Anne Holt - Death In Oslo

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Death In Oslo: краткое содержание, описание и аннотация

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To appreciate DEATH IN OSLO as an English-language reader, one must note that the book was first published (in Norwegian) in 2006, being written and set in the spring of 2005. Only now (December 2009) is it available in an English-language version. In those times, 9/11 was a much closer, and more raw, memory than it is now, and DEATH IN OSLO takes place in the context of international and personal relations that have not settled down to a new norm after that dreadful atrocity.
Helen Bentley has recently been elected as the first woman president of the United States, beating George W. Bush. Preoccupied with internal stability, Bentley has not made any state visits abroad since her inauguration until the opening of this novel. She’s decided to visit Norway, the safest country in the world from the point of view of its dearth of terrorist attacks and its internal stability. Mysteriously, Bentley travels very light, refusing to let her husband and teenage daughter accompany her, and allowing only the minimum in terms of her own security. Abruptly, she vanishes from her hotel room on the first night of her visit, during the preparations for Norway’s national midsummer day holiday celebrations.
The rest of the book deals with the aftermath of this shocking event. The author is mainly interested in looking at the United States in relation to the rest of the world, in particular the country’s response to the 9/11 atrocities in terms of its sudden legislation to remove many civil liberties as the authorities seek to track and monitor any possible attack from within. After Helen Bentley disappears, the Norwegian police and security services begin an immediate and exhaustive investigation, soon discovering witnesses who saw the president travelling in a car (oddly, in a very wide-ranging trip around the country) and pulling the perpetrators in for questioning. Although progress in this sense is very fast, these leads go nowhere and the authorities are left in total ignorance of the president’s whereabouts, as well as how and why she was kidnapped.
At the same time, the Americans themselves are piling into Norway, quickly brushing aside offers to share the investigation and setting up their own system from their embassy. Warren Scifford, who we know from previous novels by reputation as a senior “spook” of some kind in the USA, is called in as he’s become the president’s special adviser and is also her friend – one of the small circle who helped her to get elected. As soon as he arrives, Warren asks for Johanne Vik, his ex-student, to be his liaison between the US and Norwegian investigations. Not only does Johanne refuse this request because of their past history, but when Warren instead asks Adam Stubo, Johanne’s husband and a senior policeman, to take the role (no doubt hoping Adam will discuss the case with Johanne and pass on her insights), Johanne tells Adam she and their baby daughter will leave him if he accepts. Adam has no choice but to accept his boss's instruction to accompany Warren. As soon as he does, Johanne takes her baby and goes to the only person she knows will take her in and not ask questions. Her decision brings her right into the centre of events in the most incredible (unlikely) sense, and her skill as a profiler becomes crucial in the hunt for the missing woman.
DEATH IN OSLO is a book that I find hard to assess. On the one hand it is extremely good and had me reading keenly to the end. It is very strong on its analysis of the international political scene and of the motives and modus operandi of the perpetrators. I don’t usually like these “who kidnapped the president?” thrillers but this one is certainly superior, partly because of the author’s confidence in constructing the scenario in all its disparate scenes that slowly come together, and partly because of the attractive character of Helen Bentley and the flashbacks to her campaign and political manoeuvrings. In other ways, however, the plot is unbelievably weak. Without giving away spoilers, the whole book depends on two massive coincidences- where the president goes after her disappearance; and Adam’s closeness to the investigation. As well as this, too many puzzles that the author creates are simply left, not even unanswered, but just ignored. The character of Warren is an enigma – we know he has done something unspeakable to Johanne in the past, but not what. Now he is apparently a close friend of the president – is he in fact a double agent? Is he operating with or against the FBI? Why does he want to work with Adam and then ignore him, regularly disappearing? And, more generally, why is the apparently very persuasive briefing document about the most likely source of threats to the president ignored by the authorities, even though it is on file? And why is the person behind the killing, who obsessively plans for many years and has endless failsafes in place for various aspects of the plans, so casual about how the crucial final piece of information is to be disseminated? (Though this part of the plot does include a lovely character sketch of a widower and his daughters.) And why did the president travel with minimum security against advice?
These and many other issues are left hanging – in addition, the spectre of Wenke Benke (see THE FINAL MURDER) hovers over the novel – yet is not developed. The actions of the president are very hard (impossible, in my case) to comprehend, both before and after her disappearance – too much is simply left unexplained. And although we receive a throwaway piece of vital information about why Johanne hates Warren so much, most of the details are not shared with the readers.
In many respects, DEATH IN OSLO is an tight, convincing and readable thriller with good characterisations (particularly Adam and Johanne), yet in others, it seems incredibly careless – which is incomprehensible to me as I (not the most imaginative of people) can think of several ways in which some of the more implausible elements of the plot could have been made more authentic, and in particular, it isn’t hard to think of how the last part of the puzzle could be made more robust on the part of the bad guys given all their previous careful planning. All in all, I’m left confused as to why some parts of this well-translated book are so good, whereas others have a casually unfinished air to them, leaving the reader feeling a bit cheated, even though the read itself is so exciting.
Death in Oslo has just been reviewed by Karen Meek at Euro Crime.

