James Ellroy - The Best American Noir of the Century

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In his introduction to the The Best American Noir of the Century, James Ellroy writes, 'noir is the most scrutinized offshoot of the hard-boiled school of fiction. It's the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It's the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad.' Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction.
James Ellroy and Otto Penzler, series editor of the annual The Best American Mystery Stories, mined one hundred years of writing - 1910-2010 - to find this treasure trove of thirty-nine stories. From noir's twenties-era infancy come gems like James M. Cain's 'Pastorale,' and its post-war heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, and William Gay, with many page-turners appearing in the last decade.

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I laid down the lamp and gave the floor stiff a detailed eyeing. He was fortyish, blond and fat; whoever killed him had tried to burn off his fingerprints — the tips on both hands were scorched black, which meant that the killer was an amateur: the only way to eliminate prints is to do some chopping. A hot plate was tossed in a corner near the bed; I checked it out and saw seared skin stuck to the coils. The bed stiff was right there, so I took a deep breath, tightened my mask, and examined him. He was an old guy, skinny, dressed in clothes too heavy for winter L.A. There was not one mark of any kind on him; his singed-fingered hands had been folded neatly on his chest, rest in peace, like a mortician had done the job. I checked his coat and trouser pockets — goose egg — and gave him a few probes for broken bones. Double gooser. Just then a maggot crawled out of his gaping mouth, doing a spastic little lindy hop on the tip of his tongue.

I walked back into the living room, picked up the phone, and called a man who owes me a big, big favor pertaining to his wife’s association with a Negro nun and a junior congressman from Whittier. The man is a crime-scene technician with the Sheriff’s Department; a med school dropout adept at spot-checking cadavers and guessing causes of death. He promised to be at 2281 South Mariposa within the hour in an unmarked car — ten minutes of forensic expertise in exchange for my erasure of his debt.

I went back to the bedroom, carrying a pot of Lavonne Cohen’s geraniums to help kill the stink. The floor stiff’s pockets had been picked clean; the bed stiff had no bruises on his head, and there were now two maggots doing a tango across his nose. Morris Hornbeck, a pro, probably packed a silencered heater like most Mickey muscle — he looked too scrawny to be a hand-to-hand killer. I was starting to make Gretchen Rae Shoftel for the snuffs — and I was starting to like her.

Lieutenant Kirby Falwell showed up a few minutes later, tap-tap-tap on the window I broke. I let him in, and he lugged his evidence kit into the bedroom, pinching his nose. I left him there to be scientific, staying in the living room so as not to bruise his ego with my inside scoop on his wife. After half an hour he came out and greeted me:

“We’re even, Meeks. The clown on the floor was hit on the head with a flat, blunt object, maybe a frying pan. It probably knocked him silly. Then somebody threw their dinner in his face and gave him second-degree burns. Then they strangled him with that negligee. I’ll give you asphyxiation as ‘cause of death. On Pops, I’d say heart attack—natural causes. I mighta said poison, but his liver isn’t distended. Heart attack, fifty-fifty odds. Both dead about two days. I picked the scabs off both sets of fingers and rolled their prints. I suppose you want a forty-eight-state Teletype on them?”

I shook my head. “California and Wisconsin — but quick.”

“Inside four hours. We’re even, Meeks.”

“Take the nightgown home to the wife, Kirby. She’ll find a use for it.”

“Fuck you, Meeks.”

“Adios, Lieutenant.”

* * *

I settled in, the lights off, figuring if Mo Hornbeck and Gretchen Rae were some kind of partners, he would be by to dump the stiffs, or she would be, or someone would drop in to say hello. I sat in a chair by the front door, the lamp in my hand ready to swing if it came to that kind of play. Danger juice was keeping me edgy; my brain fluids were roiling, trying to figure a way out of the parlay—my two benefactors hiring me to glom one woman for their exclusive use, two corpses thrown in. As hard as I brainstormed, I couldn’t think up squat. With half an hour to kill before I called Kirby Falwell, I gave up and tried the Other Guy Routine.

