Джорджетт Хейер - Why Shoot a Butler

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Every family has secrets, but the Fountains' are turning deadly… On a dark night, along a lonely country road, barrister Frank Amberley stops to help a young lady in distress and discovers a sports car with a corpse behind the wheel. The girl protests her innocence, and Amberley believes her—at least until he gets drawn into the mystery and the clues incriminating Shirley Brown begin to add up…
In an English country-house murder mystery with a twist, it's the butler who's the victim, every clue complicates the puzzle, and the bumbling police are well-meaning but completely baffled. Fortunately, in ferreting out a desperate killer, amateur sleuth Amberley is as brilliant as he is arrogant, but this time he's not sure he wants to know the truth…

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"I seem to have told you the hell of a lot," remarked Anthony.

"You did. It was to you that I owed my knowledge of his fondness for the sea. You described his bungalow at Littlehaven to me and the super motorboat he had, which was capable of crossing the Channel. At the time that conveyed nothing particular to me. It came in useful later. You also told me that he had asked you to remain on at the manor, actuated, you thought, by funk. He did not want to be left alone there. That might have arisen from his undoubtedy gregarious nature. On the other hand it looked very much as though the presence of guests in the house was a protection. So it was. While you and Joan were there Collins had to walk warily. Fountain was beginning to be afraid of him. He knew that Collins had murdered Dawson, but he dared not give him away for fear Collins should counter with the real will - which Fountain undoubtedly thought he possessed in its entirety. That he didn't eliminate Collins then was due, I feel sure, to his perfectly sincere horror of death. If you remember, Anthony, Miss Fountain mentioned that on the occasion of my first meeting with her. He could not bear the thought of a dead body - even a puppy's."

"After the inquest you, Sergeant, told me of Dawson's money. It puzzled you. You could find no explanation for it. It was then that the thought that he might have been blackmailing Fountain crossed my mind. But what you, Shirley, had to do with any of this I had no idea until the night of the fancy-dress ball at the manor. You attended that ball, quite uninvited, in the costume of an Italian peasant-girl."

"Good Lord, was it you?" cried Felicity. "Joan and I wondered who on earth it could be, because you weren't there at the unmasking. I say, how perfectly thrilling of you!"

"Restrain your ardours, my love," requested Mr. Amberley. "When I discovered the contadina's identity I thought it worth while to keep an eye on her. It did not seem to me probable that she had gate-crashed the ball from a mere desire to be at an amusing party. Putting two and two together I inferred that she had seized the opportunity to get into the manor for some very definate purpose. Then I saw the Reynolds on the passage."

"Beg pardon, sir?"

"A portrait., Sergeant. The portrait of a lady of the late eighteenth century. The resemblance is most striking, Shirley. Fountain came upon me while I was studying this portrait, and from what he said I knew that he was unaware of your presence in the district. He was not much interested in the picture but remarked, with perfect truth, that the lady had the family beetle brows. He thought she was probably a great-grandmother but recommended me to ask the housekeeper."

"The main facts in my possession then were, briefly, these: that Fountain's butler had been shot with robbery as the motive; that a mysterious lady bearing a startling resemblance to the family had been present on that occasion and was now masquerading in the house in disguise; and that Jasper Fountain had had a son, then deceased, whom he had disinherited on account of his predilection for drink - and other things. It proved nothing, but was an interesting coincidence that Mark Brown also drank." He paused and pressed the tobacco down in the bowl of his pipe with his thumb. "We now come to the extremely reprehensible proceedings of Miss Shirley Fountain. Dawson having informed her that his half of the will was hidden in a certain tallboy, she went to find it. She was interrupted by the appearance of Collins, who was watching her with great interest. Both he and she left the tallboy, which was in the passage leading to the picture gallery, and went downstairs. A bad moment, wasn't it, Shirley?"

"Thanks to you!" she retorted.

He laughed "All your own fault, my dear. Well, when the two of them had gone I had a look in the tallboy myself and found the torn half of a will. Part of Jasper Fountain signature was on it, and most of the signatures of the two main witnesses. The names of the legatees were upon the other half, but the thing seemed fairly obvious in spite of that."

"In due course Shirley came back to the tallboy. Finding the will gone she leaped to the conclusion that Collins had been before her. Right?"

"Of course," she said. "What else could I think?"

"I'll tell you later," he said. "Collins, who came a few minutes later to secure the missing half, naturally ;assumed that Shirley had outwitted him. An engaging st;ite of mind on both sides."

Shirley interrupted. "Yes, I've no doubt, but why couldn't you have told me you had it?"

"My good child, once I had that torn paper in my possession there was very little you could tell me that I didn't already know. It was, in fact, infinitely better that neither you nor Collins should know who really had the will. Your combined antics were far more helpful to me than your confidence would have been. There was another reason too, which concerns you and me alone. To continue: On the following day I sustained a visit from Colonel Watson and agreed to take on the case. I now held most of the strings of it. I knew that there was a later will in existence which at least two people were painfully anxious to get hold of. Your anxiety, Shirley, led me to suppose that it was in your favour; Collins' anxiety confirmed my previous suspicion that he was blackmailing Fountain with it. It seemed probable that he held the missing half. The first thing to be proved was your identity, and the main problem was how to get hold of the rest of the will, which obviously existed. It was no case for the police, who wouldn't have acted on an entirely valueless half. I went up to London. I instructed my man Peterson to apply for the vacant post of butler at the manor and provided him with a faked reference, which reminds me that you gave him a bad moment over that, Sergeant."

"Ah!" said thec sergeant deeply.

"Quite. I thought it possible that he might manage to get hold of a clue to the will's hiding-place, but my chief object in putting him at the manor was to have someone watching Fountain's movements. It seemed to me that it could only be a matter of time before Fountain discovered who was living at Ivy Cottage, and when he knew that, anything might happen. On this same visit to town I visited the Times office to look through the back numbers for a notice of your father's death, Shirley. That represents the only occasion in my memory when you've let me down, Aunt Marion. Your recollection of dates is lamentable. He died five years ago, not three."

"Tiresome for you, dear boy," agreed Lady Matthews.

"It was. However, I found the notice at last and took down the address in Johannesburg. Then I sent a cable to a firm of inquiry agents there to ascertain whether he left any issue, and if so what became of the issue. To speed things up a little I also employed a private detective agency in London to trace the records of Mark and Shirley Brown."

"When I got back to Greythorne I found you there, Anthony. You gave me, though reluctantly, a valuable piece of information. You divulged that Fountain had received a letter from a firm of private detectives and that it had very much upset him. That could only mean one thing he was trying to discover what offspring his cousin had left and where they were. The fact that he was upset seemed to point to him knowing that both Mark and Shirley Fountain were actually at his gates. You told me next day that he had had a row with Collins. I imagine he had jumped to the conclusion that Collins was double-crossing him. Things were beginning to move rather quickly, and the devil was in it that while Collins still held that vital portion of the will it was extraordinarily hard to take any sort of action."

"Putting in a little detective work on my own I came to call on you, Shirley. That was a lucky coincidence. You, believing that Collins now possessed the entire will, had determined to try and buy him over and had sent for him to come and see you. He came because he thought that you held Dawson's half and might destroy his little game. I saw him leave Ivy Cottage. I imagine you must both have fenced very skilfully on that occasion, since neither of you was aware at the end of the interview that the other was not, after all, in possession of the missing half."

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