«Fuck you, I'm not a writer,» Claudia said. «A screenwriter is not a writer? You just say that because you're not good at it.»
Vail patted her on the shoulder. «I'm not putting you down,» he said. «I'm not even putting down film as an art. I'm just defining.»
«It's a lucky thing I love your books,» Claudia said. «It's no wonder nobody out here likes you.»
Vail smiled amiably. «No, no,» he said. «They don't dislike me. They just have contempt for me. But when my estate gets the rights to my characters back on my death, they'll have respect.»
«You're not serious,» Claudia said.
«I think I am,» Vail said. «It's a very tempting prospect. Suicide. Is it politically incorrect these days?»
«Oh shit,» Claudia said. She wrapped her arm around Vail's neck. «The fight is just beginning,» she said. «I'm sure they'll listen when I ask for your points. Okay?»
Vail smiled at her. «No hurry,» he said. «It will take me at least six months just to figure out how to do myself in. I hate violence.»
Claudia realized suddenly that Vail was serious. She was surprised at the panic she felt at the thought of his death. It was not that she loved him, though they had been lovers briefly. It was not even that she was fond of him. It was the thought that the beautiful books he had written were to him less powerful than money. That his art could be defeated by such a contemptible foe as money. Out of that panic she said, «If worse comes to worst, we'll go to Vegas and see my brother, Cross. He likes you. He'll do something.»
Vail laughed. «He doesn't like me that much.»
Claudia said, «He has a good heart. I know my brother.»
«No, you don't,» Vail said.
Athena had come home from the Dorothy Chandler Pavilion the night of the Academy Awards without celebrating and had gone right to bed. She tossed and turned for hours, but she couldn't sleep. Every muscle in her body felt taut. I won't let him do this again, she thought. Not again. I won't live in terror again.
She made herself a cup of tea and tried to drink it, but when she saw the small tremor in her hand, she became impatient, walked outside, and stood on the balcony looking into the dark night sky. She stood for hours, but her heart still raced in terror.
She dressed. In white shorts and tennis shoes. And as the red sun began to show itself over the horizon, she ran. She ran faster and faster along the beach, trying to stay on the hard wet sand, trying to follow the coastline as the cold water washed over her feet. She had to clear her head. She couldn't let Boz beat her. She had worked too hard and too long. And he would kill her, she never doubted that. But first he would play with her, torment her, finally he would disfigure her, he would make her ugly, thinking it would make her his again. She felt her own fury beating in her throat, and then the cool wind spraying ocean water in her face. No, no!
She thought about the Studio, they'd be frantic, they'd threaten her. But it was money, not her, they were concerned about. She thought about her friend Claudia, how this could have been her big break, and she felt sad. She thought about all the others, but she knew she couldn't afford the luxury of compassion. Boz was crazy, and people who weren't crazy would try to reason with him. He was smart enough to make them think they could win, but she knew better. She couldn't take the chance. She couldn't allow herself to take that chance… .
By the time she reached the large black boulders that meant the north beach ended, she was completely out of breath. She sat, trying to slow her heart down. She looked up when she heard the caw of seagulls as they swept down and seemed to glide along the water. Her eyes filled, but she pulled herself back with determination. She swallowed past the lump in her throat. And for the first time in a long time she wished her parents weren't so far away. Some part of her felt like a small child and wished desperately to run home to safety, to someone who could put their arms around her and just make everything better. She smiled at herself then, a crooked, wry smile, remembering when she really believed that was possible. Now, she was so loved by everyone, so admired, so adored … and so what? She felt more empty than she thought any human was capable of feeling, more lonely. Sometimes when she found herself passing an ordinary woman with her husband and children, a woman living an ordinary life, she felt such longing. Stop! she told herself. Think. It's up to you. Come up with a plan and carry it through. It's not only your life that depends on you… .
It was midmorning before she walked back home. And she walked with her head held high and her eyes staring straight ahead: She knew what she had to do.
Boz Skannet was kept in custody overnight. His lawyer organized a press conference when he was released. Skannet told reporters that he was married to Athena Aquitane, though he had not seen her for ten years, and that what he had done was just a practical joke. The liquid was only water. He predicted that Athena would not press charges, intimating he possessed a terrible secret about her. In this he proved correct. No charges were filed.
That day Athena Aquitane informed LoddStone Studios, the studio making one of the most costly pictures in movie history, that she would not return to work on that film. Because of the attack made on her, she feared for her life.
Without her, the film, a historical epic called Messalina, could not be completed. The fifty million dollars invested would be a total loss. It also meant that because of this no major studio would ever dare cast Athena Aquitane in a movie again.
LoddStone Studios released a statement that their star had suffered extreme exhaustion but that in a month she would be recovered enough to resume shooting.
LODDSTONE STUDIOS WAS the most powerful movie-making entity in Hollywood, but Athena Aquitane's refusal to go back to work was a costly treachery. It was rare that mere «Talent» could deal such a damaging blow, but Messalina was the Studio «Locomotive» for the Christmas season, the big picture that would power all the Studio's releases through the long, hard winter.
It happened that the next Sunday was the date of the annual Festival of Brotherhood charity party, held at the Beverly Hills estate of Eli Marrion, major shareholder and chairman of LoddStone Studios.
Far back in the canyons above Beverly Hills, Eli Marrion's huge mansion was a showplace of twenty rooms, but the oddity of it was that it had only one bedchamber. Eli Marrion never liked anyone sleeping in his house. There were guest bungalows, of course, along with two tennis courts and a large swimming pool. Six of the rooms were devoted to his large collection of paintings.
Five hundred of the most eminent people in Hollywood were invited to this charity festival with an admission fee of one thousand dollars per person. There were bars and buffet tents and dancing tents spread over the grounds, and there was a band. But the house itself was off-limits. Toilet facilities were provided by portable units in gaily decorated, wittily designed tents.
The mansion, the guest bungalows, the tennis courts, and the swimming pool were roped off and barred by security men. None of the guests were offended by this, Eli Marrion was too lofty a personage for offense to be taken.
But as guests frolicked on the lawns, gossiping and dancing for an obligatory three hours, Marrion was in the huge conference room of the mansion with a group of people most concerned with the completion of the film Messalina.
Eli Marrion dominated this gathering. His body was eighty years old but so cleverly disguised you took it for no more than sixty. His gray hair was perfectly cut and tinted to silver, his dark suit broadened his shoulders, added flesh to his bones, insulated his pipe-thin shanks. Mahogany shoes anchored him to earth. A white shirt was vertically cut with a rose-colored tie that pinked his grayish pallor. But his rule over LoddStone Studios was absolute only when he wanted it to be. There were times when it was more prudent to let mere mortals exercise their free will.
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