Jack Finney - Invasion of The Body Snatchers

"Five-ten."

"Exactly?"

"Yeah. Why?"

"How tall would you say the body downstairs is?"

He looked at me for a moment, then said, "Five-ten."

"And what do you weigh?"

"One forty." He nodded. "Yeah, just about what that body downstairs weighs. You've hit it; it's my size and build. Doesn't especially look like me, though."

"Or anyone else. You got an ink pad in the house?"

He turned to his wife. "Have we?"

"A what?"

"An ink pad. The kind you use for rubber stamps."

"Yes." Theodora got up and crossed the room to a desk. "There's one in here somewhere." She found and brought out an ink pad, and Jack went over, took it, then opened another drawer and brought out a sheet of stationery.

I went over to the desk and so did Becky. Jack inked the ends of all five fingers of his right hand, then held out his hand to me. I took it, then pressed the fingers, carefully rolling each one, on the sheet of paper, getting a full set of clean, sharp prints. Then I picked up stamp pad and paper. "You girls want to come?" I nodded at the door.

They looked at each other; they didn't want to go back to that billiard table, and they didn't want to stay up here waiting, either. Becky said, "No, but I'm going to," and Theodora nodded.

Downstairs, Jack turned on the light over the billiard table. It swung a little, and I reached out to the shade to steady it. But my fingers trembled, and I only made it worse. The shade still swung in a tiny half-inch arc, the light spilling off over the edge of the table, then retreating to the open eyes of the body, leaving the smooth forehead in semi-dark for an instant. It gave you the impression that the body was moving a little, and I picked up the right wrist, concentrating on that, not looking at the face. I inked the ends of all five fingers, then I laid the sheet of paper containing Jack's fingerprints on the wide table ledge, beside the body's right hand. I brought the hand up, laid it on the white sheet, and rolling each finger, I took an impression of them all, directly under Jack's prints, then lifted the hand from the paper.

Becky actually moaned when we saw the prints, and I think we all felt sick. Because it's one thing to speculate about a body that's never been alive, a blank. But it's something very different, something that touches whatever is primitive deep in your brain, to have that speculation proved. There were no prints; there were five absolutely smooth, solidly black circles. I wiped the ink off the fingers fairly well, and we all bent over, huddled in a circle under the swinging light, and looked at the darkened ends of those fingers. They were smooth as a baby's cheek, and Theodora murmured quietly, "Jack, I'll be sick," and he turned to grab her – she was bending at the waist – then helped her upstairs.

Sitting in the living-room again, I shook my head, and said to Jack, "You've got the word for it, all right. It's a blank; unfinished, and still waiting for the final impression."

He nodded. "What'll we do? You got any ideas?"

"Yeah" – I sat looking at him for a moment. "But it's only a suggestion, and if you don't want to go through with it, nobody'll blame you, certainly not me."

"What is it?"

"Remember, this is only a suggestion." I leaned forward on the davenport, forearms on my knees, and now I turned to Theodora. "And if you don't think you can take this," I said to her, "you'd better not try it, I'm warning you." I looked at Jack again. "Leave it where it is, down on that table. Tonight you'll go to sleep; I'll give you something to take." I glanced at Theodora – "But you stay awake; don't sleep for an instant. Every hour, if you can do this, I want you to go downstairs and look at that – body. If you see any hint of a change, hurry upstairs and wake Jack up, right away. Get him out of the house – both of you get out right away – and come right down to my place."

Jack looked at Theodora for a moment, then he said quietly, "I want you to say no, if you don't think you can go through with that."

She sat biting gently at her lip, staring at the rug. Then she looked up, first at me, then turned to Jack. "What would it… start looking like? If it started to change?"

No one answered, and after a moment she looked down at the rug, nibbling her lip again, and didn't repeat the question. "Would Jack wake up all right?" Theodora looked at me. "Could I wake him any time?"

"Yes. A slap on the face, and he'll wake right up. Now, listen; even if nothing happens, wake him up if you find you can't stand it. You can both come down to my place for the rest of the night then, if you want."

She nodded, and stared at the rug again. Finally she said," I guess I could." She looked up at Jack, frowning.

"As long as I know I can wake him any time, I guess I could."

"Couldn't we stay with her?" Becky said.

I shrugged. "I don't know. But I don't think so. I think just the people who live here ought to be here; I'm not sure it'll work otherwise. I don't know why I say that, though; it's just a hunch, a feeling. But I think only Jack and Theodora should be here."

Jack nodded, and after glancing at Theodora to confirm this, said, "We'll try it."

We sat then, and talked some more – quite a while, in fact – staring down at the tiny lights of the town in the little valley below. But no one said anything much that hadn't already been said, and around twelve, most of the lights in the town below now out, Becky and I stood up to leave. The Belicecs got their coats, and drove downtown with us to pick up Jack's car. It was parked on Sutter Place, a block and a half from the movie, and when we stopped beside their car, and they got out, I repeated to Theodora what I'd said about waking Jack up and beating it out of there if the body in their basement started to alter in any way. I got some half-strength Seconal out of my satchel and gave it to Jack, and told him that one ought to get him to sleep. Then they said good night – Jack smiling a little, Theodora not bothering to try – got into their car, and we waved, and drove on.

On our way to her house, through the dark, empty streets, Becky said quietly, "There's a connection, isn't there, Miles? Between this and – Wilma's case?"

I glanced at her quickly, but she was staring straight ahead through the windshield. "What do you think?" I said casually. "You think there's connection?"

"Yes." She didn't look to me for confirmation, but simply nodded as though she were certain. After a moment she added, "Have there been other cases like Wilma's?"

"A few." Watching the asphalt street in the headlight beams, I watched Becky, too, from the corners of my eyes.

But she didn't react, or say anything, for nearly a block. Then we swung into her street, and as I drew the car in to the curb, and stopped at her walk, she said – still looking straight ahead through the windshield – "Miles, I'd meant to tell you this, after the movie." She took a deep breath. "Ever since yesterday morning," she began slowly, keeping her voice calm, "I've had the feeling that" – she finished in a panicky rush of words – "that my father isn't my father at all!" Darting a horrified glance at the dark, shadowed porch of her home, Becky covered her face with her hands and began to cry.

I don't claim much experience with crying women, I but in stories I read, the man always holds the girl close and lets her cry. And it always turns out to have been the wise, understanding thing to do; I've never heard of a single authenticated case where the wise, understanding thing was to distract her with card tricks, jokes, or tickling her feet. So I was wise and understanding. I held Becky close and let her cry, because I didn't know what else to do or say. After what we'd seen in Jack Belicec's basement tonight, if Becky believed her father was an impostor who resembled her real father exactly, I didn't know how to argue with her.