Shirley Murphy - Cat Under Fire

"Rob's studio is there," Dulcie said. "I bet, if Mahl had binoculars, he could see it from right here."

"And if he could?"

"I don't know-a funny feeling." She lay down on the concrete rail, batted at a bougainvillea flower. "Rob got home from San Francisco the morning of the fire around four. That's what he told the court. He said he partied late, drove home tired, and went to bed.

"But then a phone call woke him around four-thirty. He said he answered and he guessed it was a wrong number, no one was there."

"What are you getting at?"

She licked her paw. "It would probably have been easy for Mahl to get hold of Rob's car keys, maybe when Rob was in the gallery unloading paintings. Pick them up, step out for a few minutes, have them copied."

He waited, ears forward.

"Just assume Mahl did take the paintings. He might even have used Janet's own van, taken it out of the St. Francis parking garage late Saturday night. Say he drove down to Molena Point, used his key to her studio, loaded up the paintings. Hid them in that locker…"

"If there is a locker."

She flicked her ears impatiently. "He hid the paintings, drove back to the city, arrived before dawn Sunday morning. Put her car back in the garage…"

"So what did he use for a ticket, to get her van out in the first place?"

"Used his own parking ticket, for the BMW. Then when he drove her van back in Sunday morning, he got another ticket. Used that to take the BMW out, Sunday night.

"But somewhere along the way he realized he'd lost his watch.

"He couldn't turn around and drive back to Molena Point-it was nearly dawn. He had to be seen having breakfast in the hotel, that was part of his alibi."

"And then," Joe said, "it was daylight, he didn't want to be seen going into Janet's studio in broad daylight. And that night, Sunday night, was the opening, he had to be seen there."

Mahl had testified that after the opening he did not return to his home in Mill Valley, but had driven down to the Molena Point condo, intending to meet with two buyers on Monday morning. Both buyers, one a well-known collector, had testified that they did meet with Mahl late that Monday morning.

Dulcie leaped down and began to pace the balcony. "He must have been panicked about the watch. He wanted it back; he didn't dare let it be found in Janet's studio."

She smiled, smoothed her whiskers. "He got here to the condo sometime after midnight. All he could think of was the watch. Maybe he sat here on the balcony, with the binoculars, watching the warehouse area, watching for a light to come on in Rob's studio."

"But when a light did come on," Joe said, "maybe he couldn't be really sure it was Rob's studio. So he picked up the phone. That's what the phone call was."

"Yes. When Rob answered, Mahl hung up. Got in his car, drove down there, took Rob's Suburban, and hightailed it up to Janet's to get his watch."

Joe nodded. "But Janet was already up, lights were on in the studio, he didn't dare go in. All he could do was hope the watch would be destroyed in the fire, melted beyond recognition."

"And when the watch didn't turn up as part of the evidence, and when no one had testified to seeing him take Rob's Suburban or return it, he thought he was home free."

"Right. Except that this is all supposition."

"It won't be supposition if we find the paintings," she said.

Joe sighed. "You're imagining a lot. Talk about a needle in a haystack." He scratched a flea, then rose, trotted back inside across the thick oriental rug toward the kitchen. "But first things first. I'm not going to search two or three locker complexes, all those miles of buildings, on an empty stomach."

In Mahl's kitchen they polished off half of the remaining roast beef, hoping Mahl would assume that was all he'd left when he made his sandwich. They enjoyed a hunk of Camembert, but left the remains suspiciously ragged. They smoothed it out as best they could with neat little nibbles. They split the last yogurt and hid the empty container in the bottom of the trash can. Who would guess cats had been at the refrigerator? They licked up a few stray cat hairs and then, strengthened, searched the condo.

Looking into the cupboards, the dresser drawers, the closet, and the nightstand, they found nothing of interest. But when Dulcie pulled out a briefcase from behind Mahl's Ballys, they hit pay dirt.

The closet was neatly arranged. The hanging garments were sorted as to type and color with the help of one of those intricate modular systems designed for optimum space utilization. The white, wire mesh shelves beneath his slacks and suit coats held twelve pairs of perfectly arranged dress shoes and loafers, a leather overnight bag, a pair of golf shoes, and a small metal tool box. In the corner leaning against the wall was an expensive-looking golf bag and a three-foot-long pair of heavy-duty bolt cutters. The briefcase was on the bottom rack behind the shoes. They dragged it out, sliding the shoes aside.

The combination lock wasn't engaged. The briefcase contained a stack of letters, and a sheaf of paid bills and receipts secured by a rubber band. Dulcie pulled off the elastic with her teeth, and they began to nose through.

"I don't believe this," Joe said when, halfway through, they found a receipt from Shorebird Storage, for locker K20. Dulcie said nothing. She only smiled. The locker had been rented four months ago, for an annual fee of twelve hundred dollars.

They put the bills back as they had found them, closed the briefcase, and slid it behind the shoes, straightening the Ballys to perfect symmetry, as Mahl had left them. And within minutes they were down the bougainvillea vine and headed for Highway One, the locker combination firmly engraved on their furtive cat minds.

The golden October evening was deepening, the sky streaked with indigo. As they trotted up Sixth Street, enjoying the warmth of the sidewalk beneath their paws, they sniffed the good village smells of fresh-cut grass, crushed eucalyptus leaves, and the salty, iodine smell of the sea. And at this hour the air was filled, too, with the aromas of suppers cooking in the houses they passed, the scents of baking ham, of hot cheese and beef stew. That snack at Mahl's had been a nice first course; but who knew if there was anything edible in a concrete locker complex? Who knew how long they'd be occupied? Cats, as Joe had pointed out to Clyde on more than one occasion, needed frequent sustenance.

In an overgrown flower garden they stalked and caught a starling. The bird was tough, not tender and sweet like a robin or a dove, but it was filling. They finished their supper quickly, washed up with a few hasty licks, and trotted on into the deepening evening.

Crossing over the top of Highway One, where it tunneled under Sixth, they turned north. Traveling along through a string of cottage gardens, leaping through flower beds and watching for sudden dogs, Joe looked ahead lustily, his yellow eyes burning. Dulcie, watching him with a sideways glance, had to smile. He was all aggression now, hot for the kill-as if nothing would keep them from Mahl's locker even if he had to claw through solid wood.

And now they could see, a quarter mile ahead where the highway came up out of the tunnel, the Shorebird Storage Lockers sign, its red neon glowing brighter than fresh blood against the gathering evening.

Their plan was to slip into the complex before it closed, wait inside until the caretaker locked up and went home, until they had Shorebird Lockers to themselves. And Dulcie shivered with anticipation. They could be coming down, tonight, on some heavy stuff. If the paintings were there, this would blow Rob's trial wide-open. Detective Marritt's sloppy investigation, his lack of investigation, would be clear for everyone to see.