James Ellroy - The Best American Noir of the Century

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In his introduction to the The Best American Noir of the Century, James Ellroy writes, 'noir is the most scrutinized offshoot of the hard-boiled school of fiction. It's the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It's the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad.' Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction.
James Ellroy and Otto Penzler, series editor of the annual The Best American Mystery Stories, mined one hundred years of writing - 1910-2010 - to find this treasure trove of thirty-nine stories. From noir's twenties-era infancy come gems like James M. Cain's 'Pastorale,' and its post-war heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, and William Gay, with many page-turners appearing in the last decade.

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That night late, the captain brought forty-six keys on three key rings to Billy’s blistered motel. He showed Polaroids of the manager’s corpse what was dumped to cook in the hot water off the island, and he also brought in the manager’s two huevos — his two eggs, each wrapped in a corn tortilla. Billy Clancy fed them to the wild dogs on the other side of the adobe back fence.

Billy checked out some of the Mayan ruins down around those parts, giving local folks time to call the news back to San Antonia. Billy got back, nobody said nothing. Didn’t have no more problems with the help stealing now he’d made clear what was his was his.

* * *

There was only one other deal about Billy I ever knew about, this time with one of his ex-fighters, a failed middleweight, a colored boy Billy’d made a cook in one of his places. Nice boy, worked hard, short hair, all the good stuff. First off, he worked as a bar-back. But then the bartenders found out the kid was sneaking their tips. They cornered him in a storeroom. They had him turned upside down, was ready to break his hands for him, but then he started squealing they was only doing it ‘cause he’s black. Billy heard it from upstairs and called off his bartenders, piecing them off with a couple of C-notes each. He listened to the boy’s story, and ‘cause he couldn’t prove the boy was dirty, he moved him to a different joint, and that’s where he made a fry cook out of him. The kid was good at cooking, worked overtime anytime the head cook wanted. But then word come down the kid was dealing drugs outta the kitchen. Billy knew dead bang this time and he had one of his cop friends make a buy on the sly.

See, Billy always tried to take care of his own business, unless when it was something like down in Mexico. Billy said when he took care of things himself, there was nobody could tell a story different from the one he told. So he waited for the boy outside the boy’s mama’s house one night late, slashed two of his tires. Boy comes out and goes shitting mad when he sees his tires cut, starts waving his arms like a crawdad.

Billy comes up with a baseball bat alongside his leg, said, “Boy, I come to buy some of that shit you sell.”

Boy pissed the boy off something awful, but he knew better than to challenge Billy on it. So the boy tried to run. He showed up dead, is what happened, his legs broke, his balls in his mouth. No cop ever knocked on Billy Clancy’s door, but drugs didn’t happen in any of Billy’s places after that neither.

* * *

It was a couple years after that when Dee-Cee Swans collared me about this heavyweight he’d been working with over at the Brown Bomber Gym in Houston. I said I wasn’t going to no Houston — even if it was to look at the real Brown Bomber himself. Dee-Cee said there wasn’t no need.

Henrilee “Dark Chocolate” Swans was from Louisiana, his family going back to Spanish slave times, the original name was Cisneros. Family’d brought him as a boy to Houston during World War Two, where they’d come to better themself. Henrilee’s fighting days started on the streets of the Fifth Ward. He said things was so tough in his part of town that when a wino died, his dog ate him. Dee-Cee was a pretty good lightweight in his time, now a’course he weighs more. Fight guys got to calling him Dee-Cee instead of Dark Chocolate, to make things short. Dee-Cee said call him anything you want, long as you called him to dinner.

He wore a cap ‘cause he was baldheaded except for the white fringe around his ears and neck. He wore glasses, but one lens had a crack in it. He had a bad back and a slight limp, so he walked with a polished, homemade old mesquite walking stick. It was thick as your wrist and was more like a knobby club than a cane. But old Dee-Cee still had the moves. The time, between now and back when he was still Dark Chocolate, disappeared when Dee-Cee had need to move. Said he never had no trouble on no bus in no part of town, not with that stick between his legs. Dee-Cee had them greeny-blue eyes what some coloreds gets, and when he looked at you square, you was looked at.

