Ann Cleeves - Red Bones

Approaching Setter he felt a breeze on his face and he thought again that the mist was clearing. He must be close to the croft now, but Sandy had done as he was told and there were no lights on. Perez wished he could talk to Sandy, to warn him they were on their way, but didn’t want to risk the noise of a conversation or of a phone ringing in the house. The murderer had killed twice before and was unpredictable. He stopped walking and there was total silence except for the regular and occasional moan of the foghorn. In the distance there was a tiny, moving spark: a torch being carried by the walker. It hadn’t been visible when the fog was most dense.

The surface beneath his feet changed. They’d left the road and were on the pot-holed track leading up to the house at Setter. Ahead of him the killer stumbled; the footsteps faltered for a moment and then continued. Perez was closer now. The torchlight ahead of him shone on the wall of the house and swung to light the path around to the site of the dig. Perez caught a brief glimpse of the flotation tank, the shadow of the spoil heap. He stood still. He mustn’t be heard. Not yet. Ahead of him the light continued to move but there were no footsteps. The killer had moved on to the grass. The light stopped, then swung in a wide arc so Perez had to flatten himself against the wall of the house to avoid being seen.

A moment of complete silence.

‘Cedric!’ A man’s voice. Not angry, but almost pleading. ‘Cedric! Are you there? What do you want from me?’

Ronald Clouston was suddenly visible caught in the beam of a powerful spotlight. It looked like a searchlight swinging over no man’s land, and he was trapped in its beam, frozen and horrified. He was standing next to the trench of the dig and in the background there was the spoil heap, still shrouded in mist. Perez thought it would only take a high wall topped with barbed wire to turn this into a scene from a Cold War spy movie. Over his arm Ronald carried a shotgun.

‘Cedric.’ This time the man’s voice was firmer. ‘Stop playing games, man, we can talk about this.’

‘Cedric won’t be here.’ It was Sandy, armed with nothing more than the powerful torch. Ronald squinted his eyes against the light. Perez ran behind the men, keeping in the shadows. He crouched and waited. Even from those first four words Perez could tell Sandy was furious, angrier than he’d ever been in his life.

‘What will you do now, Ronald?’ Sandy yelled. ‘Will you shoot me too? It’s a misty night. You could say you were out after rabbits. Or will you hit me over the head with a rock and slit my wrists? Like you did to the young lass from the south.’ There was a pause and it sounded to Perez as if Sandy was sobbing. ‘How could you do that, Ronald? To a young girl?’

Clouston stood quite still in the fog and said nothing.

‘What was this all about?’ Sandy went on. ‘Family pride? Did two people have to die for the Clouston family pride?’

‘Don’t be a fool, man!’ At last Ronald was provoked to speech. The words came out as a roar. ‘Pride had nothing to do with it. This was all about money.’

He raised the shotgun. Sandy stood, his arms out wide, still holding the torch in one hand. Perez ran out into the light.

‘Give me the gun,’ he said. He spoke very slowly and quietly. ‘You can’t shoot the both of us at once.’

Ronald turned, hesitated for a moment. The inspector reached out and lifted the gun from his hands. There was a moment of resistance then he gave it up without a struggle, grateful, Perez thought, not to have to make the decision to use it. Perez dropped the gun on to the ground, then pulled Ronald’s arms behind his back so he could cuff his wrists. For a moment they stood very close as if they were performing a strange dance. Sandy lowered his hands. The inspector realized then that Sandy hadn’t known Perez was there. He’d expected to die at the hands of his friend. History repeating itself.

In the police station on the hill Perez sat in the interview room and waited for Ronald Clouston to come in with his lawyer. It was still dark. Perez stood at the narrow window and looked down at the lights of the town. At the end of January, during Up Helly Aa, the guizers would march right past here and there’d be the sound of pipes and chanting men, the pavements packed with watching people, their faces lit by the burning torches. Now everything was quiet.

In the corridor outside he heard murmured voices. The door opened and Ronald Clouston came in with a middle-aged lawyer and Perez’s colleague Morag. The conversation had been between the professionals; Ronald seemed to be sleepwalking. He was quite calm but his eyes were glazed. He stood by the table and would have remained standing if his lawyer hadn’t touched his shoulder and gestured for him to sit down.

Perez switched on the tape recorder, gave the date and the time, listed the people present. Then he sat for a moment. It should be his moment of triumph, but he was only aware of a terrible sadness. The story of Ronald Clouston and the Whalsay murders would be passed on like the tale of the dead medieval merchant, the Shetland Bus and Mima’s infidelity. The real and personal tragedies would be lost in the telling.

‘Why did you kill Mima Wilson?’

No answer.

‘I think it was because your father told you to.’ Perez could have been talking to himself. ‘You always did what your father told you to, didn’t you? Even after he had his stroke, he was really in charge in the big house. You could never stand up to him. He told you to leave university and work on the Cassandra and you did. Do you really have any personality of your own, Ronald? Did your parents decide it was time for you to marry and have a family, so there’d be another generation to go to the fishing?’

I understand that sort of pressure after all. I know the effect that can have on a man.

Ronald looked up, his eyes focused on Perez for the first time. ‘Anna has nothing to do with this. Leave her out of it.’

‘She will have to deal with it though. With having a husband who’s a murderer. Your son will have to deal with it.’ Then, hardly missing a beat. ‘When did you first find out your grandfather was a murderer? Were you still a peerie boy?’

They stared at each other.

Even now and knowing what the man had done, Perez suddenly felt a trickle of pity for him. What is wrong with me?

Ronald began to talk: ‘Father told me when I was taking my Highers. I was planning to go to university. Mother was fine with that but my father was furious. My place was with the family and the boat. “You don’t know what we’ve been through to achieve all this. And now you want to throw it all away.” That was when he told me.’

‘But you still went off to take your degree?’

‘Yes, I still went off. After what he told me I wanted nothing to do with the boat. I thought I’d never go back to Whalsay.’

‘You changed your mind when your father was ill?’

There was another moment of silence.

‘I suppose it was a matter of loyalty,’ Ronald said.

‘And money!’ Perez was surprised by how hard and bitter he sounded. He hardly recognized his own voice. ‘You told me yourself the money was addictive. Did you miss the good life while you were away in the south?’

Ronald said nothing.

Your father welcomed you back,’ Perez went on. ‘The prodigal son!’

Now Ronald spoke. ‘I’ll not discuss my father’s part in all this. He’s an old man and he’s ill. I confess to the murders. He should be left to live his life in peace.’

Perez felt a sudden jolt of fury. No pity now. ‘Really, I think that’s the last thing he deserves.’