Jack Finney - Invasion of The Body Snatchers

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Starred Review. While Miles's patients start remarking about loved ones not seeming to be themselves, he merely chalks it up to paranoia. However, when he becomes witness to a distinct but subtle change in the personality of some townspeople, he and his friends realize something is afoot. Their fears are realized as they stumble upon faceless corpses and strange pods. But the pod people are spreading fast, and Miles is running out of places to hide and people to help him. Finney's classic tale of alien invasion is recreated anew with more terror than the book or the film. Tabori delivers a performance that will chill listeners with his intensity and sense of urgency. His lightly raspy and mature voice works perfectly through the first-person perspective of Miles. He captures the mood and adjusts his pitch, speed and tone accordingly. By the end of this production, listeners will believe they are listening to Miles himself and not just some narrator. A brief interview with Tabori at the end reveals that he's the son of Don Siegel, who directed the original 1957 film Invasion of the Body Snatchers.

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I jerked my head, tearing my eyes away, and sobbed for air – unconsciously I'd been holding my breath – and the sound was loud and harsh in that silent basement. Then I came to life once more, my heart swelling and contracting gigantically, the blood congesting in my veins and behind my eyes, in a panic of fright and excitement, and I got to my feet, my legs stiff, so that I stumbled.

Then I moved – fast – up the basement stairs and tried the first-floor door; it was unlocked, and I stepped out into the kitchen. On, then, through the silent dining-room, the straight-backed chairs around the table silhouetted against the windows. In the living-room I swung onto the white-railed staircase, turned at the landing, then climbed silently, two stairs at a time, to the upper hallway.

There was a row of doors, all closed, and I had to guess. I tried the second, on a hunch, grasping the knob, squeezing my fist tight around it, then slowly twisting my wrist, making no sound. I could feel, not hear, the latch sliding out of its notch in the door frame, then I pushed the door open through fractions of inches, and brought my head into the room, not moving my feet. A dark, formless blur, a head, lay on the single pillow of a double bed; there was no telling who it was. Aiming my light to one side of the face, I pressed the button, and saw Becky's father. He moved, muttering an unintelligible word, and I released my flash button and – fast, but still noiselessly – pulled the door closed, then gradually released my grip on the knob.

This was too slow. I couldn't contain myself; I was ready to burst through the doors, cracking them back against walls, ready to shout at the top of my lungs and rouse the household. I took two quick steps to the next door, opened it wide and strode in, my flashlight on and moving rapidly down the wall of the room to find the face of the sleeper in it. It was Becky, lying motionless in that little circle of light, the face a strong, more vigorous duplicate of the parody of a face I'd left in the basement. I moved around the bed in two strides and grasped Becky's shoulder, my other hand holding the light. I shook, and she moaned a little but didn't waken, and now I got my arm under her shoulder and lifted. Her upper body came up to a sitting position, the head hanging back over my arm, and she sighed deep in her throat.

I didn't wait another second. Thrusting the little flash in my mouth, gripping it by the barrel in my teeth, I threw back the light blanket, got my other arm under her knees, and lifted. Then, staggering a step, I heaved Becky up over one shoulder in a fireman's carry. One arm curving up, holding her in place, I took the flash in my other hand, and staggered out into the hall. Then I walked, still staggering, but on tiptoe – I simply don't know how much or little sound I made – to the stairs, then down the stairway in the dark, sliding my feet, feeling for each step with my toes.

Out the front door, and then I was walking down the dark, empty street, alternately carrying Becky over my shoulder, then holding her, her head hanging limp, in my cradled arms. Just past Washington Boulevard she moaned, then lifted her head, eyes still closed, and her arms came up and clasped behind my neck. Then she opened her eyes.

For a moment, as I walked, looking down at her face, she stared at me, eyes drugged; then she blinked several times and her eyes cleared somewhat. Sleepily, like a child, she said, "What? What, Miles? What is it?"

