Jack Finney - Invasion of The Body Snatchers

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Starred Review. While Miles's patients start remarking about loved ones not seeming to be themselves, he merely chalks it up to paranoia. However, when he becomes witness to a distinct but subtle change in the personality of some townspeople, he and his friends realize something is afoot. Their fears are realized as they stumble upon faceless corpses and strange pods. But the pod people are spreading fast, and Miles is running out of places to hide and people to help him. Finney's classic tale of alien invasion is recreated anew with more terror than the book or the film. Tabori delivers a performance that will chill listeners with his intensity and sense of urgency. His lightly raspy and mature voice works perfectly through the first-person perspective of Miles. He captures the mood and adjusts his pitch, speed and tone accordingly. By the end of this production, listeners will believe they are listening to Miles himself and not just some narrator. A brief interview with Tabori at the end reveals that he's the son of Don Siegel, who directed the original 1957 film Invasion of the Body Snatchers.

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Becky touched my arm. "Miles, this is too much for us. They're after us, all of them, and they'll get us. Miles, we've got to leave; we've got to run."

I took her by both arms, just above the elbows, staring down into her face, and I nodded. "Yeah – I want you out of here, Becky. Out of this town, and a thousand miles away, and I want you to take my car right now. I'll run, too. But I'll be running and fighting at the same time, right here in Santa Mira. Don't worry about me; I'll be keeping out of their way; but I've got to stay here. I want you out of the way, though, and safe."

She stared back at me, bit her lip, then shook her head. "I don't want just safety, without you. What good is that?" I started to speak, but she said, "Don't argue, Miles; there just isn't time ."

After a moment I said, "All right," pushed Grivett into a chair, then picked up the phone. I dialled Operator, then gave her Mannie Kaufman's number; it seemed to me now that we needed all the help we could get.

The phone rang at the other end of the line, the third ring was interrupted, I heard Mannie's voice say, "Hel – "; then the line went dead. A moment later the operator, in the telephone-company voice they use, said, "What number are you calling, please?" I told her, the ringing began again, and kept on, and this time there was no answer. I knew she'd simply plugged me into a ringing circuit, and that Mannie's phone wasn't ringing, and neither was anyone else's. The telephone exchange was in their hands, and probably had been for a long time.

I broke the connection, dialled Jack's number, and when he answered, I knew they'd let this call go through to listen in on whatever we said, and I spoke fast. "Jack, there's trouble; they tried to get us, and they'll try to get you. Better get out of there fast; we're leaving my house the minute I hang up."

"All right, Miles. Where you going?"

I had to stop and think how to say this to Jack. I wanted anyone else listening to think I was leaving town, that we all were. And I needed a way to say that to Jack so he'd know it wasn't true. He's a literary man, and I tried to think of some figure in literature whose name was a symbol for falsehood, but for the moment I couldn't. Then I remembered – a Biblical name: Ananias, the liar. "Well, Jack," I said, "there's a woman I know runs a small hotel a couple hours' drive from here: Mrs. Ananias. You recognize the name?"

"Yeah, Miles," Jack said, and I could tell he was smiling. "I know Mrs. Ananias, and her reputation for reliability."

"Well, believe me, Jack, you can rely on this just as much. Becky and I are leaving town, right now, and to hell with it. We're going to Mrs. Ananias's place; you understand me, Jack? You know what we're going to do?"

"Perfectly," he said. "I understand you perfectly" – and I knew that he did, and that he knew we were leaving my house, but were not leaving town. "I think we'll do exactly the same thing," he said, "so why don't we all go together? Suggest a place to meet, Miles."

"Well," I said, "remember the man in your newspaper clipping? The teacher?" I knew Jack would know I meant Budlong, and while I was talking, I was leafing through the phone book, hunting up his address. "He's got something we have to have; it's the only next step I can think of. We'll stop by there, and I think maybe we'll arrive on foot. Meet us there with your car; drive past in exactly one hour."

