Jacqueline Winspear - The Mapping of Love and Death

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In the latest mystery in the New York Times bestselling series, Maisie Dobbs must unravel a case of wartime love and death – an investigation that leads her to a long-hidden affair between a young cartographer and a mysterious nurse.
August 1914. Michael Clifton is mapping the land he has just purchased in California's beautiful Santa Ynez Valley, certain that oil lies beneath its surface. But as the young cartographer prepares to return home to Boston, war is declared in Europe. Michael – the youngest son of an expatriate Englishman – puts duty first and sails for his father's native country to serve in the British army. Three years later, he is listed among those missing in action.
April 1932. London psychologist and investigator Maisie Dobbs is retained by Michael's parents, who have recently learned that their son's remains have been unearthed in France. They want Maisie to find the unnamed nurse whose love letters were among Michael's belongings – a quest that takes Maisie back to her own bittersweet wartime love. Her inquiries, and the stunning discovery that Michael Clifton was murdered in his trench, unleash a web of intrigue and violence that threatens to engulf the soldier's family and even Maisie herself. Over the course of her investigation, Maisie must cope with the approaching loss of her mentor, Maurice Blanche, and her growing awareness that she is once again falling in love.
Following the critically acclaimed bestseller Among the Mad, The Mapping of Love and Death delivers the most gripping and satisfying chapter yet in the life of Maisie Dobbs.

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Maisie nodded. "Yes, do what you can to find Mullen, and more on Jeremy Lockwood." She picked up a wax crayon and made some notations on the case map, linking two names with a red line. "Be on the lookout for anything that doesn't seem right regarding Lockwood's death. I don't know what you might find, but I think you'll know it when you see it-pay attention to your gut."

"My gut?"

"Yes. Most people don't realize that they feel something is wrong before they think something is wrong, but by the time they've finished trying to ignore the physical sensation, they've pushed that particular nudge from their mind."

"I know what you mean, Miss. I did that with my Doreen. I could feel it here." He touched his belt buckle. "I knew she wasn't right in the head. Felt it before I ever admitted it to myself, and by then it'd got a lot worse. I just kept saying to myself that it was all normal, that she would get over it and be as right as rain the next day."

"She's getting better now, that's the main thing. How is she faring at home?"

"She has her bad days, but nothing like before," replied Billy. "Mind you, I wish I had a little book with instructions in it. Whenever I get worried, if I see her doing something that looks dodgy, like folding only half the laundry, then leaving the rest while she sits by the fire or something-I wish I had something to go back to, you know, a manual that could answer my questions: 'Is this all right?' 'Is she going backward?' Or, 'Is this normal?'"

Maisie nodded, thinking of the searchlight sunbeams across Kent's undulating terrain. She nodded. "Wayfinding…," she said, her voice almost a whisper.

"I beg your pardon, Miss?"

"Oh, just thinking out loud. I was reading about maps, when we first took on the Clifton case, and it said that the primary role of the map is in wayfinding." She looked at Billy. "It seemed such an interesting word: wayfinding . Not 'to find our way' but 'wayfinding.' It occurred to me that that's exactly what you need-a wayfinder of sorts, to negotiate the journey ahead with Doreen. But you don't have such a thing to fall back on. There's no map, just the doctors' knowledge of previous similar cases, so they can only advise you to a certain point along this road. You have to depend upon your sense of what is right and what is wrong-and as I said, you'll feel that before you think it."

"I reckon I see what you mean, Miss." Billy scratched his head.

"It's what we're trying to do with this map, isn't it?" Maisie tapped the case map with the red crayon. "Wayfinding." She paused. "I wish I had one for life," she whispered to herself.

"Sorry, Miss?"

"Oh, nothing, Billy. Nothing at all. Let me know if I can be of any help with Doreen." She looked down at the map and circled Priscilla's name. "And in the meantime, I'll see if Mrs. Partridge has managed to wheedle an introduction to Lady Petronella!"

Billy stood up and stepped towards his desk. "You shouldn't have any trouble getting her on the dog and bone. I did the job over at her house to last a lifetime, and she can hear the ring from any room in that house."