"Tell you later," I said quietly, and smiled at her. "You're all right, I think. How do you feel?"

"All right. Tired, though. Gee, I'm tired." She was turning her head as she spoke, looking around her at the darkened houses, and the trees overhead. "Miles, what's happening ?" She looked up at me, smiling puzzledly. "Are you kidnapping me? Carrying me off to your den, or something?" She looked down and saw that under my unbuttoned coat I was wearing pyjamas. "Miles," she murmured mockingly, "couldn't you wait? Couldn't you at least ask me, like a gentleman? Miles, what in the world are you doing?"

Now I grinned at her. "I'll explain in a minute, when we get to my place." Her brows lifted at that, and my grin widened. "Don't worry, you're perfectly safe; Mannie Kaufman is there, and both the Belicecs; you'll be well chaperoned."

Becky looked at me for a moment, then shivered suddenly; the night air was cool, and her nightgown was thin nylon. She tightened her grip around my neck and snuggled close, closing her eyes. "Too bad," she murmured. "The biggest adventure of my life: kidnapped from my bed, by a good-looking man in pyjamas. Carried through the streets, like a captive cavewoman. And then he has to supply chaperons." She opened her eyes, and grinned up at me.

My arms ached horribly, my back felt as though a huge dull knife were pressing hard across my spine, and I could hardly straighten my knees after each step; it was agony. And yet it was wonderful, too, and I didn't want it to end; Becky felt good in my arms, close against me, and I was terribly aware of the pattern of delicious warmth wherever her body touched mine.

Mannie was at my place, I saw; his car was parked back of mine. On the porch I set Becky on her feet, wondering if I could possibly straighten up without shattering into pieces like a broken glass. Then I gave her my topcoat, as I should have long since; I just hadn't thought. She put it on and buttoned it, smiling; then we walked in, and Mannie and Jack were in the living-room.

They stared, mouths open, and Becky just smiled and greeted them, as though she were dropping in for tea. I acted equally casual, delighted at the looks on Jack's and Mannie's faces, and suggested to Becky that it was a little cool for a nightgown. I told her where she could find a clean pair of old blue jeans that had shrunk and were too small for me, a clean white shirt, wool socks, and a pair of moccasins; and she nodded, and went upstairs to find them.

I turned into the living-room, toward an empty chair, glancing at Mannie and Jack. "It's just that I get lonesome sometimes," I said, and shrugged. "And when that happens, I've just got to have company."

Mannie looked at me wearily. "Same thing?" he said quietly, nodding toward the stairs Becky had just climbed. "You find one at her place?"

"Yeah." I nodded, serious again. "In the basement."

"Well" – he stood up – "I want to see them. One of them, anyway. At her place, or Jack's."

I nodded. "Okay. Better make it Jack's; Becky's dad is at her place. I'll get some clothes on."

Upstairs, me in my bedroom, Becky in the bathroom a step or two down the hall, we each got dressed, and calling quietly to each other, were able to talk. Putting on pants, shoes and socks, a shirt, and my old blue sweater, I told her as briefly as possible what she had already guessed, what had happened at the Belicecs' and what I'd found in her basement, too, without going into details too much.

I was afraid of how it might affect her, but you never can tell, I've found, how a woman will take anything. Both dressed now, we walked out into the hall, and Becky smiled at me pleasantly. She looked fine; she'd rolled her dungaree pants halfway to the knees, so they looked like pedal-pushers, and with the white wool socks and moccasins, her shirt sleeves rolled up, and the collar open, she looked like a girl in an ad for a vacation resort. Her eyes, I noticed now, were alive, and eager, unafraid, and I realized that because she hadn't actually seen what I had, she was more pleased and delighted than anything else at all the excitement. "We're going to Jack's," I said. "Do you want to come?" I was ready to argue, if she did.

But she shook her head. "No, someone has to stay with Theodora. You all go ahead." She turned, walked into the room where Theodora lay, and I went on downstairs.

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