Morag Joss - The Night Following

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Edgar Awards (nominee)
On a blustery April day, the quiet, rather private wife of a doctor discovers that her husband has been having an affair. Moments later, driving along a winding country road and distracted perhaps by her own thoughts, perhaps blinded by sunlight, she fails to see sixty-one-year-old Ruth Mitchell up ahead, riding her bicycle. She hits her, killing her instantly. And drives away.
The hit-and-run driver is never found. But the doctor's wife, horrified by what she has done, begins to unravel. Soon she turns her attention to Ruth's bereaved husband, a man staggering sleeplessly through each night, as unhinged by grief as the killer is by guilt.
Arthur Mitchell does not realize at first that someone has begun watching him through his windows, worrying over his disheveled appearance, his increasingly chaotic home. And when at last she steps through his doorway, secretly at first, then more boldly, he is ready to believe that, for reasons beyond his understanding, his wife has somehow been returned to him…
A story of loss, lies, and wrongdoing, astonishingly complex and ingeniously inventive, The Night Following is also a love story and the extraordinarily moving tale of a killer's journey from the shadows into the light. It confirms the mastery of a writer who is both tender and unflinching in her examination of human frailty-and of the shattering repercussions of deception.

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He made a short speech about the rest of his belongings, every word of which I forgot at once. Then he paused to compose himself with some learned breathing technique, before speaking again. It didn’t take him long to deliver himself of the reasons why he was leaving me. He had tolerated years of “emotional neglect” and now (and apparently coincidental to my discovery of the condom wrapper) he had had enough. I didn’t take in the details of what he told me about his new living arrangements, which were, of course, intricately bound up with the circumstances of the driver of the waiting jeep-ette. I was too taken aback by the realization that he thought that all of this was happening because of his affair. My hammering his yellow Saab convertible pride and joy to bits, his insistence that he was leaving me: these were what he thought important. Because his affair hadn’t crossed my mind for hours, I said I simply didn’t understand why he was getting so worked up. I suppose that was what made him slam the door on his way out.

I climbed upstairs to the landing window to see him go. The front path was empty. He must have paused under the porch, maybe to wipe his eyes in the silence after the slam, more likely to check he had everything he needed. Suddenly I couldn’t bear to watch, and I closed my eyes. Then came the sound of his feet on the path and the trundle of the cases. Of course he was in a hurry to be gone. Of course they both must have been; I heard the car start before the opening and closing of the boot and the passenger door were quite done with. I opened my eyes only at the burr of the engine at the end of the cul-de-sac, when they would be out of sight. I imagined the disappearing wisp of exhaust as they turned onto the main road and I knew that to Jeremy, as he was driven away, I was invisible now, not just physically but in the sense of ceasing to be anywhere at all, even in his mind. To Jeremy, I was not present, nor sentient; I was barely living. I was nowhere. I did not stand at this window, I did not listen, or grieve, or wonder.

But I stayed there for a long time, collecting and ordering in my mind the scrape of feet and squeak of wheeled luggage, the cough of an engine, a slammed car door, the distant mingling of traffic and birdsong above the roofs of the cul-de-sac. Sounds overheard have a deliberate music, a pacific and sequential logic that’s absent from the noise of unwitnessed behaviour. Jeremy’s departure played sounds that I might want to remember one day and run over in my head, like a tune.

27 Cardigan Avenue

[date]

Dear Ruth

Did you see the car before it hit you?

This may sound harsh but Carole misses the point. I didn’t ask her inside the last couple of times she visited and again yesterday she’s on the doorstep.

This time saying she’s a bit concerned. SHE’S a bit concerned??? I try to tell her I STILL have somehow to establish whereabouts of the pressure cooker so I’m MUCH too busy to sit about talking to her. She says if I don’t want to talk, would I like her just to sit with me a while. Well, what’d be the good of THAT, forgive me for asking. That’d be an even bigger waste of time (see what I mean about missing the point?). She forgets there’s a great deal to be sorted out. Especially given the suddenness. This whole situation is all up in the air and somebody has to get a hold on matters. I have to raise my voice to get her to see that.