The Other Guy Routine dates back to my days as a youth in Oklahoma, when my old man would beat the shit out of my old lady, and I’d haul a mattress out into the scrub woods so I wouldn’t have to listen. I’d set my armadillo traps down, and every once in a while I’d hear a snap-squeak as some stupid ‘dillo ate my bait and got his spine crunched for his trouble. When I finally fell asleep, I’d usually wake up to screeches — men hurting women — always just wind playing havoc with the scrub pines. I’d start thinking then: ways to get the old man off the old lady’s back without consulting my brother Fud — in the Texas Pen for armed robbery and grievous aggravated assault. I knew I didn’t have the guts to confront Pop myself, so I started thinking about other people just to get him off my mind. And that always let me develop a play: some church woman conned into dropping off a pie and religious tracts to calm the old man down; steering some local slick who thought Mom was a beauty in her direction, knowing Pop was a coward with other men and would love up the old girl for weeks and weeks just to keep her. That last play stood all of us good at the end — it was right before the old lady caught typhus. She took to bed with a fever, and the old man got in with her to keep her warm. He caught it himself— and died — sixteen days after she did. Under the circumstances, you have to believe there was nothing but love between them — right up to curtains.

So the Other Guy Routine gets you out of the hole and makes some other poor fuck feel good in the process. I worked it in niggertown as a cop: let some pathetic grasshopper slide, send him a Mickey fruit basket at Christmas, get him to snitch a horse pusher and skim 5 percent full of yuletide cheer. The only trouble with it this time is that I was locked on the horns of a jumbo dilemma: Mickey, Howard — two patrons, only one woman. And claiming failure with either man was against my religion.

I gave up thinking and called Kirby Falwell at the Sheriff’s Bureau. His two-state Teletype yielded heat:

The floor stiff was Fritz Steinkamp, Chicago-Milwaukee gunsel, one conviction for attempted murder, currently on parole and believed to be a Jerry Katzenbach torpedo. Mr. Heart Attack was Voyteck Kirnipaski, three-time loser, also a known Katzenbach associate, his falls for extortion and grand larceny — specifically stock swindles. The picture getting a little less hazy, I called Howard Hughes at his flop at the Bel Air Hotel. Two rings, hang up, three rings — so he’d know it’s not some gossip columnist.

“Yes?”

“Howard, you been in Milwaukee the past few years?”

“I was in Milwaukee in the spring of’47. Why?”

“Any chance you went to a whorehouse that specialized in girls made up like movie stars?”

Howard sighed. “Buzz, you know my alleged propensity in that department. Is this about Gretchen Rae?”

“Yeah. Did you?”

“Yes. I was entertaining some colleagues from the Pentagon. We had a party with several young women. My date looked just like Jean Arthur, only a bit more …endowed. Jean broke my heart, Buzz. You know that.”

“Yeah. Did the high brass get looped and start talking shop around the girls?”

“Yes, I suppose so. What does this —”

“Howard, what did you and Gretchen Rae talk about — besides your sex fantasies?”

“Well, Gretchy seemed to be interested in business — stock mergers, the little companies I’ve been buying up, that sort of thing. Also politics. My Pentagon chums have told me about Korea heating up, implying lots of aircraft business. Gretchy seemed interested in that, too. A smart girl always interests herself in her lovers’ endeavors, Buzz. You know that. Have you got leads on her?”

“I surely have. Boss, how have you managed to stay alive and rich so long?”

“I trust the right people, Buzz. Do you believe that?”

“I surely do.”

* * *

I gave my sitting-in-the-dark stakeout another three hours, then raided the icebox for energy and took the Other Guy Routine on the road, a mitzvah for Mickey in case I had to play an angle to shoot Gretchen Rae to Howard — his very own teenage murderess. First I wrapped up Fritz Steinkamp in three windows’ worth of chintz curtains and hauled him out to my car; next I mummified Voyteck Kirnipaski in a bedspread and wedged him into the trunk between Fritz and my spare tire. Then it was a routine wipe of my own possible prints, lights off, and a drive out to Topanga Canyon, to the chemical debris dump operated by the Hughes Tool Company —a reservoir bubbling with caustic agents adjacent to a day camp for underprivileged kids: a Howard tax dodge. I dumped Fritz and Voyteck into the cauldron and listened to them snap, crackle, and pop like Kellogg’s Rice Krispies. Then, just after midnight, I drove to the Strip to look for Mickey and his minions.

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