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‘What about the hospital? There must be records somewhere.’

‘The hospital burnt down in 1972 or ’73. Pro-life activists went a bit far during a demonstration. It was before the technology revolution, so I assume…’

‘The records aren’t there,’ Johanne said. ‘Your friend’s no longer here.’

She ticked them off on her fingers and paused before daring to ask her next question. ‘What about the father? Did he know?’

‘Yes, of course. He…’

She broke off. There was an unfamiliar gentleness about her, a softness to her mouth, and her eyes narrowed, making all her wrinkles disappear. She looked years younger.

‘He wanted to get married,’ she said. ‘He really wanted to have the child. But when he realised that I was serious, he supported me in every way. He came with me to New York.’

She looked up. The tears spilled over. She made no attempt to dry her eyes.

‘I didn’t love him. I don’t even think I was in love. But he was the kindest… I think he is the kindest man I have ever met. Thoughtful. Wise. He promised me that he would never tell anyone. I can’t imagine that he would ever break his promise. And if he has, he must have changed radically.’

‘It does happen,’ Johanne whispered.

‘Not with him,’ Helen Bentley said. ‘He was a man of honour, if ever I met one. I’d known him for nearly two years before I got pregnant.’

‘It’s thirty-four years ago,’ Hanne said. ‘A lot can happen to a person in that time.’

‘Not him,’ Helen Bentley repeated and shook her head.

‘What was he called?’ Hanne asked. ‘Can you remember?’

‘Ali Shaeed Muffasa,’ Helen Bentley said. ‘I think he changed his name later. To a more… English-sounding one. But to me, he was just Ali, the kindest boy in the world.’

IX

At last, it was half past seven in the morning. Luckily it was a Thursday and both girls had to be at school early. Louise was going to play chess before her classes started and Catherine was going to do circuit training. They asked after their uncle, but believed it when their father hinted that he had had a bit too much to drink the night before and was sleeping it off.

The house in Rural Route # 4 in Farmington, Maine, was never quiet. The woodwork creaked. Most of the doors were warped. Some of them were difficult to open, whereas others hung loose in their frames and bumped and slammed in the continual draught from the windows that were not properly insulated. The great maple trees at the back were planted so close to the house that the branches tapped on the roof with the slightest hint of wind. It was as if the house was alive.

Al Muffet didn’t need to tiptoe around any more. He knew that no one would turn up before the postman came by on his round. And that wasn’t normally until two. After taking the girls to school, Al had dropped by the office. He told his secretary that he wasn’t feeling well. Sore throat and slight temperature, so they would unfortunately have to cancel today’s appointments. She had looked at him with sad eyes and great sympathy, and told him to get better.

