Karin Fossum - Don't Look Back

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Beneath the imposing Kollen Mountain lies a small village where the children run in and out of one another's houses and play unafraid in the streets. But the sleepy village is like a pond through which not enough water runs – beneath the surface it is beginning to stagnate. When a naked body is found by the lake at the top of the mountain, its seeming tranquility is disturbed forever. Enter Inspector Sejer, a tough, no-nonsense policeman whose own life is tinged by sadness. As the suspense builds, and the list of suspects grows, Sejer's determination to discover the truth will lead him to peel away layer upon layer of distrust and lies, in this tiny community where apparently normal family ties hide dark secrets. Critically acclaimed across Europe, Karin Fossum's novels evoke a world that is terrifyingly familiar. Don't Look Back introduces the tough, ethical Inspector Sejer to British readers for the first time.

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"It's possible that he shouted or screamed for her. People react very differently in those kinds of situations. Some can't stop screaming, while others are completely paralysed."

"But she didn't come with the ambulance?"

"She arrived later. First she went to get the older brother from school."

"How much later did they arrive?"

"Let's see… about half an hour, according to what it says here."

"Can you tell me a little about how the father acted?"

Now the doctor fell silent, closing his eyes as if he were conjuring up that morning, exactly the way it was.

"He was in shock. He didn't say much."

"That's understandable. But the little he did say – can you remember what it was? Can you remember any specific words?"

The doctor gave him an inquisitive look and shook his head. "It was a long time ago. Almost eight months."

"Give it a try."

"I think it was something like: 'Oh God, no! Oh God, no!'"

"Was it the father who called the ambulance?"

"Yes, that's what it says here."

"Does it really take 20 minutes from here to Lundeby?"

"Yes, unfortunately, it does. And 20 minutes back. They didn't have personnel with them who could perform a tracheotomy. If they had, he might have been saved."

"What are you talking about now?"

"About going in between two cartilages and opening up the windpipe from the outside."

"You mean cutting open his throat?"

"Yes. It's actually quite simple. And it might have saved his life, although we don't know how long he sat in that chair before his father found him."

"About as long as it takes to shave?"

"Well, yes, I suppose so." The doctor leafed through the papers and shoved his glasses up. "Do you suspect something… criminal?"

He had been holding back this question for a long time. Now he felt that he finally had the right to ask it.

"I can't imagine what that might be. What do you mean?"

"How could I have any opinion about that?"

"But you opened up the boy afterwards and examined him. Did you find anything unnatural about his death?"

"Unnatural? That's the way children are. They stuff things in their mouth."

"But if he had a plate full of waffles in front of him and was sitting there alone and didn't need to worry that anyone was going to come and take them away from him – why would he stuff two pieces in his mouth at once?"

"Tell me something: where are you going with these questions?"

"I have no idea."

The doctor sat there, lost in thought; he was thinking back again, to the morning when little Eskil lay naked on the porcelain table, sliced open from his throat down. To the moment when he caught sight of the lump in his windpipe and realised that it was two waffles. Two whole hearts. One big sticky lump of egg and flour and butter and milk.

"I remember the autopsy," he said. "I remember it in great detail. Maybe by that I mean that I was actually surprised. No, I can't really say that. But," he added suddenly, "how did you come up with the idea that there might be something irregular about his death?"

Irregular. A vague word that could cover so many different possibilities.

"Well," said Sejer, looking closely at the doctor, "he had a baby-sitter. Let me put it this way: some of the signals she sent out in connection with the death have made me wonder."

"Signals? You can just ask her, can't you?"

"No, I can't ask her." Sejer shook his head. "It's too late."

Dessert waffles for breakfast, he thought. They must have been left over from the day before. It was unlikely that Johnas had got up and bustled around so early in the morning. Dessert waffles from the day before, tough and cold. He buttoned his jacket and got into his car. No one would wonder about it. Children were always putting things down their throats. As the pathologist had said: they stuff things in. He started the car, crossed Rosenkrantzgaten, and drove down to the river, where he turned left. He wasn't hungry, but he drove to the courthouse, parked, and took the lift up to the cafeteria, where they sold waffles. He bought a plate of them, with some jam and coffee and sat down by the window. Carefully he tore loose two of the hearts. They were freshly made and crisp. He folded them in half and then again in half and sat there staring at them. With a little effort he could put two of them in his mouth and still have room to chew. He did so, feeling the way they slid down his oesophagus without any trouble. Newly made dessert waffles were slippery and greasy. He drank some coffee and shook his head. Against his will he allowed the flickering pictures to force their way into his mind, pictures of the little boy with his throat full. The way he must have flailed and waved his hands, breaking the plate and fighting for his life without anyone hearing him. His father had heard the plate smash. Why hadn't he come running? Because the boy was always breaking things, said the doctor. But still – a little boy and a smashed plate. Even I would have come running at once, he thought. I would have imagined the chair toppling over, that he might have been hurt. But his father had finished shaving. What if the mother had been awake after all? Would she have heard the plate fall? He drank more coffee and spread jam on the rest of the waffles. Then he began reading through the report. After a while he stood up and went out to his car. He thought about Astrid Johnas, who had been lying in bed alone upstairs, with no idea what was going on.

Halvor picked up a sandwich from the plate and turned on his computer. He liked the fanfare sounds and the stream of blue light in the room when the programme started up. Each fanfare was a solemn moment. He thought of it as welcoming him like a VIP, as if he were expected. Today he decided on a special strategy. He was in a reckless mood, the way Annie often was. That's why he started off with "Leave me alone", "Private", and "Hands off'. It was the sort of thing she would say whenever he put his arm around her shoulder, very tentatively and in a purely affectionate way. But she always said it kindly. And when he dared to ask her for a kiss she would threaten to bite off his sullen grin. Her voice said something different from her words. Of course that didn't mean he could ignore what she said, but at least it made it a little easier to bear. Basically he was never allowed to touch her. But she still wanted him around. They used to lie close together, stealing warmth from each other. That alone wasn't half bad, lying like that in the dark, close to Annie, listening to the silence outside, free from the terror and nightmares of his father. The bad dreams could no longer come rushing in to tear off the covers; they could no longer reach him. Safety. He was used to having someone lying next to him, the way his brother had for so many years. Used to hearing someone else breathing and feel their warmth against his face.

Why had she written anything down in the first place? What was it about? And would he even understand it if he did find it? He chewed on the bread and liverwurst, listening to the roar of the TV in the living room. He felt a little guilty because his grandmother was sitting in there all alone in the evenings, and she would continue to do so until he came up with the password and found his way into Annie's secret. It must be something dark, he thought, since it's so inaccessible. Something dark and dangerous that couldn't be said out loud, could only be written down and then locked away. As if it were a matter of life and death. He typed that in. "Life and death". Nothing happened.

Mrs Johnas was having her lunch break. She peered at him from the back room, a piece of crispbread in one hand, wearing the same red suit as the time before. She looked uneasy. She put the food down on the paper it had been wrapped in, as if it would be inappropriate to sit there and chew while they were talking about Annie. She concentrated on her coffee instead.

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