Karin Fossum - Don't Look Back

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Beneath the imposing Kollen Mountain lies a small village where the children run in and out of one another's houses and play unafraid in the streets. But the sleepy village is like a pond through which not enough water runs – beneath the surface it is beginning to stagnate. When a naked body is found by the lake at the top of the mountain, its seeming tranquility is disturbed forever. Enter Inspector Sejer, a tough, no-nonsense policeman whose own life is tinged by sadness. As the suspense builds, and the list of suspects grows, Sejer's determination to discover the truth will lead him to peel away layer upon layer of distrust and lies, in this tiny community where apparently normal family ties hide dark secrets. Critically acclaimed across Europe, Karin Fossum's novels evoke a world that is terrifyingly familiar. Don't Look Back introduces the tough, ethical Inspector Sejer to British readers for the first time.

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"Has something happened?" she asked, taking a sip from her thermos cup.

"Today I don't want to talk about Annie."

She lifted her cup and looked at him, her eyes wide.

"Today I want to talk about Eskil."

"Excuse me?" Her full lips became smaller and narrower. "I'm done with all that; I've put it behind me. And if you don't mind my saying so, the effort has cost me a great deal."

"I'm sorry I can't be more considerate. There are a few details about the boy's death that interest me."

"Why is that?"

"That's not something I have to tell you, Mrs Johnas," Sejer said gently. "Just answer my questions."

"And if I refuse? What if I just can't bear to talk about it?"

"Then I'll leave," he said. "And give you time to think. And I'll come back another day with the same questions."

She pushed her cup aside, put her hands in her lap, and straightened her back. As if this was exactly what she had expected and needed to steel herself.

"I don't like it," she said. "When you came here before, wanting to talk about Annie, it never occurred to me to refuse to co-operate. But if this has to do with Eskil, tell me what you want to know and then you'd better leave."

She fumbled with her hands and then clasped them tight. As if there were something frightening her.

"Just before he died," Sejer said, looking at her, "he knocked his plate to the floor and it smashed. Did you hear it?"

The question surprised her. She stared at him with astonishment, as if she had expected something else, perhaps something worse. "Yes," she said.

"You heard it? So you were awake?" He studied her face, noted the little shadow that flitted over it, and then went on. "You weren't asleep after all? Did you hear the electric shaver?"

She bowed her head. "I heard him go into the bathroom and the door slam."

"How did you know he was going into the bathroom?"

"I just knew. We lived in that house for a long time. Each door had its own sound."

"And before that? Before he went there?"

She hesitated a little, searching her memory.

"Their voices, in the kitchen. They were having breakfast."

"Eskil was eating dessert waffles," he said cautiously. "Was that usual in your house? Dessert waffles for breakfast?" He added a warm smile to his question.

"He must have begged for them," she said wearily. "And he always got what he wanted. It wasn't easy to say no to Eskil because it would set off an avalanche inside him. He couldn't stand any kind of resistance. It was like blowing on hot embers. And Henning wasn't especially patient; he hated to hear him screaming.

"So you heard him screaming?"

She tore her hands apart and reached for her cup.

"He was always making a great deal of noise," she said, staring at the steam rising from her coffee.

"Were they having a fight, Mrs Johnas?"

She smiled faintly. "They fought all the time. Eskil was begging for waffles. Henning had buttered some toast and he wanted him to eat it. You know how it is – we do all we can to get our kids to eat, so he must have got out the waffles, or maybe Eskil had caught sight of them. They were on the counter covered with plastic from the night before."

"Could you hear any words? Anything they said to each other?"

"What are you driving at with all these questions?" she blurted out. Her eyes had darkened. "You should talk to Henning about it. I wasn't there. I was upstairs."

"Do you think he has anything to tell me?"

Silence. She folded her arms, as if to lock him out. Her fear was growing.

"I can't speak for Henning. He's not my husband any more."

"Was it the loss of your child that made your marriage difficult?"

"Not really. We would have split up anyway. We argued too much."

"Were you the one who wanted to leave?"

"What does this have to do with anything?" she said.

"Most likely nothing. I'm just asking." He placed his hands on the table, turning them palm up. "When Henning found Eskil at the table, what did he do? Did he call out to you?"

"He just opened the door to the bedroom and stood there staring. It struck me how quiet it was, there wasn't a sound from the kitchen. I sat up in bed and screamed."

"Is there anything about your son's death that seems unclear to you?"

"What?"

"Have you and your husband gone over what happened? Did you ask him about it?"

Again Sejer saw a trace of fear in her eyes.

"He told me everything," she said carefully. "He was inconsolable. Blamed himself for what happened, thought he hadn't paid enough attention. And that's not an easy thing to live with. He couldn't bear it. I couldn't bear it. We had to go our separate ways."

"But there's nothing about the death itself that you didn't understand, or that hasn't been resolved?"

Sejer had big, slate-grey eyes that at the moment were very gentle because she was on the edge of something, and maybe, if he was lucky, she would take the next step.

Her shoulders began to shake. He sat still for a moment, waiting patiently, knowing that he mustn't move, mustn't break the silence. She was getting close to a confession. He recognised it; it was in the air. Something was bothering her, something she didn't dare think about.

"I heard them screaming at each other," she whispered. "Henning was furious; he had a fierce temper. I was lying in bed with a pillow over my head. I couldn't stand listening to them." Go on.

"I heard Eskil making a lot of noise, he might have been banging his cup against the table, and Henning was shouting and slamming drawers and cupboard doors.

"Could you make out any words they said?"

Her lower lip began trembling. "Only one sentence. The last thing I heard before he rushed off to the bathroom. He screamed so loud that I was afraid the neighbours would hear him, afraid of what they might think of us. But we didn't have it easy. We had a child who didn't behave the way we had expected. We had an older boy, as you know. Magne was always so quiet; he still is. There were never any problems, he did what we told him to do, he…"

"What did you hear? What did he say?"

The bell suddenly rang in the shop, and the door opened. Two women swept in and looked around at all the wool, their eyes alight. Mrs Johnas jumped up, about to head into the shop. Sejer stopped her by putting his hand on her shoulder.

"Tell me!"

She bowed her head, as if she were ashamed.

"It just about destroyed Henning. He could never forgive himself. And I couldn't live with him any more."

"Tell me what he said!"

"I don't want anyone to know. And it doesn't matter any more. Eskil is dead."

"But he's no longer your husband, is he?"

"He's Magne's father. He told me how he stood there in the bathroom, shaking with despair because he couldn't act the way he should. He stood there until he calmed down; then he was going to go back and apologise for being angry. He couldn't bear to go to work without clearing the air. Finally he went back to the kitchen. You know the rest."

"Tell me what he said."

"Never. I'll never tell a living soul."

*

The ugly thought that had taken root in his mind was beginning to sprout and grow. He had seen so much that it was rare for him to be surprised. Maybe it would have been convenient to be rid of a child like Eskil Johnas.

He collected Skarre from his office and took him down the corridor.

"Let's go and look at some Oriental carpets," he said.

"Why?"

"I just came from Astrid Johnas's shop. I think she's tormented by some terrible suspicion, the same one that has occurred to me. That Johnas is partially to blame for the boy's death. I think that's why she left him."

"But how was he to blame?"

"I don't know. But she's terrified by the idea. Something else has occurred to me. Johnas didn't say a single word about the boy's death when we talked to him."

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