Scott Turow - Personal injuries

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Personal injuries: краткое содержание, описание и аннотация

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At 5:45 precisely, the Mercedes appeared in the club parking lot. The hot pink of sunrise was almost gone from the eastern sky. Robbie, who had put on a white vest to protect against the morning chill, looked to the woods with a commanding face-aloft expression practiced in the court room. Then he threw the heavy white leather golf bag, with a brand name emblazoned on it in gold script, over his shoulder, and set his hat on his head with both hands. To conserve power, the FoxBlte had been turned off after McManis recorded the customary initiating speech. One of the surveillance cars now prowled along the edge of the road and the agent on the driver's side hit the FoxBlte remote. In the van, we heard Robbie state, "This is a test, this is just a test of the emergency warning system." Alf radioed and the agent's auto pulled away.

As Milacki had promised, the maintenance gate was unlocked, and Robbie began trudging through the heavy midwestern woods. This was, for the most part, a first-growth forest, full of the old hardwoods, bur oaks and pin oaks and white oaks and hickories, with ferns and runners growing up in their shade. Primroses and wild raspberries clustered in the marginal patches of sun. Robbie tromped along, preoccupied and unconnected to what was around him, much like the settlers who'd walked the forest a century before. The traders, farmers, and merchants who'd first come to this area were hardscrabble types looking solely for the chance to profit. The land to them was not the home of the spirit but a commodity to exploit. The Public Forests had been saved from despoliation at the end of the nineteenth century through the efforts of a few Eastern-educated architects and city planners, rich men's sons who were indulged because these parcels seemed too remote to be worth quarreling over.

On the audio, as Robbie walked, there was an almost musical background of birds and insects, the rutting calls of squirrels and chipmunks, and the rushing water of little brooks descending from the pond where Robbie was to meet Tuohey. He groaned now and then under the weight of the bag, but skipped the occasional wisecracks that sometimes punctuated the recordings when he was alone.

Eventually, he reached the road through the Public Forest. The parking lot where we were stationed was no more than three or four hundred yards away. He walked down in our direction, then followed a woodland path back toward the golf course. On the screen, we saw him step over the galvanized guard rail at a curve. The ground was soft as he approached the water and, off-balance with the bag, he stumbled at one point, catching himself against the steep bank. Even so, a spot of black mud stained his vest. Habits being what they are, he fussed with it for a time before heading on.

The chain-link fence between the country club and the forest broke at this point for a bridge that crossed the neck of Galler's Pond. The spring waters spread with indifference between rich and poor, over both public and private land. The bridge was divided along its length by a fourfoot stockade fence. The rear side, with the cross-braces running between the posts, faced Robbie. He was supposed to dump his clubs over and then use the ties to vault onto the club property. He had just boosted the bag across when, on the screen, he cranked a concerned look over his shoulder.

The agent operating the nearby camera was taken unawares. He'd kept a tight shot on Feaver for fear that he'd lose him among the leaves. Now, as the cameraman attempted to locate what had distracted Robbie, he panned far too quickly and couldn't regain focus as he retreated to a wider shot. By the time he'd readjusted and found Feaver, Robbie was back at the bottom of the bridge talking to a Kindle County police officer. We'd heard Robbie tromping down the span, dispensing a sunny greeting, but it was a shock to see it was a cop who'd accosted him.

"Playing golf, are you, sir?"

"Right. I'm meeting some friends."

The cop was huge, a former jock of some kind, a physical presence in the tight blue uniform. He sized up Feaver.

"The club isn't open now."

"Right, but these guys are members."

"Uh-huh," said the cop. "They've had a problem here recently. People sneaking on and messing things up. It's private property, you know."

Robbie said once again that his friends belonged to the club. When the cop asked who they were, Robbie, with some hesitation, gave Brendan's name. The officer pointed through the fence, noting that nobody was on the fifth tee. Tuohey, Robbie said, would be right along.

"Can I see some i.d.?" the cop asked.

From the overhead view, we could see Robbie nodding agreeably and gesturing in the wide way he employed when he was attempting self-conscious charm. He appeared such a picture of confidence that it was hard not to believe he'd get by. It was another mini-coronary, but we'd survived many by now. Tuohey would be arriving any second to bail Robbie out. We all hunched behind Alf, leaning toward the monitor. Amari was issuing orders over his radio. The second camera could not pick up Robbie, but had found the cruiser parked around a bend in the road. It was a Police Force vehicle, not from the Public Forest Division.

The cop took Robbie's wallet and without returning it asked him to come away from the fence. He traded places with Feaver and with one hand hoisted the golf bag back to their side,' then remained behind Robbie as he walked him the thirty or forty feet up to the road. When they reached the black-and-white, the cop said, "Put your hands on the vehicle, sir, and lean against it, with your legs spread."

"God bless you, Alfie," Stan whispered. Kiecker, busy with the dials, tossed off a salute. Detected, the FoxBIte, which bore the recorded preamble, would have given away everything, once someone figured out how to play it.

The cop went down Robbie's sides quickly. For one hopeful second it looked certain Robbie had cleared. Then the cop straightened up.

"Now slowly lift your hands to your head," he said "and remove your hat."

"Hey," Robbie answered good-naturedly, "don't you think this has gone far enough?"

"Remove your hat, please."

"Think my brains are gonna fall out? I couldn't have a gun in my hat."

The cop withdrew his baton and told Robbie he was asking him for the last time to take off his hat. "How about I call my lawyer?"

With that, the copper lifted the baton to shoulder height

"Oh, Lord!" That was Evon. But the cop didn't hit him Instead he flicked the hat off with the end of the nightstick. The hat plummeted to the asphalt with suspicious speed. The FoxBIte emitted a resounding ping and, with that, the frequency hopper went dead. Klecker sprung even closer to the equipment, switching dials and plugs to no avail, barking at Clevenger. It now became a silent movie.

Robbie, with a show of tremendous irritation, grabbed the hat off the asphalt before the cop could reach it. The policeman shook his stick at Robbie twice and Robbie waved his hands around indignantly. He finally put the hat back on his head, looking grumpy and clearly making ready to depart. The cop took another step back, remonstrating further. Finally, he removed his service revolver from his holster.

The sight of the gun coming up had a Zen-like intensity, prefigured as it was by our worries. I was still uncertain about the cop and his intentions, but Sennett had arrived at a far clearer interpretation of events.

"God, no!" he screamed. "No, no. Move!"

McManis already had the handset at his lips. "We're up!" McManis yelled. "All agents in at once. Go! Go!" he shouted.

Before he had finished, Evon was out the door of the van, sprinting down the yellow center line in the narrow forest road. McManis in his blue seersucker suit seemed to have been drafted out behind her and took off in her wake at full canter. He said later he did not think about the fact he was unarmed. Until then, Evon's sporting background had been little more than a curiosity to me, but the speed with which she disappeared into the distance, putting more and more space between McManis and herself, looked almost like a cartoon.

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