James Ellroy - The Best American Noir of the Century

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In his introduction to the The Best American Noir of the Century, James Ellroy writes, 'noir is the most scrutinized offshoot of the hard-boiled school of fiction. It's the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It's the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad.' Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction.
James Ellroy and Otto Penzler, series editor of the annual The Best American Mystery Stories, mined one hundred years of writing - 1910-2010 - to find this treasure trove of thirty-nine stories. From noir's twenties-era infancy come gems like James M. Cain's 'Pastorale,' and its post-war heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, and William Gay, with many page-turners appearing in the last decade.

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Well, what the hell, he thought. What did he have to lose?

“I’m sure it won’t surprise you,” he began, “to hear that I’ve come before you in the hope of being granted early release. I’ve had hearings before, and when I was turned down it was devastating. Well, I may not be doing myself any good by saying this, but this time around it won’t destroy me if you decide to deny me parole. Almost in spite of myself, I’ve made a life for myself within prison walls. I’ve found an inner life, a life of the spirit, that’s superior to anything I had as a free man…”

Were they buying it? Hard to tell. On the other hand, since it happened to be the truth, it didn’t really matter whether they bought it or not.

He pushed on to the end. The chairman scanned the room, then looked at him and nodded shortly.

“Thank you, Mr. Croydon,” he said. “I think that will be all for now.”

“I think I speak for all of us,” the chairman said, “when I say how much weight we attach to your appearance before this board. We’re used to hearing the pleas of victims and their survivors, but almost invariably they come here to beseech us to deny parole. You’re virtually unique, Mr. Dandridge, in appearing as the champion of the very man who…”

“Killed my sister,” Paul said levelly.

“Yes. You’ve appeared before us on prior occasions, Mr. Dandridge, and while we were greatly impressed by your ability to forgive William Croydon and by the relationship you’ve forged with him, it seems to me that there’s been a change in your own sentiments. Last year, I recall, while you pleaded on Mr. Croydon’s behalf, we sensed that you did not wholeheartedly believe he was ready to be returned to society.”

“Perhaps I had some hesitation.”

“But this year…”

“Billy Croydon’s a changed man. The process of change has been completed. I know that he’s ready to get on with his life.”

“There’s no denying the power of your testimony, especially in light of its source.” The chairman cleared his throat. “Thank you, Mr. Dandridge. I think that will be all for now.”

“Well?” Paul said. “How do you feel?”

Billy considered the question. “Hard to say,” he said. “Everything’s a little unreal. Even being in a car. Last time I was in a moving vehicle was when I got my commutation and they transferred me from the other prison. It’s not like Rip Van Winkle. I know what everything looks like from television, cars included. Tell the truth, I feel a little shaky.”

“I guess that’s to be expected.”

“I suppose.” He tugged his seat belt to tighten it. “You want, to know how I feel, I feel vulnerable. All those years I was locked down twenty-three hours out of twenty-four. I knew what to expect, I knew I was safe. Now I’m a free man, and it scares the crap out of me.”

“Look in the glove compartment,” Paul said.

“Jesus, Johnnie Walker Black.”

“I figured you might be feeling a little anxious. That ought to take the edge off.”

“Yeah, Dutch courage,” Billy said. “Why Dutch, do you happen to know? I’ve always wondered.”

“No idea.”

He weighed the bottle in his hand. “Been a long time,” he said. “Haven’t had a taste of anything since they locked me up.”

“There was nothing available in prison?”

“Oh, there was stuff. The jungle juice cons made out of potatoes and raisins, and some good stuff that got smuggled in. But I wasn’t in population, so I didn’t have access. And anyway it seemed like more trouble than it was worth.”

“Well, you’re a free man now. Why don’t you drink to it? I’m driving or I’d join you.”

“Well…”

“Go ahead.”

“Why not?” he said, and uncapped the bottle and held it to the light. “Pretty colour, huh? Well, here’s to freedom, huh?” He took a long drink, shuddered at the burn of the whiskey. “Kicks like a mule,” he said.

“You’re not used to it.”

“I’m not.” He put the cap on the bottle and had a little trouble screwing it back on. “Hitting me hard,” he reported. “Like I was a little kid getting his first taste of it. Whew.”

“You’ll be all right.”

“Spinning,” Billy said, and slumped in his seat.

Paul glanced over at him, looked at him again a minute later. Then, after checking the mirror, he pulled the car off the road and braked to a stop.

Billy was conscious for a little while before he opened his eyes. He tried to get his bearings first. The last thing he remembered was a wave of dizziness after the slug of Scotch hit bottom. He was still sitting upright, but it didn’t feel like a car seat, and he didn’t sense any movement. No, he was in some sort of chair, and he seemed to be tied to it.

That didn’t make any sense. A dream? He’d had lucid dreams before and knew how real they were, how you could be in them and wonder if you were dreaming and convince yourself you weren’t. The way you broke the surface and got out of it was by opening your eyes. You had to force yourself, had to open your real eyes and not just your eyes in the dream, but it could be done.

…There!

He was in a chair, in a room he’d never seen before, looking out a window at a view he’d never seen before. An open field, woods behind it.

He turned his head to the left and saw a wall panelled in knotty cedar. He turned to the right and saw Paul Dandridge, wearing boots and jeans and a plaid flannel shirt and sitting in an easy chair with a book. He said, “Hey!” and Paul lowered the book and looked at him.

“Ah,” Paul said. “You’re awake.”

“What’s going on?”

“What do you think?”

“There was something in the whiskey.”

“There was indeed,” Paul agreed! “You started to stir just as we made the turn off the state road. I gave you a booster shot with a hypodermic needle.”

“I don’t remember.”

“You never felt it. I was afraid for a minute there that I’d given you too much. That would have been ironic, wouldn’t you say? ‘Death by lethal injection.’ The sentence carried out finally after all these years, and you wouldn’t have even known it happened.”

He couldn’t take it in. “Paul,” he said, “for God’s sake, what’s it all about?”

“What’s it about?” Paul considered his response. “It’s about time.”

“Time?”

“It’s the last act of the drama.”

“Where are we?”

“A cabin in the woods. Not the cabin. That would be ironic, wouldn’t it?”

“What do you mean?”

“If I killed you in the same cabin where you killed Karen.

Ironic, but not really feasible. So this is a different cabin in different woods, but it will have to do.”

“You’re going to kill me?”

“Of course.”

“For God’s sake, why?”

“Because that’s how it ends, Billy. That’s the point of the whole game. That’s how I planned it from the beginning.”

“I can’t believe this.”

“Why is it so hard to believe? We conned each other, Billy. You pretended to repent and I pretended to believe you. You pretended to reform and I pretended to be on your side. Now we can both stop pretending.”

Billy was silent for a moment. Then he said, “I was trying to con you at the beginning.”

“No kidding.”

“There was a point where it turned into something else, but it started out as a scam. It was the only way I could think of to stay alive. You saw through it?”

“Of course.”

“But you pretended to go along with it. Why?”

“Is it that hard to figure out?”

“It doesn’t make any sense. What do you gain by it? My death? If you wanted me dead all you had to do was tear up my letter. The state was all set to kill me.”

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