Edwidge Danticat - Breath, Eyes, Memory

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When her mother leaves Haiti to find work in the US, Sophie is raised by her aunt. Their parting, years later, when her mother sends for her, is as wrenching as the reunion in New York. Though she barely knows her mother they both carry secrets from their homeland that will haunt them forever.

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There were books scattered all over the counter. I flipped through the pages quickly. The books had pictures of sick old people in them and women dressed in white helping them.

I was startled to hear my name when she called it.

"Sophie, where are you?"

I ran back to the spot where she had left me. She was standing there with a tall well-dressed doll at her side. The doll was caramel-colored with a fine pointy noise.

"Come," she said. "We will show you to your room."

I followed her through a dark doorway. She turned on the light and laid the doll down on a small day-bed by the window.

I kept my eyes on the blue wallpaper and the water stains that crept from the ceiling down to the floor.

She kept staring at my face for a reaction.

"Don't you like it?" she asked.

"Yes. I like it. Thank you."

Sitting on the edge of the bed, she unbraided the doll's hair, taking out the ribbons and barrettes that matched the yellow dress. She put them on a night table near the bed. There was a picture of her and Tante Atie there. Tante Atie was holding a baby and my mother had her hand around Tante Atie's shoulder.

I moved closer to get a better look at the baby in Tante Atie's arms. I had never seen an infant picture of myself, but somehow I knew that it was me. Who else could it have been? I looked for traces in the child, a feature that was my mother's but still mine too. It was the first time in my life that I noticed that I looked like no one in my family. Not my mother. Not my Tante Atie. I did not look like them when I was a baby and I did not look like them now.

"If you don't like the room," my mother said, "we can always change it."

She glanced at the picture as she picked up a small brush and combed the doll's hair into a ponytail.

"I like the room fine," I stuttered.

She tied a rubber band around the doll's ponytail, then reached under the bed for a small trunk.

She unbuttoned the back of the doll's dress and changed her into a pajama set.

"You won't resent sharing your room, will you?" She stroked the doll's back. "She is like a friend to me. She kept me company while we were apart. It seems crazy, I know. A grown woman like me with a doll. I am giving her to you now. You take good care of her."

She motioned for me to walk over and sit on her lap. I was not sure that her thin legs would hold me without snapping. I walked over and sat on her lap anyway.

"You're not going to be alone," she said. "I'm never going to be farther than a few feet away. Do you understand that?"

She gently helped me down from her lap. Her knees seemed to be weakening under my weight.

"Do you want to eat something? We can sit and talk. Or do you want to go to bed?"

"Bed."

She reached over to unbutton the back of my dress.

"I can do that," I said.

"Do you want me to show you where I sleep, in case you need me during the night?"

We went back to the living room. She unfolded the sofa and turned it into a bed.

"This is where I'll be. You see, I'm not far away at all."

When we went back to the bedroom, I turned my back to her as I undressed. She took the dress from me, opened the closet door, and squeezed it in between some of her own.

The rumpled Mother's Day card was sticking out from my dress pocket.

"What is that?" she asked, pulling it out.

She unfolded the card and began to read it. I lay down on the bed and tried to slip under the yellow sheets. There was not enough room for both me and the doll on the bed. I picked her up and laid her down sideways. She still left little room for me.

My mother looked up from the card, walked over, and took the doll out of the bed. She put her down carefully in a corner.

"Was that for me?" she asked looking down at the card.

"Tante Atie said I should give it to you."

"Did you know how much I loved daffodils when I was a girl?"

"Tante Atie told me."

She ran her fingers along the cardboard, over the empty space where the daffodil had been.

"I haven't gone out and looked for daffodils since I've been here. For all I know, they might not even have them here."

She ran the card along her cheek, then pressed it against her chest.

"Are there still lots of daffodils?"

"Oui," I said. "There are a lot of them."

Her face beamed even more than when she first saw me at the airport. She bent down and kissed my forehead.

"Thank God for that," she said.

I couldn't fall asleep. At home, when I couldn't sleep, Tante Atie would stay up with me. The two of us would sit by the window and Tante Atie would tell me stories about our lives, about the way things had been in the family, even before I was born. One time I asked her how it was that I was born with a mother and no father. She told me the story of a little girl who was born out of the petals of roses, water from the stream, and a chunk of the sky. That little girl, she said was me.

As I lay in the dark, I heard my mother talking on the phone.

"Yes," she said in Creole. "She is very much here. In bone and flesh. I cannot believe it myself."

Later that night, I heard that same voice screaming as though someone was trying to kill her. I rushed over, but my mother was alone thrashing against the sheets. I shook her and finally woke her up. When she saw me, she quickly covered her face with her hands and turned away.

"Ou byen? Are you all right?" I asked her.

She shook her head yes.

"It is the night," she said. "Sometimes, I see horrible visions in my sleep."

"Do you have any tea you can boil?" I asked.

Tante Atie would have known all the right herbs.

"Don't worry, it will pass," she said, avoiding my eyes. "I will be fine. I always am. The nightmares, they come and go"

There were sirens and loud radios blaring outside the building.

I climbed on the bed and tried to soothe her. She grabbed my face and squeezed it between her palms.

"What is it? Are you scared too?" she asked. "Don't worry." She pulled me down into the bed with her. "You can sleep here tonight if you want. It's okay. I'm here."

. She pulled the sheet over both our bodies. Her voice began to fade as she drifted off to sleep.

I leaned back in the bed, listening to her snoring.

Soon, the morning light came creeping through the living room window. I kept staring at the ceiling as I listened to her heart beating along with the ticking clock.

"Sophie," she whispered. Her eyes were still closed. "Sophie, I will never let you go again."

Tears burst out of her eyes when she opened them.

"Sophie, I am glad you are with me. We can get along, you and me. I know we can."

She clung to my hand as she drifted back to sleep.

The sun stung my eyes as it came through the curtains. I slid my hand out of hers to go to the bathroom. The grey linoleum felt surprisingly warm under my feet. I looked at my red eyes in the mirror while splashing cold water over my face. New eyes seemed to be looking back at me. A new face all-together. Someone who had aged in one day, as though she had been through a time machine, rather than an airplane. Welcome to New York, this face seemed to be saying. Accept your new life. I greeted the challenge, like one greets a new day. As my mother's daughter and Tante Atie's child.

Chapter 7

The streets along Flatbush Avenue reminded me of home. My mother took me to Haiti Express, so I could see the place where she sent our money orders and cassettes from.

It was a small room packed with Haitians. People stood on line patiently waiting their turn. My mother slipped Tante Atie's cassette into a padded envelope. As we waited on line, an old fan circled a spider's web above our heads.

A chubby lady greeted my mother politely when we got to the window.

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