Shirley Murphy - Cat Cross Their Graves

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Readers and reviewers alike have consistently praised multiple-award-winning author Shirley Rousseau Murphy for her absorbing plots, her charming, lyrical prose, and most of all, her delightful and highly realistic feline sleuths – the wily tomcat Joe Grey, his best pal Dulcie, and their tattercoat friend Kit. Now Murphy has created her most compelling novel to date: the murder of a much-beloved actress and the havoc it uncovers in an unsuspecting town.
The appealing small village of Molena Point, California, offers a cozy refuge from the harsher realities of life and serves as a restful retreat for film star Patty Rose, who has retired among its oaks and cottages. Buying an inn where travelers' pets, too, are made welcome, Patty settles down to enjoy her golden years. But as the town gathers to honor her and to celebrate her old films, Patty is brutally murdered – and only a tortoiseshell cat named Kit hears the three shots fired.
Leaping from the window of the penthouse suite that Kit shares with her adopted humans and scrambling down a flowering vine, Kit is the first to discover Patty's dead body sprawled on the inn's dark back stairs. Glimpsing the killer, she sets out to track him. But soon, as sirens scream and the police arrive, so do Kit's feline pals, Joe Grey and Dulcie.
Finding only Kit's scent and sure that she's headed for trouble, Joe and Dulcie follow her. But Dulcie must also put aside her own secret – a runaway young girl she's been helping to hide in the local library. She won't learn until later that the child may be, in a grisly and convoluted scenario, connected to Patty's murder. This, along with the discovery of hidden graves, a kidnapping, and the secrets of a dying woman, deal the cats a full set of clues that soon have them clawing out the truth.

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And the moment they settled to work she trotted away again, up the stairs, and raced across the reading room before someone wanted to pet her. She was out the front door and around the corner, up a bougainvillea vine, moving eagerly to the rooftops. There she investigated every cranny between the peaks and chimneys, every high balcony and little penthouse window, searching for the kit's scent, hoping maybe Kit was headed home or had come to look for her, in the library. Or maybe, worn out from her unknown journey, had stopped in some unlikely place for a nap.

Padding through stark noon shadows and shafts of sunlight, Dulcie had searched the roofs for maybe ten blocks, slipping along the gutters looking down at the busy streets and into the trees and little yards. She was just above her favorite fish cafe, sniffing the good smells, when a police car turned down the street below her, moving as fast as it dared on the busy street, but without a siren. A second unit sped by, and a third. Something was happening; the officers' sleek white cars moved together as purposefully as three hunting sharks. Quickly she followed, running across the roofs, over and around peaks, keeping the cars in sight as they slid through traffic. They were heading up into the hills; she was going to lose them. Curiosity drove her faster. As she crossed the roof of the police department, below her another car left the station and instead of following farther, she scorched up the courthouse tower, where she could watch from its open parapet, from the highest lookout in the village.

Crouched on the high, open rail of the parapet, she watched the five cars turn onto a street that led high up into the hills. The senior ladies' street? Yes, the street of her four retired friends, of the house the ladies had bought together for their retirement, the tall old house that they were slowly renovating.

But that didn't mean anything, there were lots of houses on that street, including their friend Genelle Yardley's home. Stretching as tall as she could on the wall of the parapet, balancing on the narrow bricks, she counted the streets and the blocks, counted the rooftops. And she caught her breath, dropped down to the brick paving, and leaped down the tower's winding stairs hitting every fourth step, then took off across the roofs. As she raced across oak limbs and more rooftops, icy fingers crawled up her spine. That was the seniors' house, where the police units had turned in, the home of Cora Lee and Mavity and their two housemates. What was happening? What was wrong?

8

Cat Cross Their Graves - изображение 9

Half an hour before Dulcie fled across the rooftops following Max Harper's police units, Charlie parked her van on the wide, cracked drive in front of the senior ladies' tall old house. The dark, peak-roofed structure rose above her, shabby and neglected, but it would not remain so for long; these ladies, given time, would have it looking as fresh as new. They planned for repairs and softer paint, new landscaping, and a granite-block parking apron to replace the cracked drive. In the meantime, the five bedrooms plus the two small downstairs apartments offered ample room for the four ladies and their future plans.

