arrival of Xiao Shu, or Slight Heat Days. But this year Da Shu, Great Heat, had come early. This past week had seen five straight days with temperatures over forty-two degrees centigrade and humidity hovering at about ninety-eight percent.

Hulan quickly crossed the innermost courtyard, passing the other pavilions where in the old days the different branches of her extended family had lived. On the steps of one of these, her mother's nurse- already dressed in simple cotton trousers and a short-sleeve white blouse-waited for her. "Hurry, Hulan. Make them stop. Your mother is bad this morning." Hulan didn't respond, she didn't need to. She and the nurse had followed this routine now for the past three weeks.

Hulan reached the first courtyard, pushed open the gate, and stepped into the alleyway that ran before her family compound. There were perhaps seventy people here, all of them senior citizens. Most were dressed in pink silk tunics, while a few wore electric green. The latter, Hulan had learned a week ago, had come from the Heavenly Gate Dance Brigade after an argument about who would lead the dancing in their own neighborhood. The people looked colorful and-Hulan had to admit it- rather sweet in their costumes: Sequins decorated their fans, while glittering tinsel and tufts of white fluff fluttered in time to the music. The bodies of the old people happily gyrated to the drums and cymbals in a dance that was a cross between the bunny hop and the stroll.

"Friends, neighbors," Hulan called out, trying to be heard, "please, I must ask you to move." Of course no one paid her any attention. Hulan stepped into the dancers just as they began marching out of their circle and into rows.

"Oh, Inspector! Beautiful morning!" This greeting came from Ri Lihan, a woman in her eighties who lived five compounds away. Before Hulan could respond, Madame Ri twirled away.

Hulan tried to stop first one, then another dancer, but always they slipped past, laughing, their wrinkled faces flushed and sweaty. Hulan made her way through the dancers to the musicians. The cheeks of the man blowing on the suo-na were puffed out and red. The sound emanating from that instrument was high, loud, and discordant. Speech was impossible, but when the musicians saw Hulan pat at the pockets of her robe, they exchanged knowing glances. They had seen their neighbor, Liu Hulan, do this before. She was looking for her Ministry of Public Security identification, but, as was so often the case on these early morning excursions, she had left it behind. The musicians beamed and nodded agreeably to the inspector.

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