James Crumley - The Final Country
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- Название:The Final Country
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The Final Country: краткое содержание, описание и аннотация
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Milo Milogragovitch is trying to find his feet in Texas, earning a living as a bar owner and a PI on the side. But then a tedious job tracking down a runaway wife takes a violent turn when he finds himself in a bar with ex-con Enos Walker, who's out for revenge on the partners who turned him in.
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"Excuse me," I said to the young woman as I went around. "Would you watch the bar for a second, please? I'll be right back."
I hooked the half-conscious bulk of the old man under the arm, grabbed his room key out of his pocket, then steered him out the door and down the hall to his usual room, where I dumped him on the bed. Jack was snoring before I could prop him on his side with pillows so he wouldn't drown in his own vomit. I loosened his tie and shoelaces, then hurried back to the bar. The young woman was still there.
"Sorry for the trouble," I said as I went back behind the bar. "And thanks for watching the bar."
"Not the first one I've ever watched," she said. "Thanks, but I wouldn't come into strange bars if I couldn't handle drunks," she added.
"I didn't want you to hurt ol' Jack," I said, "and it's my job to keep the peace."
"And a thankless job, I'm sure," she said, smiling. "May I buy you a drink?"
What the hell, I could catch Jimmy Stewart in The Naked Spur tomorrow night, and this was a truly beautiful woman. Thick dark hair cascaded in soft waves off a warm, dusky face dominated by eyes as darkly blue as a false dawn. A small crescent-shaped scar at the corner of her broad mouth and a slight knot at the bridge of her arched nose kept her face from being perfect. But perfect would have been wrong. Beneath her dark blue pin-striped suit and light blue mock turtleneck blouse, her body looked long and lean, softly dangerous. Except for tiny gold hoops in her ears and a large pendant, a round black stone set in an irregularly shaped gold band, she wore no jewelry. The stone rested heavily between her full, fine breasts.
"What the hell," I said. "It's my place – why not?"
"And I'll have another, please," she said. "I'm not going anywhere." Then she smiled as if she had enjoyed the pleasure I was taking in the presence of such loveliness.
I hadn't spoken to Betty since the night she left the bar – that wasn't unusual these days – but we sort of had a standing date for breakfast at the ranch on Monday mornings, the beginning of her nights off, but damned if I was going to be the first to break the silence, so I poured the lady and myself large Macallans over ice.
"Absent friends," I said as I raised my glass.
"New friends," she said, smiling. "Molly McBride," she added, handing me her card, "lawyer."
"Milo Milodragovitch," I said as I glanced at the Houston address and slipped the card into my shirt pocket, and handed her one of my own. "Bartender," it said.
Then we shook hands like civilized people, her hand softly moist in mine, her blue eyes shining.
"Nice move you put on that old man, Mr. Milodragovitch," she said, not stumbling over the name. "But you didn't learn that move in a bar."
"I'm sorry?"
"Listen, my father, after he got hurt, ran a place over in Lake Charles, so I grew up in a bar," she said, a Cajun lilt coming into her voice, "and I tended bar all the way through my undergraduate degree and then law school, so I know something about violence in bars. You popped that old man as if you were cutting a diamond. Any harder, you might have killed him. Any easier, he would have been fighting mad." She raised her glass again. We drank deeply. I loved the warm burn of the whisky. Molly McBride reached across the bar to take the cigarettes and matches out of my shirt pocket. Her blood-red fingernails seemed to sparkle against my chest. "You're a pro," she added, lighting our cigarettes.
"Thanks," I said, my burning cheeks bunched around a kid's grin. "I spent some time in law enforcement," I explained, "and I've been a private investigator for years, but the real truth is that most of what I know about violence I learned in bars."
"Me, too," she said, laughing through a cloud of smoke, then filling her mouth with Scotch, smiling with pleasure.
"Not too many young women drink single malt whisky," I mentioned.
"Learned it from my Daddy, God rest his soul," she said. "He always said that the only people who drank white whiskey were sissies or drunks, and the only people who drank bourbon were white trash chicken fuckers, con men, and counterfeit Confederate gentlemen, and -"
But before we could continue the conversation, a string of rental cars and the motel van deposited a gaggle of traveling men who had come in on the last flight and who always needed a drink or two after the inevitable rough landing at the Austin airport. I found myself wishing that they would go away, hoping that they would not drive Molly McBride back to her room, but she stayed at the bar, smoking my cigarettes and sipping Scotch until the nervous fliers cleared out, and I offered her a last drink since I usually closed at ten on Sunday nights.
"I've got a bottle of single cask Lagavulin in my room," she said as she signed her check. "Two-fifteen," she added, "if you're interested."
"I've got to check out, make the drop, and stock," I apologized, "and I'm kind of involved."
"Who isn't?" she said, then smiled. "Let the day man stock. I don't have to be in court until one o'clock, so let's have a drink or two. And by the way, the ice machine on the second floor is on the blink." Then she walked toward the door, her long legs elegant above high heels. At the doorway she paused to smile over her shoulder, saying, "Give me ten minutes…" Then disappeared down the hallway.
I quickly totaled the register, then covered the phony overage with unwashed cash from the safe in the kitchen, wrote Mike Herrera a note of apology for neither cleaning nor stocking, locked up the liquor, washed my hands, did two quick lines of the dead man's coke, then went out the door with a bucket of ice under my arm, following Molly McBride quickly enough to catch the faint trace of lilac she trailed behind her.
Over the five marriages I'd never been particularly faithful. Or unfaithful, either. The whole question seemed theoretical and had nothing to do with the actual moment. Or the fact that marriage and the notion of fidelity had been invented when women could be bought for horses, cows, or in certain places sheep. The lies and the betrayal – that was the important part, the part that hurt forever.
Besides, maybe this woman just wanted a drink, some legal conversation, maybe even a soft and sad good night kiss to relieve the loneliness, but as I raised my fist to knock on her door, my guts shivered as if I were fourteen again, drinking whiskey downstairs at Sally's in Livingston while the dark, nameless beast of love waited between the stubby legs of a half-breed Canadian whore up those long carpeted stairs, a night already paid for by my dead father, the girl not much older than me just waiting to sing "Happy Birthday." Of course, by the time I got up the stairs, I was whiskey-drunk and scared stupid. But she fixed all that.
On my fourteenth birthday, the family lawyer gave me an envelope my Dad had left with him. Inside, the title and keys to the Dodge Power Wagon moldering in the three-car garage, a savings account passbook, and a note. "Hey, sprout," it read, "if I'm not around to watch you turn fourteen, Happy Birthday. There's a prepaid night at Sally's. It's hard enough being a teenager without confusing sex with love. They are both fine, son, but they're different." Then a P.S.: "Don't tell your mother about the savings account. She knows about the pickup. I'm sorry about the will." My mother had forced my old man to bind his estate in a trust that I couldn't touch until I was fifty-three.
That next morning, draped over the toilet as the girl giggled from the bed, "I hope this isn't your first time, kid," I first began to have a notion that my father's death had not exactly been an accident, but it took me another twenty years to figure out his suicide.
"Jesus," I whispered, waiting in front of Molly McBride's door, "get a fucking grip, old man." But still my knock was as hesitant as a teenager's.
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