Swinging out, glancing at her aunt Wilma's car, which was parked at the edge of the drive, she looked in through the driver's-side window. Yes, Wilma had left her cell phone on the seat. Had she given up searching for the kit then? If Kit had been found-had come home-Wilma would surely have called her.

Moving around the side of the house between tall weeds, toward the backyard, she tried to imagine how the landscaping would look when the ladies were finished with it. The fifty-year-old house had seen many tenants, the more recent of whom had done little to care for it; the ladies had pruned the neglected old apple tree and the pear trees and had dug the choking growth away from them, leaving wide circles of dark, turned earth. The four senior ladies liked to say that their house marked the last boundary between civilization and the wild, unspoiled land that had once graced all of these coastal hills. While the front of their new home stood snug between its neighbors on a tame and civilized village street, the back of the house overlooked the wild, dropping canyon where black-tailed deer browsed, and raccoons and possums slipped through the grass. One might, on occasion, while sitting quietly on one of the two decks, see a bobcat or even a cougar or black bear. Certainly there were coyotes, the ladies heard them at night just as Charlie and Max heard them up in the hills, their primitive song engendering a strange mix of wonder and ancient fear. Their yipping stirred a restless unease in those who loved their cats. It gave rise to added fear in those who knew Joe Grey and Kit and Dulcie, who knew their secret, who imagined those three cats out in the night venturing too near the hungry beasts. But the cats were wise, Charlie told herself, they were clever. And she could not change their ways. She glanced up at the windows where new white interior shutters caught the light. So far, the ladies had concentrated their limited funds and time on the inside of the house; the day they moved in they began to renovate the living area and kitchen, patching and painting, then each had designed her own bedroom to please her individual taste. Susan Brittain liked lush potted plants around her and hand-thrown ceramics, lots of sunlight and bright watercolors. Blond Gabrielle Row preferred more formal and expensive furnishings, which, even when purchased used, spelled money. Little, wrinkled Mavity Flowers went in for solid comfort if she could get it cheaply, and lots of bookshelves fitted out with her beloved paperback romance novels.

Tall, elegant Cora Lee French had done her top-floor bedroom and studio with an eye to maximum work space, plenty of white walls where she could hang her bright landscapes, and room to paint and to work on other projects. Now, with the rooms sparkling, the four ladies were impatient to get at the outside. The hired painter would have to wait for dry weather, but the ladies could sure dig out the weeds and tame the overgrown perennials that crowded the back flower beds. Charlie could imagine the masses of colorful blooms they would plant down there, overlooking the canyon.

As she passed the wide back deck she could smell coffee and see empty cups and a thermos on the picnic table. Down below at the lip of the canyon, the ladies were hard at work. She didn't see Wilma. Wherever her aunt was at the moment, she would soon be down there digging enthusiastically; among her other talents, Wilma was an eager and expert gardener.

Now she saw only Mavity and Cora Lee kneeling in the dirt of the long, raised flower beds, both of them up to their elbows in weeds, attacking the tangle with such vengeance you'd think the plants had attacked them. Stacks of wilting weeds lay behind them. They had freed the geraniums, which now stood leggy and rank, reaching in every direction for the sun. The other two members of the foursome were off in San Francisco for the week visiting Susan's daughter. Maybe Wilma was walking Susan's two big dogs. The standard poodle and the dalmatian were a handful, but Wilma loved them; she'd jump at any chance to walk them. And today, she was likely looking again for the kit. Charlie watched Mavity and Cora Lee fondly.

Both women were in their sixties, and were very different from each other but they got on famously. Mavity's short gray hair was always wildly frowsy, and this morning as usual she was dressed in a white maid's uniform, one of a dozen similar garments, all limp from uncounted launderings, that she bought in the secondhand shops. Her white pants and tunic were streaked with dirt, as were her wrinkled, sun-browned hands. By contrast, Cora Lee was as neat and immaculate as if she'd just stepped out of the house. Not a speck of dirt, not a wrinkle, her cream cotton shirt and beige jeans fresh and clean. Not a hair of her short, salt-and-pepper bob was out of place. Her flawless cafe au lait skin was like velvet, her subtle makeup as carefully applied as if for a party-but when Cora Lee looked up at Charlie, her eyes were red from crying.

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