Maisie smiled as she moved from the case map table to her desk in the corner. "You're a good man, Billy. Now then, let's see if we can cover more ground in this case-I want to know who attacked me and why, and I want to know why half the people I've spoken to seem to be lying to me. Call that a gut feeling."

As she was about to take her seat, the telephone on her desk rang.

"Miss Dobbs-Detective Inspector Caldwell here. Have you a moment?"

"Of course, Inspector. Do you have some news for me?"

"Some good and some not quite so good."

Maisie sat down, curious regarding possible developments in the case, while at the same time pleased that relations with Caldwell seemed to be moving in a positive direction. Even on the telephone she felt his manner was more conducive to collaboration than it had been in the past.

"I'm not sure which I'd like to hear first."

"Let's start with the good: We've found your case."

Maisie shivered. Her senses heightened to the darker side of Caldwell's purpose for calling.

"And now you have to tell me about the circumstances in which it was recovered."

"I'm afraid so."

"Go on."

"The police were called to a flat just off the Edgware Road where a disturbance had been reported. I'll be frank, it was a miserable cold-water flat, a right slum-and I've seen a few glory holes in my time, I can tell you. Anyway, the men had to force entry-the door was locked-and when they broke in they found the body of a man, close to which was your case."

"Have you identified him yet? And what was the cause of death?"

"Multiple wounds to the skull, your usual blunt object wound-might have been a cosh, a poker, you name it. Something heavy, no doubt about it. Dr. Barrow-the examiner-will be able to give more information, though I can tell you now, he's no Maurice Blanche, so we don't expect the same sort of breadth of speculation in the report that we were used to when your former employer was advising us. I can tell you there was extreme loss of blood, and most of it seems to have washed across your nice leather case, I'm afraid."

"Oh-"

"And the deceased goes by the name of-" Maisie heard Caldwell turn pages as he looked for the name. "Sydney Mullen."

"Mullen?" She looked across the room at Billy, whose eyes were wide.

"Small-time market trader and even smaller-time crook. More of a tea boy to certain higher-up villains over in the East End that we'd like to have longer let's-get-to-know-you conversations with, if only we had something to pin on them. Know him?"

"Not personally. But he knew Michael Clifton in the war. He owed his life to Clifton."

"That's all I need, a bloody maze to get lost in."

"I know how you feel, Inspector." Demonstrating a willingness to collaborate might not be such a bad thing, thought Maisie. "I'll do my best to find a way through at this end. Has a motive been established?"

"Could have been someone he was working for, come to see what he'd brought in from his day's work. He could have owed money to the sort of person you should never owe money to. Who knows, with a fellow like that? Our men are talking to the neighbors, and they're looking for anyone he associated with. Seems he'd been seen with a woman lately. Bit of a nice-looking woman, according to a report. Apparently she was nicely turned out, even if her clothes weren't brand spanking new."

"Did she have dark hair?"

"Yes, she did. Know anything?"

"It might be nothing, but Mr. Clifton said he saw a man and woman arguing in the hotel foyer on the day of the attack. He remembered her dark hair."

"The hotel should have their names."

"I don't think they were guests. But they were there for a reason-you don't just wander into the Dorchester unless you are staying there or meeting someone. In any case, they were asked to leave, I understand. That sort of racket isn't appreciated by guests at the Dorchester."

"I could have done with a different sort of crime to launch my promotion." Caldwell sighed. "What would you like me to do with this document case, when we're finished with it?"

"Was it empty?'

"There's a Victorinox knife-a good one, I can see. And a small bag of tools. I won't ask what you might use these for. No papers, but a couple of those medical masks."

"A pair of rubber gloves?"

"No, but now I know why we didn't find any dabs other than those of the deceased."

"And the case is badly stained."

"Put it this way, Miss Dobbs. My wife accuses me of being a hoarder, of keeping things that are old, don't work, or are beyond repair-and I would throw this in the dustbin without looking back, particularly with that man's blood all over it."

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