Next and don’t ask me how, she’s over the threshold, saying the pressure cooker seems to “represent a more important loss” and does it have special associations, and I shout yes, associations with Irish Stew start to finish in thirty minutes, veg. in under two. Or has she never heard of TIME AND ENERGY SAVING?

When did you use it last? I seem to remember it was a wedding present.

Well hoping it turns up

Arthur

On the day after the accident I awoke to a morning full of dangers In the - фото 10

On the day after the accident I awoke to a morning full of dangers. In the shower, water broke around me like beads of wet glass on stones and my throat stiffened with steam and soap fumes. I emerged with something undesirable still clinging. I got dressed and went downstairs masquerading as a person who belonged here, a person who might have a legitimate connection with a tranquil house in Beaulieu Gardens on another sunny spring day. When I put on the kettle and poured cereal for myself, my hands shook.

I wondered if I could reinstate a former manageable smallness as the order of the day. I knew very well the advantages of going through the motions; if I didn’t do it anymore, what would I go through instead? If I didn’t, how was I going to become again what I had been for so long: absorbed, unseen, relieved?

But the air in every room I entered was suspended like breath held in anticipation of something splintering. I tried to think about housework, but I struggled to remember how I had ever been able to touch ordinary objects, for what might they become, in my hands? I could render anything and everything in the house lethal. Daylight burned on the edges of furniture, revealing them as unbearably raw. Ordinary colours punctured my eyes. I wandered the floors in fear of scalpels hidden under surfaces, of straight lines turning into blades. The emptiness of rooms glimpsed through doorways terrified me; I was afraid to walk under the lintels for fear of what I might bring in with me.

Yet I did not blunder from room to room, clumsy with distress. Despite what I felt, despite what I had done, I moved smoothly and did not disturb the quiet. It seemed I was still to appear, at least, to be part of the unchanged surface of the world. But I could never resume my old harmless life, not if I were also to be part of the new day upon whose ration of catastrophe the sun had already risen, just as it had yesterday. Because of me, a woman was dead. Somewhere, a family was in ruins. I was the one who deserved to be dead, they would think, and I didn’t know why I wasn’t; it seemed implausible, incredible even, that I should be able to go on breathing while disgust and hatred, justifiably without limit, mounted against me. They would want me caught and punished, of course; they would want me to suffer. The search would be already under way. Should I not simply give myself up? But whatever happened then, I wouldn’t pay enough for the woman’s life. I could never suffer as they did. Something was inadequate about the notion that any consequence less than my own death could counterweigh for hers. Something was askew, simply, in my remaining alive. It was a mistake, an oversight that should be corrected.

Anything could happen. I went back to bed and stayed there, frightened of the purposeless way angles fill houses, frightened of all the minutes and hours of light that fill a single day, flaunting themselves, so brightly coloured and jagged with risk, so available for the infliction of damage. I closed my eyes until it was dark.

When night came I got up. The moon reached in through the windows and painted luminous squares across the floors, lit the landing and stairs, laid a white path along the kitchen tiles to the back door. I went outside and kneeled on the ground. I was thinking of nothing, except to wonder if such emptiness of mind is felt by those about to be executed. Damp needles of cold pricked my legs and I pressed my palms down and stretched forward and rested my forehead on the grass, pushing it into the earth till my head was numb. May I not please also be dead? The mushroomy sop of the ground, an ancient, resurrected smell from deep below, seeped into me. I pressed my skull harder and harder into the gritty slide of soil and moss and worm cast, I tore up lumps of turf and rubbed them into my head, as if I could grate myself clean. I had to resist a desire to stuff my mouth with handfuls of mulch. I wanted the earth to soak in through my hair and skin and replace me, cell by cell, and if I couldn’t be replaced I wanted to disintegrate.

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