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P. James: The Skull Beneath The Skin

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P. James The Skull Beneath The Skin

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Hired as a bodyguard to faded actress Clarissa Lisle, the recent recipient of numerous death threats, Cordelia Gray accompanies the actress to an island castle, whose owner collects funeral paraphernalia.

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'I didn't recognize your wife but I remember her very well.'

'And you'll take the job?'

'Yes, I'll take it.'

He said without embarrassment:

'Rather different from finding lost cats. Mrs Fortescue told my wife what you charge per day. This will be higher, I suppose.' Cordelia said:

'The daily rate is the same whatever the job. The final bill depends on the time taken, whether I have to use either of my staff, and the level of expenses. These can sometimes be high. But as I'll be a guest on the island, there will be no hotel bills. When do you want me to arrive?'

'The launch from Courcy – it's called Shearwater – will be at Speymouth jetty to meet the nine thirty-three from Waterloo. Your ticket's in this envelope. My wife has telephoned to let Mr Gorringe know that she's bringing a secretary-companion to help her with various odd jobs during the weekend. You'll be expected.'

So Clarissa Lisle had been confident that she would take the job. And why not? She had taken it. And she was apparently equally confident of being able to get her way with Ambrose Gorringe. Her excuse for including a secretary in the party was surely rather thin and Cordelia wondered how far it had been believed. To arrive for a country-house weekend accompanied by one's private detective was permissible for royalty, but in any less elevated guest showed a lack of confidence in one's host, while to bring one incognito might reasonably be regarded as a breach of etiquette. It wasn't going to be easy to protect Miss Lisle without betraying that she was there under false pretences, a discovery which would hardly be agreeable for either her host or fellow guests. She said:

'I need to know who else will be on the island and anything you can tell me about them.'

'There's not much I can tell. There'll be about one. hundred people on the island by Saturday afternoon when the cast and invited audience arrive. But the house party is small. My wife, of course, with Tolly – Miss Tolgarth – her dresser. Then my wife's stepson, Simon Lessing, will be there. He's a seventeen-year-old schoolboy, the son of Clarissa's second husband who was drowned in August 1977. He wasn't happy with the relatives who were his guardians so my wife decided to take him on. I'm not sure why he's invited, music's his interest. Clarissa probably thought it was time he met more people. He's a shy boy. Then there's her cousin, Roma Lisle. Used to be a schoolmistress but now keeps a bookshop somewhere in north London. Unmarried; aged about forty-five. I've only met her twice. I think she may be bringing her partner with her but, if so, I can't tell you who he is. And you'll meet the drama critic Ivo Whittingham. He's an old friend of my wife. He's supposed to be doing a piece about the theatre and the performance for one of the colour magazines. Ambrose Gorringe will be there, of course. And there are three servants: the buder, Munter, and his wife and Oldfield, who is the boatman and general factotum. I think that's all.' 'Tell me about Mr Gorringe.'

'Gorringe has known my wife since childhood. Both their fathers were in the diplomatic. He inherited the island from his uncle in 1977, when he was spending a year abroad. Something to do with tax avoidance. He came back to the UK in 1978 and has spent the last three years restoring the castle and looking after the island. Middle-aged. Unmarried. Read history at Cambridge I believe. Authority on the Victorians. I know no harm of him.'

Cordelia said:

'There's one last question I have to ask. Your wife apparently fears for her life, so much so that she is reluctant to be on Courcy Island without protection. Is there any one of that company whom she has reason to fear, reason to suspect?'

She could see at once that the question was unwelcome, perhaps because it forced him to acknowledge what he had implied but never stated, that his wife's fear for her life was hysterical and unreal. She had demanded protection and he was providing it. But he didn't think it was necessary; he believed neither in the danger nor in the means he was employing to reassure her. And now some part of his mind was repelled by the thought that his wife's host and her fellow guests were to be under secret surveillance. He had done what his wife had asked of him, but he didn't like himself any the better for it. He said curtly:

'I think you can put that idea out of your head. My wife has no reason to suspect any of the house party of wishing to harm her, no reason in the world.'

CHAPTER TWO

Nothing more of importance was said. Sir George looked at his watch and got to his feet. Two minutes later he said a curt goodbye at the street door, neither mentioning nor glancing at the offending name-plate. As she climbed the stairs, Cordelia wondered whether she could have managed the interview better. It was a pity that it had ended so abruptly. There were questions which she wished she had thought to ask, in particular whether any of the people she was to meet on Courcy Island knew of the threatening messages. She would have to wait now until she met Miss Lisle.

As she opened the office door, Miss Maudsley and Bevis looked up over their typewriters with avid eyes. It would have been heartless to deny them a share in the news. They had sensed that Sir George was no ordinary client and curiosity and excitement had virtually paralysed them. There had been a suspicious absence of clacking typewriters from the outer office during his visit. Now Cordelia told them as little as was compatible with telling them anything worth hearing, emphasizing that Miss Lisle was looking for a companion-secretary who would protect her from an irritating but unimportant poison-pen nuisance. She said nothing about the nature of the threatening messages nor of the actress's conviction that her life was seriously threatened. She warned them that this assignment, like all jobs, even the most trivial, was to be treated as confidential. Miss Maudsley said:

'Of course, Miss Gray. Bevis understands that perfectly well.'

Bevis was passionate in his assurances.

'I'm more reliable than I look. I won't utter, honestly. I never do, not about the Agency. But I'll be no good if anyone tortures me for information. I can't stand pain.'

Cordelia said:

'No one's going to torture you, Bevis.'

By general consent they took an early lunch-hour. Bevis fetched sandwiches from the Carnaby Street delicatessen and Miss Maudsley made coffee. Sitting cosily in the outer office they gave themselves over to happy speculation about where this interesting new assignment might lead. And the hour wasn't wasted. Unexpectedly, both Miss Maudsley and Bevis had helpful information to give about Courcy Island and its owner, pouring out a spate of antiphonal chat. It wasn't the first time this had happened. Their more orthodox skills might be suspect, but they not infrequently provided a bonus in the way of useful gossip.

'You'll enjoy the castle, Miss Gray, if you're interested in Victorian architecture. My brother took the Mothers' Union to the island for their summer outing the month before he died. Of course, I'm not a full member, I couldn't be. But I usually went on the outings, and this one was so interesting. I particularly enjoyed the pictures and the porcelain. And there's one delightful bedroom which is almost a museum to the Victorian arts and crafts movement; De Morgan tiles, Ruskin drawings, Mackmurdo furniture… It was quite an expensive outing, I remember. Mr Gorringe, he's the owner, only allows parties once a week during the season and he restricts the numbers to twelve at a time, so I suppose he has to charge rather a lot to make it worth while. But no one grumbled, not even Mrs Baggot who was always, I'm afraid, rather inclined to complain at the end of the day. And the island itself, so beautiful and varied, and such peace. Low cliffs, woods, fields and marshes. It's like England in miniature.'

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