Cleo Coyle - Espresso Shot

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The pseudonymous Coyle (a husband-wife team) makes the jump to hardcover with this enjoyable coffeehouse mystery, the seventh in the series to star Clare Cosi, the crime-solving barista of Village Blend (French Pressed, etc.). Breanne Summour, the disdainer-in-chief of Manhattan fashion magazine Trend, is engaged to be married to Matteo Allegro, Clare's ex-husband. Sharing a grown daughter, Clare and Matt remain friends and business partners. When a 22-year-old dancer who looks like Breanne is shot after performing at Matt's bachelor party, a frantic Matt believes Breanne was the intended target. Clare agrees to protect Breanne until the posh wedding at the Metropolitan Museum of Art, but after the murder of Breanne's former assistant, Clare's life is in jeopardy, too. This mellow-paced cozy includes some surprises for both bride and groom, who must deal with the bitter fruits of their past actions. Recipes and coffee tips are a bonus.

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“Frankly, Ms. Cosi, I don’t buy your theory on the case. Sounds like a tangled mess to me. I think you’re overwrought from the attack.” He jerked his thumb at the bar. “Do yourself a favor: have a good stiff drink and find a seat.”

“But Lori Soles and Sue Ellen Bass might have a new lead on the-”

“Forget it. I’m not talking to Sue Ellen Bass about this case, or any other.”

Friar turned his broad back to me and gestured to a young Hispanic detective. Like Friar, the younger man was dressed in a sport coat and dark slacks. He wore his gun on his hip and his gold shield on his belt. The man nodded to Friar, ended his conversation with a waiter, and hurried to Friar’s side. I willed myself invisible and stepped closer to the pair.

“What d’ya got, Victor?”

“Nobody from the kitchen staff saw anything out of the ordinary. The party guests are still being interviewed, but no one’s come forward with an eyewitness account other than the woman you were interviewing. And I got the victim’s statement before the ambulance took off-”

“Did the perp make any sexual advances? Fondle the victim?”

Victor shook his head. “She claims he didn’t even demand money or valuables, just started choking her-”

“You mean he grabbed her necklace ,” Friar said.

Victor glanced at his notes. “The victim called it choking.”

Friar noticed me lurking, just then.

“I’ve taken your statement, Ms. Cosi, so I’m done with you. Move along.”

Gritting my teeth, I walked away, fumbled in my bag for my cell phone, and hit the second number on my speed-dial list. Mike Quinn’s voice mail picked up.

Damn.

Okay, next . I fished out the card Detective Soles had given me. She said to call if I uncovered any new developments in Hazel Boggs’s murder. In my opinion, this was a new development, so I pulled out my cell phone and punched in the number, half expecting to get her voice mail, too. But I got an answer on the second ring.

“Detective Lori Soles.”

I identified myself, and the woman’s tone instantly turned friendly. “Clare Cosi, my favorite PI.”

“Anything new in the Hazel Boggs case? It’s important I know, or I wouldn’t be bothering you.”

“The bullet was recovered at the autopsy,” Lori said. “We’re expecting a ballistics report this afternoon, tomorrow morning at the latest. Anything new on your end?”

“I’m at Machu Picchu in Soho, and Breanne Summour was attacked here about thirty minutes ago. The senior detective on the scene thinks it’s a mugging.”

“Who is it?”

“Rocky Friar.”

“Oh, brother.”

“But Friar is wrong,” I quickly added. “I was there, an eyewitness to the attack, and I say it was a hit. I’m more convinced than ever that the death of Breanne’s look-alike and this murder attempt on the real thing are connected.”

“I don’t know what you’ve got,” Lori said. “But it certainly sounds interesting. I’ll run it by my partner. If she’s good to go, we’ll be there in fifteen.”

I closed the phone and returned to Madame and the luncheon.

Breanne was gone by now. The ambulance was taking her to Beth Israel’s ER. The paramedics didn’t think her vocal chords were damaged, but they suspected a hairline fracture of her collarbone. For that she needed X-rays.

