James Ellroy - The Best American Noir of the Century

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In his introduction to the The Best American Noir of the Century, James Ellroy writes, 'noir is the most scrutinized offshoot of the hard-boiled school of fiction. It's the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It's the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad.' Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction.
James Ellroy and Otto Penzler, series editor of the annual The Best American Mystery Stories, mined one hundred years of writing - 1910-2010 - to find this treasure trove of thirty-nine stories. From noir's twenties-era infancy come gems like James M. Cain's 'Pastorale,' and its post-war heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, and William Gay, with many page-turners appearing in the last decade.

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The paperhanger drained his bottle and set it by his foot in the bed of the truck. He studied the doctor’s wife’s ravaged face through the deep blue light. The first time he had seen her she had hired him to paint a bedroom in the house they were living in while the doctor’s mansion was being built. There was an arrogance about her that cried out to be taken down a notch or two. She flirted with him, backed away, flirted again. She would treat him as if he were a stain on the bathroom rug and then stand close by him while he worked until he was dizzy with the smell of her, with the heat that seemed to radiate off her body. She stood by him while he knelt painting baseboards and after an infinite moment leaned carefully the weight of a thigh against his shoulder. You’d better move it, he thought. She didn’t. He laughed and turned his face into her groin. She gave a strangled cry and slapped him hard. The paintbrush flew away and speckled the dark rose walls with antique white. You filthy beast, she said. You are some kind of monster. She stormed out of the room and he could hear her slamming doors behind her.

Well, I was looking for a job when I found this one. He smiled philosophically to himself.

But he had not been fired. In fact now he had been hired again. Perhaps there was something here to ponder.

At midnight he gave up his vigil. Some souls more hardy than his kept up the watch. The earth here was worn smooth by the useless traffic of the searchers. Driving out, he met a line of pickup trucks with civil-defense tags. Grim-faced men sat aligned in their beds. Some clutched rifles loosely by their barrels, as if they would lay waste whatever monster, man or beast, would snatch up a child in its slaverous jaws and vanish, prey and predator, in the space between two heartbeats.

Even more dubious reminders of civilization as these fell away. He drove into the Harrikan, where he lived. A world so dark and forlorn light itself seemed at a premium. Whippoorwills swept red-eyed up from the roadside. Old abandoned foundries and furnaces rolled past, grim and dark as forsaken prisons. Down a ridge here was an abandoned graveyard, if you knew where to look. The paperhanger did. He had dug up a few of the graves, examined with curiosity what remained, buttons, belt buckles, a cameo brooch. The bones he laid out like a child with a Tinkertoy, arranging them the way they went in jury-rigged resurrection.

He braked hard on a curve, the truck slewing in the gravel. A bobcat had crossed the road, graceful as a wraith, fierce and lantern-eyed in the headlights, gone so swiftly it might have been a stage prop swung across the road on wires.

* * *

Bellwether and a deputy drove to the backhoe operators house. He lived up a gravel road that wound through a great stand of cedars. He lived in a board-and-batten house with a tin roof rusted to a warm umber. They parked before it and got out, adjusting their gun belts.

Bellwether had a search warrant with the ink scarcely dry. The operator was outraged.

Look at it this way, Bellwether explained patiently. I’ve got to cover my ass. Everything has got to be considered. You know how kids are. Never thinking. What if she run under the wheels of your truck when you was backing out? What if quicklike you put the body in your truck to get rid of somewhere?

What if quicklike you get the hell off my property, the operator said.

Everything has to be considered, the sheriff said again. Nobody’s accusing anybody of anything just yet.

The operator’s wife stood glowering at them. To have something to do with his hands, the operator began to construct a cigarette. He had huge red hands thickly sown with brown freckles. They trembled. I ain’t got a thing in this round world to hide, he said.

Bellwether and his men searched everywhere they could think of to look. Finally they stood uncertainly in the operator’s yard, out of place in their neat khakis, their polished leather.

Now get the hell off my land, the operator said. If all you think of me is that I could run over a little kid and then throw it off in the bushes like a dead cat or something then I don’t even want to see your goddamn face. I want you gone and I want you by God gone now.

Everything had to be considered, the sheriff said.

Then maybe you need to consider that paperhanger.

What about him?

That paperhanger is one sick puppy.

He was still there when I got there, the sheriff said. Three witnesses swore nobody ever left, not even for a minute, and one of them was the child’s mother. I searched his truck myself.

Then he’s a sick puppy with a damn good alibi, the operator said.

* * *

That was all. There was no ransom note, no child that turned up two counties over with amnesia. She was a page turned, a door closed, a lost ball in the high weeds. She was a child no larger than a doll, but the void she left behind her was unreckonable. Yet there was no end to it. No finality. There was no moment when someone could say, turning from a mounded grave, Well, this has been unbearable, but you’ve got to go on with your life. Life did not go on.

At the doctor’s wife’s insistence an intensive investigation was focused on the backhoe operator. Forensic experts from the FBI examined every millimeter of the gravel truck, paying special attention to its wheels, They were examined with every modern crime-fighting device the government possessed, and there was not a microscopic particle of tissue or blood, no telltale chip of fingernail, no hair ribbon.

Work ceased on the mansion. Some subcontractors were discharged outright, while others simply drifted away. There was no one to care if the work was done, no one to pay them. The half-finished veranda’s raw wood grayed in the fall, then winter, rains. The ditches were left fallow and uncovered and half-filled with water. Kudzu crept from the woods. The hollyhocks and oleanders the doctor’s wife had planted grew entangled and rampant. The imported windows were stoned by double-dared boys who whirled and fled. Already this house where a child had vanished was acquiring an unhealthy, diseased reputation.

The doctor and his wife sat entombed in separate prisons replaying real and imagined grievances. The doctor felt that his wife’s neglect had sent his child into the abstract. The doctor’s wife drank vodka martinis and watched talk shows where passed an endless procession of vengeful people who had not had children vanish, and felt, perhaps rightly, that the fates had dealt her from the bottom of the deck, and she prayed with intensity for a miracle.

Then one day she was just gone. The Mercedes and part of her clothing and personal possessions were gone too. He idly wondered where she was, but he did not search for her.

Sitting in his armchair cradling a great marmalade cat and a bottle of J&B and observing with bemused detachment the gradations of light at the window, the doctor remembered studying literature at Princeton. He had particular ‘cause to reconsider the poetry of William Butler Yeats. For how surely things fell apart, how surely the center did not hold.

His practice fell into a ruin. His colleagues made sympathetic allowances for him at first, but there are limits to these things. He made erroneous diagnoses, prescribed the wrong medicines not once or twice but as a matter of course.

Just as there is a deepening progression to misfortune, so too there is a point beyond which things can only get worse. They did. A middle-aged woman he was operating on died.

He had made an incision to remove a ruptured appendix and the incised flesh was clamped aside while he made ready to slice it out. It was not there. He stared in drunken disbelief. He began to search under things, organs, intestines, a rising tide of blood. The appendix was not there. It had gone into the abstract, atrophied, been removed twenty-five years before, he had sliced through the selfsame scar. He was rummaging through her abdominal cavity like an irritated man fumbling through a drawer for a clean pair of socks, finally bellowing in rage and wringing his hands in bloody vexation while nurses began to cry out, another surgeon was brought on the run as a closer, and he was carried from the operating room.

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