"Fine," he said, and hung up, and I could only hope we'd fooled whoever was listening.

Out in the garage, I found Grivett's tiny handcuff key on his key chain. My gun in his side while he knelt on the floor of his car in back, I unlocked his cuffs just long enough to loop them around a metal floor post of the front seat. Then I snapped them on again, chaining him to the floor of his car, in the back where he couldn't reach the horn. I wrapped his pistol in his cap, and with the butt of the gun – not the end of the butt, but the side – hit him hard on the head. You read a lot about people being hit on the head and knocked out, but you don't read much about blood clots on the brain. In actual fact, though, it's a delicate matter, hitting a man on the head, and while this may not have been Nick Grivett, not any more, it still looked like him, and I could not smash in his skull. He slumped as I hit him, and lay motionless. With my thumb and forefinger, I grabbed a fold of loose skin at the back of his neck and wrenched it hard; he yelped, and I brought the gun down again, carefully but just a bit harder. Again he lay motionless, and I twisted his skin harder than ever, watching his face for even a flicker of pain, but this time he didn't stir.

We backed out of the garage in my car, I got out and closed the garage doors, then we backed into the street and swung north toward Corte Madera Avenue and the home of L. Bernard Budlong, the man who might have the answer we didn't. Time was running out, was working against us, and I knew it. At any moment a patrol car, or any other car on the street, might suddenly force us to the curb, and I had Nick Grivett's gun lying ready on the seat beside me. I wanted to run, I wanted to hide, and the last thing I wanted to do was to sit talking in the home of some college professor, but we had to; I didn't know what else to do next. But I was terribly conscious of the light green convertible we were riding in – Doc Bennell's car, as everyone in town knew – and I wondered if phones were being lifted in the houses we passed, and if the air at this moment wasn't filled with messages about us.

Chapter fourteen

A great deal of Marin County, California, is hilly, and Santa Mira is built on and among a series of hills, the streets winding through or curving over them. I knew all of them, every foot of every street and hill, and now I headed for a little dead-end street maybe three blocks from Budlong's address. It ended at a hill too steep for building, and overgrown with weeds, underbrush, and scrubby eucalyptus. We reached it, and parked beside a clump of small trees, more or less out of sight. Only two houses had a direct view of the car, and it was always possible that no one in them had seen us. We got out, and I left my ignition key in the car, the motor running. We were through with the car, and anyone finding it with the motor on might just possibly waste time waiting for us to come back. There was simply no way I could carry Nick's pistol without its showing, and after a moment I threw it into the weeds.

We climbed the hill then, along a path I'd followed more than once as a kid, hunting small game with a.22 rifle. On the path no one more than a dozen feet away could see us, and I knew how to follow this path and others, keeping just below the crest of this hill and the next, to reach Budlong's back yard.

Presently his house lay below us, at the base of the hill we stood on. I'd found a spot, a dozen yards off the path, where we got a clear view, through the trees and brush, of his house and the yard in back of it. Now we studied it: a two-storey house of brown-stained, wood-shingled siding, and a good-sized yard enclosed at the rear and one side by a high grape-stake fence, and by a tall row of shrubbery on the other side. "Outdoor living" is a big thing in California, and everyone who can has space for it on his property, private and sheltered from all eyes, and right now I was grateful for that. Nothing moved, no one was in sight, in the house and yard below, and so we came quietly down the hill, opened the high gate in the back fence, then crossed the yard, and walked around the side of the house, unseen, I felt certain, by anyone.

The house had a side entrance, I knocked, and as we stood waiting it occurred to me for the first time that Budlong might very well not be home, that quite likely he wasn't. He was, though; eight or ten seconds later, a man – in his middle or late thirties, I thought – appeared at the door, looked at us through the glass, then unbolted and opened it. He looked at me questioningly, wondering, I imagined, why we'd used the side door. "We got confused," I said, with a polite little laugh. "Guess we used the wrong door. Professor Budlong?"

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