He had picked up what he needed, coughed a goodbye and gone home.

‘Are you comfortable?’

Al Muffet looked over at his brother. His arms were fastened to the head of the bed with masking tape around each wrist. His feet were tied together with a rope that was then coiled around one of the posts at the foot of the bed, and tightened into great knots. Al had put a piece of grey sticky tape over his brother’s mouth.

‘Mmffmm,’ his brother said, shaking his head frenetically. The sound was muffled by the face cloth that was held in place by the tape.

Al Muffet opened the curtains and the morning light poured in. The dust in the guest room danced over the worn wooden floor. He smiled and turned towards his brother on the bed.

‘You’re fine. You barely woke up when I injected a sedative into your butt last night. You were so easy to overpower that I almost didn’t recognise you, Fayed. Once upon a time it was you who was the fighter. Not me.’

‘Mmmfff!’

There was a wooden chair by the window. It was old and rickety, and the seat had been worn by a century of use. It had come with the house. When Al Muffet bought the house, it had been full of old, beautiful things that had helped the family to settle in faster than could have been hoped.

He pulled the chair over to the bed and sat down.

‘This,’ he said, calmly, holding a syringe in front of his brother’s eyes, which stared back at him, wide with disbelief, ‘this is a lot more dangerous than what I gave you last night. This, you see…’

He pushed the plunger down slowly until a couple of fine drops came out of the thin needle.

‘This is ketobemidone, an effective and strong opioid preparation. Very effective, in fact. And here I’ve got…’ he squinted and held the syringe up to the light, ‘one hundred and fifty milligrams. In other words, a lethal dose.’

Fayed rolled his eyes and tried unsuccessfully to pull free his hands.

‘And this,’ Al continued, unperturbed, holding up another syringe from the bag he had put down on the floor beside him, ‘is Naloxone, the antidote.’

He put the second syringe down on the bedside table and pushed it out of reach, just to be on the safe side.

‘I’m going to undo your gag soon,’ he explained and tried to catch his brother’s eye. ‘But first I’m going to give you some of the morphine. You’ll feel the effects very quickly. Your blood pressure and pulse will fall. You’ll feel ill. You might have problems breathing. After that, it’s up to you. You can either answer my questions, or I’ll give you more. And so we’ll continue. Very simple, isn’t it? When you’ve given me the information I need, I’ll give you the antidote. But only then. Do you understand?’

His brother twisted and turned desperately on the bed. There were tears in his eyes. Al noticed that his pyjama bottoms were wet around the crotch.

‘And one more thing,’ Al said as he injected the needle into his brother’s thigh, straight through the fabric of his pyjamas. ‘You can scream and shout as much as you like, but it’s a waste of time. It’s a good mile to the next neighbour. And he’s away. It’s a weekday, so no one will be out walking. Forget it. There now…’

He withdrew the needle and checked how much he had injected. He nodded, satisfied, and put the syringe down with the other one on the bedside table, then pulled the gag off in one go. Fayed tried to spit the face cloth out, but had to retch and turned his head to one side. Al pulled the cloth out with two fingers.

Fayed gasped for air. He sobbed and was obviously trying to say something, but all he managed to do was hawk and retch.

‘We haven’t got much time now,’ Al said. ‘So you should answer as fast as you can.’

He licked his lips and paused for thought.

‘Is it true that Mother thought you were me before she died?’ he asked.

Fayed just managed to nod.

‘Did she tell you something that you knew was meant for my ears only?’

His brother had pulled himself together now and was calmer. It was as if he had finally understood that there was no point in trying to break free. He lay completely still for a moment. Only his mouth was moving. It looked like he was trying to produce some moisture after having had the cloth in his mouth for several hours.

‘Here,’ Al said and held a glass of water to his lips.

Fayed drank. He took several sips. Then he gave a deep cough and spat water, snot, phlegm and loose threads straight into his brother’s face.

‘Fuck you,’ he said hoarsely, and leant his head back.

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