Shirley Murphy - Cat Cross Their Graves

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Readers and reviewers alike have consistently praised multiple-award-winning author Shirley Rousseau Murphy for her absorbing plots, her charming, lyrical prose, and most of all, her delightful and highly realistic feline sleuths – the wily tomcat Joe Grey, his best pal Dulcie, and their tattercoat friend Kit. Now Murphy has created her most compelling novel to date: the murder of a much-beloved actress and the havoc it uncovers in an unsuspecting town.
The appealing small village of Molena Point, California, offers a cozy refuge from the harsher realities of life and serves as a restful retreat for film star Patty Rose, who has retired among its oaks and cottages. Buying an inn where travelers' pets, too, are made welcome, Patty settles down to enjoy her golden years. But as the town gathers to honor her and to celebrate her old films, Patty is brutally murdered – and only a tortoiseshell cat named Kit hears the three shots fired.
Leaping from the window of the penthouse suite that Kit shares with her adopted humans and scrambling down a flowering vine, Kit is the first to discover Patty's dead body sprawled on the inn's dark back stairs. Glimpsing the killer, she sets out to track him. But soon, as sirens scream and the police arrive, so do Kit's feline pals, Joe Grey and Dulcie.
Finding only Kit's scent and sure that she's headed for trouble, Joe and Dulcie follow her. But Dulcie must also put aside her own secret – a runaway young girl she's been helping to hide in the local library. She won't learn until later that the child may be, in a grisly and convoluted scenario, connected to Patty's murder. This, along with the discovery of hidden graves, a kidnapping, and the secrets of a dying woman, deal the cats a full set of clues that soon have them clawing out the truth.

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Charlie moved ahead of Ryan into the kitchen to pour fresh coffee, letting Rock in. She stood warming her hands around the coffeepot, then knelt down to give Rock a hug. He was so sleek and healthy, and so much the gentleman, it was hard not to hug him. Rock had been good for Ryan, and the big dog had had his own part in spotting Ryan's husband's killer and thus clearing Ryan of the suspicion that had surrounded her.

Of course no one except Charlie herself, and Clyde and Wilma, knew that the gray tomcat and his two ladies had, as well, pointed the department toward evidence that convicted the real killer. Charlie hoped the cats would stay out of this murder-though she wouldn't lay money on it.

Leaving Otter Pine Inn last night with Ryan, Charlie had wanted only to be quiet, to grieve for Patty alone until Max got home and could hold her and they could comfort each other. Setting the alarm, she had fallen into bed wondering if Max would get home at all, if he'd get any sleep. The next days would demand a lot of everyone; this was not just a remote police investigation. They were all grieving; certainly Max was. Patience would be required of them all. This was not like the murder of a stranger, and not like a natural death, where after a few days there would be a funeral and some kind of closure.

Arriving home alone to the few lights she and Max had left on, she had brought the two big dogs inside from where they roamed the fenced-in yard around the house. She'd wanted them inside with her as she crawled gratefully into bed. She had soon slept, the dogs sprawled on the rug snoring. But she did not sleep well; she kept waking, seeing Patty's torn face in the harsh, glaring lights, the officers and coroner moving around her, busy at their work. Seeing the awful pain in Max's eyes.

She had dozed and waked until Max came in about four. He had crawled into bed ice cold. She had clung to him, warming him, had held him close, not talking, until he slept.

This morning, letting him sleep, she had risen with some renewed strength and resolve. She had quickly showered, then gone out to feed the horses and clean their stalls. Returning, pouring a cup of coffee, she heard Max get up. She had stood at the kitchen window looking out at the morning, letting the long, unbroken view down the hills strengthen her. The first early light, when the broad expanse of sea and hills was dressed in rich, dawn colors, seemed always new to her. Leaning against the counter sipping coffee, she'd heard Max get out of the shower, the silence as the water stopped pounding in the pipes. Putting bacon in the skillet, she'd mixed the pancake batter listening to the dogs' impatient barking. Going to the door, she had made them be still. Max's buckskin gelding, not to be outdone, began banging his stall, wanting to be in the pasture, making her laugh. She tested the griddle that was heating, flicked water on the hot metal, and watched the drops bounce and dance. As she poured pancake batter, the sea wind blew harder, rattling the tarp that covered their stacked lumber. If they got any dry weather, she wondered how long it would hold.

