Ann Cleeves - Red Bones

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Spring: a time of rebirth and celebration. And a time of death…for April is the cruelest month. When a young archaeologist studying on a site at Lerwick discovers a set of human remains – the island community is intrigued. Is it an ancient find – or a more contemporary mystery? Then an elderly is shot on her land in a tragic accident and Jimmy Perez is called in by her grandson – his own colleague Sandy Wilson. He finds two feuding families whose envy, greed and bitterness has divided the surrounding community. With Fran in London, and surrounded by people he doesn't know and a community he has no links with – Jimmy finds himself out of depth. Then another woman dies and as the spring weather shrouds the island in claustrophobic mists the two deaths remain shrouded in mystery.

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He looked down towards the lighthouse at Raven Head. It was very clear tonight. He thought there might be a frost, the last cold spell before the summer. Suddenly he remembered Paul Berglund. He turned to Sandy, smiling. ‘Berglund’s grandmother is Swedish, not Norwegian. Not any relation to Mima’s lover. A horrible man, but not a murderer.’

‘So I was wrong again,’ Sandy said. He seemed more relaxed, more himself. Perez saw that his glass was empty. He tipped some wine into it and poured himself another glass too. It seemed hours since he’d slept and it was only caffeine and alcohol that were keeping him going.

‘Bones in the land,’ Sandy said, half asleep now. ‘Skeletons in a cupboard.’ They sat for a moment in silence, then Sandy got out his mobile to call a taxi and Fran stood up to make coffee.

When they went outside to see Sandy off Perez gasped with the cold. There was a moon and the sea was silver. The beam from the lighthouse on Raven Head swept across the fields between the beach and Fran’s house. It was hypnotic, he felt he could stand here for hours just watching it. He forced himself to look up at the sky instead. There were no streetlights here and the stars were clear and sharp. Fran stood in front of him and he put her arms around his waist. Even through his thick jacket he could feel her body pressed against his.

Sandy’s taxi drove off, but still they stood there.

‘My friends in the city can never understand what this is like,’ Fran said. ‘I explain: no light pollution, no sound, but they can’t conceive it.’

‘You’ll have to invite them up and show them.’

She turned towards him. At first her face was in shadow, then she tipped up her head so the moonlight caught her eyes.

‘I was thinking,’ she said, ‘that we could ask them to the wedding.’

Acknowledgements

Whalsay is a real island and one of the friendliest places I know. It doesn’t have a community called Lindby and all the people and places described there – including the camping bod where the students live – are fictitious. Symbister exists – it’s where the ferry arrives – but it doesn’t have a Pier House Hotel.

Lots of people helped with the writing of this book, but despite the collective expertise there are probably mistakes; they’re all mine. I’m grateful to Anna Williams and Helen Savage for their advice on archaeology, and to Cathy Batt and her colleagues at the University of Bradford for talking me through the Shetland excavations and showing me real red bones. Val Turner helped by reading the manuscript, putting me right on details of procedure and allowing me to use her name.

David Howarth’s excellent book The Shetland Bus provided information on the Norwegian resistance operation based in Lunna during the Second World War. While he describes the building of small boats for use in Norwegian inland waters, I can only guess that this might have taken place in Whalsay.

Once again Helen Pepper advised on crime-scene management. Sarah Clarke provided information on the possible complications of a difficult birth. Bob Gunn told me about rabbits and shotguns. Ingirid Eunson, Ann Prior and Sue Beardshall shared conversation and wine and ideas about the islands.

Thanks to our friends on Whalsay – to Angela and John Lowrie Irvine for their hospitality and sharing with me the photo of the knitting women, and to Paula and Jon Dunn for finding us a fantastic place to stay. I’m especially grateful to the Whalsay Reading Group for their honesty, their warmth and one of the most fascinating evenings of my writing career.

The Visit Shetland team and Shetland Arts officers have again provided support and assistance, and it’s always a delight to work with everyone at Shetland libraries.

Finally a huge thank you to Sara Menguc, Moses Cardona and Julie Crisp for their contribution to the book. Julie is every writer’s dream editor.

Ann Cleeves

Ann Cleevesworked as a probation officer bird observatory cook and auxiliary - фото 3

Ann Cleevesworked as a probation officer, bird observatory cook and auxiliary coastguard before she started writing. She now promotes reading for Kirklees Libraries and as Harrogate Crime-Writing Festival’s reader in residence, and is also a member of ‘Murder Squad’, working with other northern writers to promote crime fiction. In 2006 Ann was awarded the Duncan Lawrie Dagger for Best Crime Novel, for Raven Black . Ann lives in North Tyneside. Red Bones is the third novel in the Shetland series following from Raven Black and White Nights . The fourth, Blue Lightning is available now.

Visit the author’s website at: www.anncleeves.com

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