James Ellroy - The Best American Noir of the Century

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In his introduction to the The Best American Noir of the Century, James Ellroy writes, 'noir is the most scrutinized offshoot of the hard-boiled school of fiction. It's the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It's the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad.' Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction.
James Ellroy and Otto Penzler, series editor of the annual The Best American Mystery Stories, mined one hundred years of writing - 1910-2010 - to find this treasure trove of thirty-nine stories. From noir's twenties-era infancy come gems like James M. Cain's 'Pastorale,' and its post-war heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, and William Gay, with many page-turners appearing in the last decade.

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Now it came about, after many humiliating performances in the arena, made palatable only by dreams, that love entered the circus tent and beckoned commandingly to M. Jacques Courbé. In an instant the dwarf was engulfed in a sea of wild, tumultuous passion.

Mlle. Jeanne Marie was a daring bareback rider. It made M. Jacques Courbé’s tiny heart stand still to see her that first night of her appearance in the arena, performing brilliantly on the broad back of her aged mare, Sappho. A tall, blond woman of the amazon type, she had round eyes of baby blue which held no spark of her avaricious peasant’s soul, carmine lips and cheeks, large white teeth which flashed continually in a smile, and hands which, when doubled up, were nearly the size of the dwarf’s head.

Her partner in the act was Simon Lafleur, the Romeo of the circus tent — a swarthy, herculean young man with bold black eyes and hair that glistened with grease, like the back of Solon, the trained seal.

From the first performance, M. Jacques Courbé loved Mlle. Jeanne Marie. All his tiny body was shaken with longing for her. Her buxom charms, so generously revealed in tights and spangles, made him flush and cast down his eyes. The familiarities allowed to Simon Lafleur, the bodily acrobatic contacts of the two performers, made the dwarf’s blood boil. Mounted on St. Eustache, awaiting his turn at the entrance, he would grind his teeth in impotent rage to see Simon circling round and round the ring, standing proudly on the back of Sappho and holding Mlle. Jeanne Marie in an ecstatic embrace, while she kicked one shapely, bespangled leg skyward.

“Ah, the dog!” M. Jacques Courbé would mutter. “Some day I shall teach this hulking stable boy his place! Ma foi, I will clip his ears for him!”

St. Eustache did not share his master’s admiration for Mlle. Jeanne Marie. From the first, he evinced his hearty detestation of her by low growls and a ferocious display of long, sharp fangs. It was little consolation for the dwarf to know that St. Eustache showed still more marked signs of rage when Simon Lafleur approached him. It pained M. Jacques Courbé to think that his gallant charger, his sole companion, his bedfellow, should not also love and admire the splendid giantess who each night risked life and limb before the awed populace. Often, when they were alone together, he would chide St. Eustache on his churlishness.

“Ah, you devil of a dog!” the dwarf would cry. “Why must you always growl and show your ugly teeth when the lovely Jeanne Marie condescends to notice you? Have you no feelings under your tough hide? Cur, she is an angel, and you snarl at her! Do you not remember how I found you, starving puppy in a Paris gutter? And now you must threaten the hand of my princess! So this is your gratitude, great hairy pig!”

M. Jacques Courbé had one living relative — not a dwarf, like himself, but a fine figure of a man, a prosperous farmer living just outside the town of Roubaix. The elder Courbé had never married; and so one day, when he was found dead from heart failure, his tiny nephew —for whom, it must be confessed, the farmer had always felt an instinctive aversion — fell heir to a comfortable property. When the tidings were brought to him, the dwarf threw both arms about the shaggy neck of St. Eustache and cried out:

“Ah, now we can retire, marry and settle down, old friend! I am worth many times my weight in gold!”

That evening as Mlle. Jeanne Marie was changing her gaudy costume after the performance, a light tap sounded on the door.

“Enter!” she called, believing it to be Simon Lafleur, who had promised to take her that evening to the Sign of the Wild Boar for a glass of wine to wash the sawdust out of her throat. “Enter, mon chéri!”

The door swung slowly open; and in stepped M. Jacques Courbé, very proud and upright, in the silks and laces of a courtier, with a tiny gold-hilted sword swinging at his hip. Up he came, his shoe-button eyes all aglitter to see the more than partially revealed charms of his robust lady. Up he came to within a yard of where she sat; and down on one knee he went and pressed his lips to her red-slippered foot.

“Oh, most beautiful and daring lady,” he cried, in a voice as shrill as a pin scratching on a windowpane, “will you not take mercy on the unfortunate Jacques Courbé? He is hungry for your smiles, he is starving for your lips! All night long he tosses on his couch and dreams of Jeanne Marie!”

“What play-acting is this, my brave little fellow?” she asked, bending down with the smile of an ogress. “Has Simon Lafleur sent you to tease me?”

“May the black plague have Simon!” the dwarf cried, his eyes seeming to flash blue sparks. “I am not play-acting. It is only too true that I love you, mademoiselle; that I wish to make you my lady. And now that I have a fortune, not that —” He broke off suddenly, and his face resembled a withered apple. “What is this, mademoiselle?” he said, in the low, droning tone of a hornet about to sting. “Do you laugh at my love? I warn you, mademoiselle — do not laugh at Jacques Courbé!”

Mlle. Jeanne Maries large, florid face had turned purple from suppressed merriment. Her lips twitched at the corners. It was all she could do not to burst out into a roar of laughter.

Why, this ridiculous little manikin was serious in his lovemaking! This pocket-sized edition of a courtier was proposing marriage to her! He, this splinter of a fellow, wished to make her his wife! Why, she could carry him about on her shoulder like a trained marmoset!

What a joke this was — what a colossal, corset-creaking joke! Wait till she told Simon Lafleur! She could fairly see him throw back his sleek head, open his mouth to its widest dimensions, and shake with silent laughter. But she must not laugh — not now. First she must listen to everything the dwarf had to say; draw all the sweetness of this bonbon of humor before she crushed it under the heel of ridicule.

“I am not laughing,” she managed to say. “You have taken me by surprise. I never thought, I never even guessed —”

“That is well, mademoiselle,” the dwarf broke in. “I do not tolerate laughter. In the arena I am paid to make laughter; but these others pay to laugh at me. I always make people pay to laugh at me!”

“But do I understand you aright, M. Courbé? Are you proposing an honorable marriage?”

The dwarf rested his hand on his heart and bowed. “Yes, mademoiselle, an honorable marriage, and the wherewithal to keep the wolf from the door. A week ago my uncle died and left me a large estate. We shall have a servant to wait on our wants, a horse and carriage, food and wine of the best, and leisure to amuse ourselves. And you? Why, you will be a fine lady! I will clothe that beautiful big body of yours with silks and laces! You will be as happy, mademoiselle, as a cherry tree in June!”

The dark blood slowly receded from Mlle. Jeanne Marie’s full cheeks, her lips no longer twitched at the corners, her eyes had narrowed slightly. She had been a bareback rider for years, and she was weary of it. The life of the circus tent had lost its tinsel. She loved the dashing Simon Lafleur; but she knew well enough that this Romeo in tights would never espouse a dowerless girl.

The dwarf’s words had woven themselves into a rich mental tapestry. She saw herself a proud lady, ruling over a country estate, and later welcoming Simon Lafleur with all the luxuries that were so near his heart. Simon would be overjoyed to marry into a country estate. These pygmies were a puny lot. They died young! She would do nothing to hasten the end of Jacques Courbé. No, she would be kindness itself to the poor little fellow; but, on the other hand, she would not lose her beauty mourning for him.

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