Setting the bacon and pancakes in the barely warm oven, she went to turn the horses out. They had finished eating and were eager for the sunshine that the clearing sky promised. Looping a rope around Bucky's neck, she led the big buckskin out, letting the two mares follow him. As she was shutting the gate, Ryan's red truck had pulled off the road and into their long lane, Rock with his head out the window. Above Ryan's truck, the sky over the sea was truly brightening.

"We can start framing the living room this morning," Ryan said. "Don't know how far we'll get. Don't know whether Scotty will want Dillon to help us or work with you-you can rip out the Sheetrock between the two bedrooms this morning, take out that wall." It amused her to be giving the owner of the house orders. Charlie was, with some experience behind her, turning into a fair carpenter. The tear out would be an exercise in violence that might help Charlie work off some of her anger at Patty's death. And they were both eager to finish Charlie's new studio. Charlie couldn't wait to bring her desk and easel over from the barn, her drafting and work tables and boxes of art supplies that were stacked in the grain room inviting the mice to sample her inks and paints and her expensive drawing paper.

The kitchen was warm, its bright colors always welcoming. Red and blue pillows were scattered on the window seat, and the breakfast table was set with red place mats. Charlie was dressed this morning in a pale blue sweatshirt and jeans; blue always helped to cheer her.

"You sleep?" Ryan said.

"A little. You have breakfast?"

Ryan nodded. "Rock and I had leftover steak. I had an orange and some kiwis, but he likes his kibble." She sipped her coffee. Standing in the kitchen, the two women looked out at the increasing brightness as the clouds blew south, and watched Ryan's uncle Scotty pull in, his old white truck muddy halfway up the sides. Dillon Thurwell was with him, the girl's red hair catching the light as he turned in the yard to park. Someone usually picked her up in the village; she couldn't drive yet and it was a long bike ride. Dillon worked with them on weekends and when she wasn't in school. With their fiery red hair, Scotty and Dillon might have been related, though they were not. The big, burly Irishman and the slim young girl got along like a pair of redheads, too. The two waved, pulled on their work gloves, and headed for the covered lumber pile, where they began pulling out two-by-fours, stacking them along the foundation for the new living room. When they had maybe two dozen placed, Scotty stood explaining something to Dillon, talking with his hands as he always did, making Ryan laugh. In a minute they headed around the far side of the house where their tools were stored underneath.

Dillon, having worked with Scotty through Christmas vacation, seemed to like this new twist in her life. The fourteen-year-old had learned quickly once she had knocked the chip off her shoulder. She'd settled in well to help with cleaning up the debris, filling the tarp-covered Dumpster that had been hauled up to the site; and in the old living room, which would become the new master bedroom, she was learning to mud and tape drywall. With the constant rain, all work seemed twice as hard- taking out the demolished drywall and wood scraps, hauling new building materials into the mudroom, trying to keep the house halfway clean. And then draining the foundation for the twenty-by-thirty-foot living room so they could at least frame the walls. The earth within was still a pool of mud, but the concrete foundation was firm and deep.

"I always wanted a swimming pool," Charlie said, looking out at the mud where the living room would rise.

"Don't knock it. Bring in a masseuse, add a steam room, you can make a bundle. Harpers' spa, restorative soaks in Molena Point's rare and rejuvenating beauty clay." But Ryan looked at Charlie shyly, a bit embarrassed by making jokes this morning. "You promised to help the senior ladies with their garden today, if it didn't rain. Will they go on with that, after last night? And even if they feel up to gardening, will the ground be dry enough?"

"Should be nice and soft to get the weeds out. They've never had a problem with slides on that hill; there are railroad ties to retain it. Somewhere underneath there's supposed to be a shoulder of granite running along above the canyon." Charlie pushed back her unruly red hair. "The ladies will be up to it. Work is better than sitting around grieving. While they weed, I'm going to take out whatever geraniums they don't want; I can pot them until we finish building. Those overgrown pelargoniums are magnificent."

"You have so much time to garden. Five commissions pending for animal portraits, the picture book you're working on, your own repair and cleaning business to oversee, to say nothing of the fact that you're working for me on the house."

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