Way me and him hooked up was chancy, like everything else in fights. ‘Course we knew each other going way back. Both of us liked stand-up style of fighters, so we always had a lot to talk about, things like moves, slips, and counters. Like me, he knew that a fighter’s feet are his brains — that they’re what tell you what punches to throw and when to do it. Since there was more colored fighters in Dallas and Houston, that’s where Dee-Cee operated out of most. But he had folks in San Antonia, too. He showed up again, him and a white heavyweight, big kid, a Irish boy from L.A. calling himself “KO” Kenny Coyle. What wasn’t chancy was that Dee-Cee knew I was connected with Billy Clancy.

Dee-Cee got together with Coyle, trained him a while in Houston after working the boy’s corner twice as a pickup cutman in a Alabama casino. The way the boy was matched, he was supposed to lose. See, he hadn’t fought in a while. But he won both fights by early KOs, and his record got to be seventeen and one, with fifteen knockouts. Coyle could punch with both hands at six-foot-five, two hundred forty-five pounds, size sixteen shoe. His only loss came a few years back from a bad cut to his left eyelid up Vancouver, Canada.

The boy’d also worked as sparring partner for big-time heavyweights, going to camp sometimes for weeks at a time. That’s a lot of high-level experience, but it’s a lot of punishment, even when you’re bone strong, and sometimes you could tell that Coyle’d lose a word. Except for the bad scar on his eyelid, and his nose being a little flat, he didn’t look much busted up, so that made you think he maybe had some smarts. He was in shape, too. That made you like him right off.

* * *

Dee-Cee was slick. He always put one hand up to his mouth when he talked, said he didn’t want spies to read his lips, said some had telescopes. He was known to be a bad man, Dee-Cee, but that didn’t mean he didn’t have a sense of right and wrong. Back before he had to use a cane, we got to drinking over Houston after a afternoon fight — it was at a fair where we both lost. Half drunk, we went to a fish shack in dark town for some catfish. Place was jam-packed. The lard-ass owner had one of them muslim-style gold teeth — the slip-on kind with a star cutout that shows white from the white enamel underneath? Wouldn’t you know it, he took one look at my color and flat said they didn’t serve no food. Dee-Cee was fit to be tied — talked nigga, talked common, said Allah was going to send his black ass to the pit along with his four handkerchief-head ho’s. Old muslim slid off the tooth quick as a quail when Dee-Cee tapped his pocket and said he was going to cut that tooth out or break it off.

We headed for a liquor store, bought some jerky, and ended up out at one of them baseball-pitching park deals drinking rock and rye and falling down in the dirt from swinging and missing pitches. People got to laughing like we was Richard Pryor. Special loud was the hustler running a three-card monte game next to the stands, a little round dude with fuzzy-wuzzy hair. He worked off a old lettuce crate and cheated people for nickels and dimes. Not one of them ever broke the code, but old Dee-Cee had broke it from the git. He watched sly from the fence as the monte-guy took even pennies from the raggedy kids what made a few cents chasing down balls in the outfield.

Dee-Cee put on his Louisiana country-boy act, bet a dollar, and pointed to one of the cards after the monte-guy moved the three cards all around. ‘Course Dee-Cee didn’t choose right, couldn’t choose right, so he went head-on and lost another twenty, thirty dollars. Then he bet fifty, like he was trying to get his money back. The dealer did more slick business with his cards, and Dee-Cee chose the one in the middle — only this time, instead of just pointing to it and waiting for the dealer to turn it face-up like before, Dee-Cee held it down hard with two fingers and told monte-man to flip the other two cards over first. Dee-Cee said he’d turn his card over last, said he wanted to eyeball all the cards. See, there was no way for nobody to win. The dealer knew he’d been caught cheating, and tried to slide. Dee-Cee cracked him in the shins a few times with a piece of pipe he carried those days, and pretty soon — wouldn’t you know it? — the monte-man got to begging Dee-Cee to take all his money. Dee-Cee took it all, too. ‘Course he kept his own money, what was natural, but he gave the rest to the ragamuffins in the field — at which juncture the little guys all took the rest of the night off.

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