By now, my daughter had returned to the Village Blend to visit with some of the baristas she hadn’t seen since leaving for Paris. Frankly, I was glad to get Joy clear of this mess. A dozen or so guests remained. They were speaking in hushed whispers by the bar. Two uniformed officers were taking final statements. Seated at a corner table, I saw Madame nursing a glass of sangria blanco. I sat down beside her.

She glanced at me and sullenly shook her silver white head. “The groom stormed off, and the bride-to-be was strangled within an inch of her life. I’d say the luncheon was a stunning success, wouldn’t you?” She drained her wineglass and asked her boyfriend, Otto, to fetch another: tout de suite.

“There’s a silver lining, though,” she added. “This ill-advised marriage will very likely be canceled.”

“Not so loud.”

Madame waved me off. Otto came back with her fresh glass of sangria, and she downed it nearly as fast as her son had chugged beers at the White Horse.

“Are you grieving or celebrating?” I asked.

“Both.” She shook her head again. “Neither. Oh, Clare… I just want my son to be happy. Matteo won’t be. Not with that woman.”

“Well, don’t be so sure the marriage is off. Breanne Summour generally gets what she wants.”

“That’s what I’m afraid of.”

Suddenly, a bright flash of light shot through the room. Everyone froze. Then I heard Rocky Friar’s voice boom, “Grab that guy, now!”

Near the entrance to the restaurant’s front bar, a uniformed officer caught the arm of a middle-aged, balding man. I saw an expensive-looking camera in the man’s hand, a khaki photographer’s vest around his paunchy torso, and shook my head.

“The paparazzi are here-or at least one paparazzo.”

“I said no reporters,” Friar barked. “Who let this vulture in?”

The uniform shrugged. “He was in, Detective. Liquid lunch up front.”

“I’m only alone because my date was delayed,” the photographer said.

“I’ll do the talking,” Friar shot back. “What’s your name, and who do you work for? And for the love of God, don’t tell me you’re a tourist.”

“I’m not a tourist, Detective. I’m a freelance photographer. So I don’t work for anyone, specifically-”

“That’s a load of bull!” shouted a familiar female voice.

Sue Ellen Bass’s never-ending legs strode boldly into the restaurant and right up to Friar. Hustling up behind her were the blond cherub curls of Lori Soles. I was relieved to see both women.

“That mook’s name is Ben Tower,” Sue Ellen said, “and he works for that sleazebag Randall Knox at the Journal.”

Ben Tower?

I blinked, suddenly seeing the black courier type on the white card that I’d found hidden away in Monica Purcell’s secret drug box. So this was the freelance photographer who’d given Monica his card.

When I first read the man’s handwritten note, I thought Tower was a fashion photographer seeking work from Trend , somebody who was young and hot that Monica might have been interested in personally. But the bald man in the rumpled plaid pants and bulky vest was not young, and he was obviously a newshound, not a fashion photographer.

Meanwhile, Rocky Friar was already starting in on his old girlfriend. “Oh, man…” He grabbed his head. “My freakin’ migraine headache just got a whole lot worse.”

Sue Ellen flipped her sleek black ponytail over her shoulder. “I’m not the cause of your headache, barrel neck. It’s those muscles of yours. They constrict and squeeze the blood outta your pea-size brain.”

I realized there was something different about Sue Ellen today: makeup and earrings, delicate pearl studs. She’d applied fresh lipstick and gloss, too.

Friar glared at the smoldering Amazon. “What do you know about biceps and triceps? From your reputation, your interest lies in another muscle on the male anatomy.”

“What? Yours ?” Sue Ellen rolled her eyes. “Speaking of pea-size.”

“Listen up, Bass. You’re not only banned from my apartment building, you’re banned from my crime scene.” Rocky jerked his thumb in the direction of the exit. “Hit the road.”

“Banning me from the building is a load of crap, and you know it.”

“Listen, honey, it’s for your own good,” Friar said, his voice theatrically softening. “The building’s full of guys on the job. All single. All virile. All teeming with testosterone. I wouldn’t take an alkie out drinking, or a junkie to a crack house-”

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