Deborah Crombie - Mourn Not Your Dead

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Senior policeman Commander Albert Gilbert is found dead at home. Inspector Duncan Kincaid and his partner Sergeant Gemma James soon have their prime suspect in Geoff Genovase, until one of Gemma's colleagues, Jackie Temple, voices her suspicions about a senior police officer.

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“I should hope so,” she answered and looked away. But not before he thought he saw her lips curve in a smile.

A half hour later they left the A road at Abinger Hammer, and after a few miles of twisting and turning down a narrow lane, they entered the sleepy village of Holmbury St. Mary. Williams pulled onto the verge and consulted a scribbled sheet of directions under the map light. “When the road curves left we stay straight on, just to the right of the pub,” he muttered as he put the car into gear again.

“There,” said Kincaid, wiping condensation from his window with the sleeve of his coat. “This must be it.”

Turning to look out her window, Gemma said, “Look. I’ve never seen that particular sign before.” He heard the pleasure in her voice.

Kincaid leaned across her just in time to catch a glimpse of a swinging pub sign showing two lovers silhouetted against a smiling moon. Then he felt Gemma’s breath against his cheek and caught the faint scent of peaches that always seemed to hover about her. He sat back quickly and turned his attention ahead.

The lane narrowed past the pub, and the blue flashing of the panda cars’ lights lit the scene with an eerie radiance. Williams brought their car to a halt several yards back from the last car and almost against the right-hand hedge, making allowance, Kincaid guessed, for the passing of the coroner’s van. They slid from the car, stretching their cramped legs and huddling closer into their coats as the November chill struck them. A low mist hung in the still air, and plumes of condensation formed before their faces as they breathed.

A constable materialized before them in the lane, Cheshire Cat-like, the white checks on his hatband creating a snaggle-toothed smile. Kincaid identified them, then peered through the gate from which the constable had come, trying to make out features in the dark bulk of the house.

“Chief Inspector Deveney is waiting for you in the kitchen, sir,” said the constable. The gate moved silently as he opened it and led them through. “There’s a path just here that goes round the back. The scene-of-crime lads will have some lamps rigged up shortly.”

“No sign of forced entry?”

“No, sir, nor any tracks that we’ve been able to see. We’ve been careful to keep to the stones.”

Kincaid nodded in approval. When his eyes adjusted to the dimness within the precincts of the garden wall, he could see that the house was large and stolidly Tudor. Red brick, he thought, squinting, and above that black-and-white half timbering. Not the real thing, surely-more likely Victorian, a representation of the first migration of the well off into suburbia. A faint light shone through the leaded panes in the front door, echoed by faint glints from the upstairs windows.

Carefully he knelt and touched the grass. The lawn that separated them from the house felt as smooth and dense as black velvet. It seemed that Alastair Gilbert had lived very well.

The flagged path indicated by the constable took them along the right side of the house, then curved around to meet light spilling out from an open door. Beyond it Kincaid thought he could see the outline of a conservatory.

A silhouette appeared against the light, and a man came down the steps towards them. “Superintendent?” He extended his hand and grasped Kincaid’s firmly. “I’m Nick Deveney.” An inch or so shy of Kincaid’s height and near his age, Deveney flashed them a friendly smile. “You’re just in time to have a word with the pathologist.” He stepped aside, allowing Kincaid, Gemma, and the still-silent Williams to enter the house before him.

Kincaid passed through a mudroom, registering a few pairs of neatly aligned wellies on the floor and macintoshes hanging from hooks. Then he stepped through into the kitchen proper and halted, the others piling up at his back.

The kitchen had been white. White ceramic floors, white ceramic walls, set off by cabinets of a pale wood. A detached part of his mind recognized the cabinets as something he had seen when planning the refitting of his own kitchen-they were freestanding, made by a small English firm, and quite expensive. The other part of his mind focused on the body of Alastair Gilbert, sprawled facedown near a door on the far side of the room.

In life, Gilbert had been a small, neat man known for the perfection of his tailoring, the precision of his haircuts, the gloss upon his shoes. There was nothing neat about him now. The metallic smell of blood seemed to lodge at the back of Kincaid’s nose. Blood matted Gilbert’s dark hair. Blood had splattered, and smeared, and run in scarlet rivulets across the pristine white floor.

A small sound, almost a whimper, came from behind Kincaid. Turning, he was just in time to see a pasty-faced Williams push his way out the door, followed by the faint sound of retching. Kincaid raised an eyebrow at Gemma, who nodded and slipped out after Williams.

A woman in surgical scrubs knelt beside the body, her profile obscured by a shoulder-length fall of straight, black hair. She hadn’t looked up or paused in her work when they had entered the room, but now she sat back on her heels and regarded Kincaid. He came nearer and squatted, just out of the blood’s path.

“Kate Ling,” she said, holding up her gloved hands. “You won’t mind if I don’t shake?”

Kincaid thought he detected a trace of humor in her oval face. “Not at all.”

Gemma returned and dropped down beside him. “He’ll be all right,” she said softly. “I’ve sent him along to the duty constable for a cuppa.”

“Can’t tell you much,” Dr. Ling said as she began stripping off her gloves. “Blood’s not congealing, as you can see.” She gestured at the body with the deflated latex fingers of an empty glove. “Possibly taking some sort of anticoagulant. From the body temperature I’d say he’s been dead four or five hours, give or take an hour or two.” Her eyelid drooped in a ghost of a wink. “But look at this,” she added, pointing with a slender index finger. “I think the weapon has left several crescent-shaped depressions, but I’ll know more when I get him cleaned up.”

Looking closely, Kincaid thought he detected fragments of skull in the blood-matted hair, but no crescent shapes. “I’ll take your word for it, Doctor. Any defense wounds?”

“Not that I’ve found so far. All right with you if I have him moved now? The sooner I get him on the table, the more we’ll know.”

“It’s your call, Doc.” Kincaid stood up.

“The photographer and the scene-of-crime lads would like to move the live bodies out as well,” said Deveney, “so they can get on with things.”

“Right.” Kincaid turned to him. “Can you fill me in on what you’ve got so far? Then I’d like to see the family.”

“Claire Gilbert and her daughter came home around half past seven. They’d been away several hours, doing some shopping in Guildford. Mrs. Gilbert parked the car in the garage as usual, but as they came across the back garden towards the house they saw that the back door stood open. When they entered the kitchen they found the commander.” Deveney nodded at the body. “Once she’d ascertained there wasn’t a pulse, Mrs. Gilbert called us.”

“In a nutshell,” said Kincaid, and Deveney smiled. “So what’s the theory? Did the wife do it?”

“There’s nothing to suggest they had a fight-nothing broken, no marks on her. And the daughter says they were shopping. Besides-” Deveney paused. “Well, wait till you meet her. I’ve had her check the house, and she says she can’t find a few items of jewelry. There have been a few thefts reported in the area recently. Petty things.”

“No suspects in the thefts?”

Deveney shook his head.

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