Jack Finney - Invasion of The Body Snatchers

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Starred Review. While Miles's patients start remarking about loved ones not seeming to be themselves, he merely chalks it up to paranoia. However, when he becomes witness to a distinct but subtle change in the personality of some townspeople, he and his friends realize something is afoot. Their fears are realized as they stumble upon faceless corpses and strange pods. But the pod people are spreading fast, and Miles is running out of places to hide and people to help him. Finney's classic tale of alien invasion is recreated anew with more terror than the book or the film. Tabori delivers a performance that will chill listeners with his intensity and sense of urgency. His lightly raspy and mature voice works perfectly through the first-person perspective of Miles. He captures the mood and adjusts his pitch, speed and tone accordingly. By the end of this production, listeners will believe they are listening to Miles himself and not just some narrator. A brief interview with Tabori at the end reveals that he's the son of Don Siegel, who directed the original 1957 film Invasion of the Body Snatchers.

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"All right, Miles" – Mannie looked musingly at me – "I guess we will, at that, have to hold you in a cell, till we can get others. Sorry, but it's what we'll have to do."

I just nodded, and we all moved out then, through the door to the building hallway. I didn't care whether we took the elevator or stairs, but Mannie said, "'Let's walk down. There's only the janitor, Saturdays; service is bad." And we walked along the hall to the metal fire-door, then began filing down the long, winding staircase.

Chapter nineteen

They had Chet Meeker and the little stout man first. Becky and I were in the middle, Mannie and Budlong directly behind us. There was no reason I could think of for waiting, and as we approached the first between-the-floors landing, I brought my hands together, arms hanging loosely before me, and the thumb and forefinger of my left hand reached into my right sleeve, thumb and forefinger of the other hand into the left sleeve. The fingers of each hand touched and pulled loose the strips of adhesive just above my cuff lines. Then – this was Becky's plan – each hand held a loaded hypodermic syringe.

Stepping onto the landing, beginning the half-circle turn to the next flight of stairs, the little stout man was on the inside, gripping the stair rail, and Chet Meeker swung out to walk beside him. I stepped suddenly forward, directly behind them, shoving Becky to one side with an elbow, flinging her into a corner of the landing; both my hands shot instantly forward, hard and fast, the needles clenched tight between my fingers, thumbs on the depressors, and I gave each man 2 cc. of morphine in the great muscles of the buttocks, and plunged the depressors home.

They yelped and swung toward me as Mannie and Budlong crashed onto my back, and I was smashed to the steel floor, gouging, kicking, and stabbing out with my needles. But four against one had me in seconds, one needle kicked out of my hand, the other ground to powder and glass fragments under a heel. They had an arm and both legs pinned tight, and I was wrenching and jerking the free arm, trying to keep them from pinning it. Becky – I saw it, and so did they – stood huddled in a corner against the white concrete-brick walls, trying to keep clear of the struggling mass of men, the flying feet and arms; and she cowered helplessly, eyes wide and frightened, both hands raised in a gesture of horror to her open mouth. Then, as I struggled, the sound of our panting and grunts loud and echoing, Becky's fingers – her hands still upraised, eyes still wide and astonished – flickered at the sleeves of her dress, and the buttons were open. She yanked both strips of adhesive loose, stepped forward suddenly, as Budlong and Mannie leaned over me grabbing at my flailing arm, and plunged both needles home. The two men straightened. I lay there motionless, staring and fascinated, and for a moment we all stood, knelt, or lay in a frozen tableau. They stared at Becky, then looked down at me. "What are you doing?" Budlong said puzzledly. "I don't understand." Then I rolled to my knees, starting to rise, and they were on me again.

It isn't easy to judge how long we struggled there. But then Chet Meeker, kneeling on my arm, sighed gently and toppled limply sideways onto the next flight of stairs and rolled, slowly bumping each step, till his feet caught in the stair rail, and he lay there stirring sluggishly and staring up at us. They stared after him, and Mannie said, "Hey." Then the little stout man, kneeling at my head, directly in back of me, hands on my jaws, let go and dropped back, slumping against the wall in a sitting position, and sat there blinking at us.

Budlong looked down at me, his mouth opened to speak, then his knees bent and he sat down hard enough to make the steel floor throb dully, then he lay down on his side, muttering something I couldn't make out. Mannie had grabbed the thin tubular steel railing with both hands, and now he bent over to lay his forehead on the backs of his clenched hands. After a few moments he slowly knelt to the floor, then his head dropped to hang for a moment between his still clinging arms; then his hands loosened their grip and, still kneeling, he lay face downward on the corrugated metal floor, like a man salaaming.

We ran, not too fast; I kept aware that it was possible, for Becky especially, in high-heeled shoes, to slip and break a bone. Then, in a minute perhaps, we were at the metal back door of the building, pushing against it.

It wouldn't open; it was locked, the building empty, and full of week-end silence. And there was simply nothing to do but turn, walk the length of the building lobby, past the big wall directory, toward the doors that opened onto Main Street. I remembered to say to Becky, "Keep your eyes a little wide and blank, not much expression on your face; but don't overdo it." Then I pushed open the doors, and we stepped onto the street, out among the people of dead and forsaken Santa Mira.

Within five steps we passed a man, my age; I'd known him in high school and, my face uninterested and uncaring, I simply nodded, letting my eyes pass over his face in dull recognition. He nodded in the same way, and then we had passed him; I felt Becky's arm, under mine, trembling. We passed a short, plump little woman, carrying a shopping bag, who didn't glance at us. Half a dozen yards ahead, a man slid out of the front seat of a parked car and stood waiting for us, a man in uniform, a policeman, Sam Pink.

I didn't let us break stride or hesitate, and we walked up to him and stopped. "Well, Sam," I said dully, "now we're with you, and it's not so bad." He nodded, but frowningly, and glanced into his car at the humming radio. "They were supposed to let us know," he said. "Kaufman was supposed to phone the station, then we'd get a call."

"I know" – I nodded. "He phoned, but the line was busy; they're calling again now." I turned to gesture with my head at my office building behind us.

Sam was no less and no more bright or quick than he ever had been, and now he stood staring at me, turning over in his mind what I'd said. I waited, uninterested; a moment passed, and then as though I took his silence for the conversation's conclusion, I nodded. "See you, Sam," I said emptily and, Becky's arm tight under mine, walked on.

We didn't look back, and we neither increased nor decreased our pace. We walked to the next corner, then turned right. As we turned, I saw Sam Pink, hurrying, turn into the office building and disappear from sight.

And now we ran – down the dead-end half block of small homes that ended in the low range of hills paralleling Main Street. Halfway there, a woman stepped out from the walk leading to one of the houses and confronted us, a little old woman who held up her hand in the abrupt, peremptory manner with which old people sometimes halt traffic in order to stroll across the street. Habit rules us, and I stopped, knowing that this little old lady – a Mrs. Worth, a widow; I recognized her now – was no little old lady at all, and that I ought to smash her to the ground with my fist, not even breaking stride. But I couldn't; she looked like a woman, old, tiny, and frail, and for a moment I just stood there, staring at her. Then, suddenly, I brushed her aside, pushed her with my outflung forearm, and she staggered back and nearly fell.

Then we were at the end of the concrete walk, our feet hitting red dirt, and an instant later we were climbing, turning onto one of the packed-dirt paths that wound up and through the Marin County hills, and we were hidden from the street by the straggling undergrowth and wild, tangled shrubbery.

Becky lost her shoes, high-heeled slippers, in the first dozen steps, and though I knew what the path, the pebbles, twigs, exposed rocks and roots were doing, and would do, to her feet, we couldn't stop.

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