Carol O’Connell - The Man Who Lied To Women

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‘Mallory’s progress is enthralling…beautifully observed in fine, controlled prose’ – MAIL ON SUNDAY
Fifteen years after Inspector Louis Markowitz adopted the wild child, no one in New York’s Special Crimes section knew much about Kathy Mallory’s origins. They only knew that the young cop with the soul of a thief could bewitch the most complex computer systems, could slip into the minds of killers with disturbing ease.
In Central Park, a woman dies, while a witness watches, believing the brutal murder to be a prelude to a kiss. Mallory goes hunting the killer, armed with under-the-skin knowledge of the man’s mind and the bare clue of a lie.
Mallory holds on to one truth: everybody lies, and some lies can get you killed. And she knows that, to trap the killer, she must put her own life at risk, for this killer has taken a personal interest in her…
‘Carol O’Connell is a gifted writer with a style as quick and arresting as Kathy Mallory herself’ – RICHARD NORTH PATTERSON

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His side hurt from the unaccustomed exertion. He could feel a searing in his lungs as though he had swallowed fire.

‘Did you keep any trophies, Justin? It’s just professional curiosity on my part. All the big names in serial killing kept trophies of every murder.’

‘I kept the bottle of doctored pills, and the tricks I used on my first stepmother.’

‘How did you get her to jump out the window?’

‘Well, she didn’t actually jump. I had the window open. It was a large window. Then I took the knife and ran the cord to follow the bars of the track lighting system that runs across the ceiling. I only had to maneuver her into line with the window and make her back up. When you see a knife floating toward you, you do tend to back up in a hurry. When she was at the window and off balance, I only had to run at her to give her a push in the direction she was going in. That was the tricky part. There was a moment when she understood what was happening to her, and she was reaching out to take me with her. There was a bit of a risk in that one.’

‘But your new stepmother told your father about the floating objects.’

‘Yes, and I blame myself for that. I should have spent more time with Sally, gotten to know her better. I had no idea she was one of those pathetic New Age freaks, a paranormal obsessive. But it’s working in my favor. Now she’s a documented hysteric.’

‘So you’re still planning to kill her.’

‘Well, of course. You can kiss that bitch goodbye. And now I’m going to kill you. It’s been fun, Mallory. Really it has.’

The boy was raising the gun.

‘Look, kid, the gun won’t fire,’ she said. ‘The safety is on.’

‘A revolver doesn’t have a safety. Good try, Mallory. What else have you got?’

‘Have you ever heard that old standby “Look, someone’s coming up behind you”?’

‘Once, I think. It was a television rerun from the seventies.’

Charles Butler was standing in the foyer on the far side of the room, which seemed miles wide to her now. Markowitz’s Colt was in his hand. His head was turned to the side and down as though he were distracted by someone or something unseen. What was wrong with him?

Charles, don’t fail me now.

‘So if I tell the guy behind you to shoot you, there won’t be any hard feelings?’

Charles was staring at her now, eyes wide, head shaking slowly from side to side.

Charles, don’t fail me.

The boy was smiling. ‘They’re your last words, Mallory. Say what you like.’

The barrel was rising, aiming at her face when she yelled, ‘Charles, shoot him!’

Charles raised the Colt and fired on the boy, not once, but pull after pull on the trigger, walking the length of the room on shock-slowed feet, firing and firing.

The boy’s head had turned quickly with the first click of the empty gun, and now he stared at the crazed giant with the wide eyes, sad eyes, advancing on him, clicking and clicking and clicking.

Mallory moved and the boy’s head snapped back. She watched his eyes making choices. He was opting for the larger threat. The barrel was turning to Charles as the cat ran out from under the couch and stepped lightly, delicately on its hind legs, dancing up to the gun. The boy stared. Mallory dived for the gun. It went off. The bullet spun the cat in a wicked turn, and blood splattered the rug.

Kipling’s body went limp as his eyes rolled back, lids closing, chin falling to his chest, mouth hanging open, all still now.

Before she and the boy hit the carpet, she had the gun in her hand.

‘Nice going…’ she said, pinning the boy neatly under one leg and looking up at Charles.

His gun hand dangled by his side, but his grip was tight and the trigger finger continued to spasm and click the misfires. And then the ammo box fell from Charles’s other hand, seal unbroken.

‘You’ve never loaded a gun, have you, Charles?’

‘No, no I never have.’

So he had gone up against the boy with no bullets in the gun, no cover, and no hesitation. And the empty gun had to be the explanation for the lack of hesitation. He couldn’t have fired so fast, not looking at a child in his sights. Civilians were not constructed that way. Charles was the soft and civilized type; such things were not done in his world. So, with his own peculiar courage and backward thinking, he had risked his life to draw fire and buy her time.

Now Riker and Martin were coming through the door, Martin first, Riker panting behind him, guns drawn. They stared at the hogtied Kipling and the boy pinned under Mallory.

Riker hunkered down beside her, panting from the run upstairs, fishing for his irons. In another moment the boy’s hands were cuffed behind his back.

‘How did you get here so fast?’ she said. It was an accusation.

‘Well, Charles caught my eye when he streaked by the car.’ Riker pulled a small device from one ear. ‘Oh, I’ve been listening in. I planted a highly illegal bug in the apartment the last time I was here. I’ve learned a lot from you, kid.’ And now he fingered the fallen drapes on the floor. ‘Very messy, Mallory. This is so unlike you.’

Martin holstered his gun. ‘The reception kept going in and out. Most of the time, all we could hear was this noise like a little engine. So Riker tells me it’s a cat snoring. He thinks I’ll buy anything.’

Riker nodded her attention toward Charles. ‘You think you could stop him from clicking that thing? It’s getting on my nerves.’

Mallory stood up and moved quickly to Charles. She used force to pry his fingers off the gun, and then she closed her hand over his to stop the finger from its spasmodic firing of a gun that was no longer there.

Charles’s eyes were locked with the boy’s. Justin was still and quiet, turning his eyes away from Charles to look inward. And it was only a little disturbing that he pouted like a real child, an angry child.

Martin was standing over the hogtied Kipling. ‘Is he dead?’

‘No,’ said Mallory. ‘He fainted when the gun went off.’

Riker and Mallory exchanged words without words. Do I know my perps? she asked with only the lift of her chin. Damn straight, he said with one thumb up.

Martin was fishing out his cuffs.

‘Naw,’ said Riker, putting up one hand to stay Martin. ‘I don’t think the cuffs could improve on Mallory’s knots. Let’s carry Kipling out through the lobby like that.’

Martin grinned. ‘Yeah, I like it.’ Now Martin stabbed his finger at the blood splatters on the carpet. ‘So, who took the hit?’

His answer was crawling slowly across the rug, pulling itself along by its front paws, crying and making its way to Mallory. At last, it lay at her feet, bleeding on her white running shoes.

‘What happened to the cat?’

‘I didn’t do it,’ said Mallory.

‘Mallory, you’re going to love this.’

Betty Hyde slipped the video cassette into the VCR. The picture was of the judge on the steps of the Coventry Arms. He was flanked by an escort of two uniformed police officers. A young woman reporter was thrusting a microphone in his face and asking him if it was true that the district attorney was planning to exhume the body of his mother.

Then the judge advanced on the woman. One fist knocked the microphone out of her hand and the other fist was flung at the cameraman. The camera lay on the sidewalk shooting the feet of the officers scuffling with the feet of the judge, dragging him back from the feet of the woman reporter. The audio portion was a woman’s screams of’You’re hurting me, you son of a – ‘.

‘About that police escort with the judge,’ said Hyde. ‘I don’t suppose you could explain that?’

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