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Elizabeth George: A Moment On the Edge : 100 Years of Crime Stories By Women

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Elizabeth George A Moment On the Edge : 100 Years of Crime Stories By Women
  • Название:
    A Moment On the Edge : 100 Years of Crime Stories By Women
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  • Издательство:
    New English Library
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  • Год:
    2002
  • Язык:
    Английский
  • ISBN:
    0340819707
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Why crime? Why exists this fascination with crime and why, above all, exists this fascination with crime on the part of female writers? Bestselling novelist Elizabeth George poses this question in her Introduction, answers it with her customary elegance and illustrates it with a rich and varied collection of international writers, some household names others buried treasures waiting to be rediscovered.

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“Yes, Mr. Hale?” the county attorney reminded.

“Harry and I had started to town with a load of potatoes,” Mrs. Hale’s husband began.

Harry was Mrs. Hale’s oldest boy. He wasn’t with them now, for the very good reason that those potatoes never got to town yesterday and he was taking them this morning, so he hadn’t been home when the sheriff stopped to say he wanted Mr. Hale to come over to the Wright place and tell the county attorney his story there, where he could point it all out. With all Mrs. Hale’s other emotions came the fear that maybe Harry wasn’t dressed warm enough — they hadn’t any of them realized how that north wind did bite.

“We come along this road,” Hale was going on, with a motion of his hand to the road over which they had just come, “and as we got in sight of the house I says to Harry, ‘I’m goin’ to see if I can’t get John Wright to take a telephone.’ You see,” he explained to Henderson, “unless I can get somebody to go in with me they won’t come out this branch road except for a price I can’t pay. I’d spoke to Wright about it once before; but he put me off, saying folks talked too much anyway, and all he asked was peace and quiet — guess you know about how much he talked himself. But I thought maybe if I went to the house and talked about it before his wife, and said all the womenfolks liked the telephones, and that in this lonesome stretch of road it would be a good thing — well, I said to Harry that that was what I was going to say — though I said at the same time that I didn’t know as what his wife wanted made much difference to John—”

Now, there he was! — saying things he didn’t need to say. Mrs.

Hale tried to catch her husband’s eye, but fortunately the county attorney interrupted with:

“Let’s talk about that a little later, Mr. Hale. I do want to talk about that, but I’m anxious now to get along to just what happened when you got here.”

When he began this time, it was very deliberately and carefully:

“I didn’t see or hear anything. I knocked at the door. And still it was all quiet inside. I knew they must be up — it was past eight o’clock. So I knocked again, louder, and I thought I heard somebody say ‘Come in.’ I wasn’t sure — I’m not sure yet. But I opened the door — this door,” jerking a hand toward the door by which the two women stood, “and there, in that rocker”—pointing to it—“sat Mrs.

Wright.”

Everyone in the kitchen looked at the rocker. It came into Mrs.

Hale’s mind that that rocker didn’t look in the least like Minnie Foster — the Minnie Foster of twenty years before. It was a dingy red, with wooden rungs up the back, and the middle rung was gone, and the chair sagged to one side,

“How did she — look?” the county attorney was inquiring.

“Well,” said Hale, “she looked — queer.”

“How do you mean — queer?”

As he asked it he took out a notebook and pencil. Mrs. Hale did not like the sight of that pencil. She kept her eye fixed on her husband, as if to keep him from saying unnecessary things that would go into that notebook and make trouble.

Hale did speak guardedly, as if the pencil had affected him too.

“Well, as if she didn’t know what she was going to do next. And kind of — done up.”

“How did she seem to feel about your coming?”

“Why, I don’t think she minded — one way or other. She didn’t pay much attention. I said, ‘Ho’ do, Mrs. Wright? It’s cold, ain’t it?’

And she said, ‘Is it?’—and went on pleatin’ at her apron.

“Well, I was surprised. She didn’t ask me to come up to the stove, or to sit down, but just set there, not even lookin’ at me. And so I said: ‘I want to see John.’

“And then she — laughed. I guess you would call it a laugh.

“I thought of Harry and the team outside, so I said, a little sharp,

‘Can I see John?’ ‘No,’ says she — kind of dull like. ’Ain’t he home?’

says I. Then she looked at me. ‘Yes,’ says she, ‘he’s home.’ Then why can’t I see him?’ I asked her, out of patience with her now. ‘’Cause he’s dead.’ says she, just as quiet and dull — and fell to pleatin’ her apron. ‘Dead?’ says I, like you do when you can’t take in what you’ve heard.

“She just nodded her head, not getting a bit excited, but rockin’

back and forth.

“‘Why — where is he?’ says I, not knowing what to say.

“She just pointed upstairs — like this”—pointing to the room above.

“I got up, with the idea of going up there myself. By this time I — didn’t know what to do. I walked from there to here; then I says:

‘Why, what did he die of?’

“‘He died of a rope around his neck,’ says she; and just went on pleatin’ at her apron.”

Hale stopped speaking, and stood staring at the rocker, as if he were still seeing the woman who had sat there the morning before.

Nobody spoke; it was as if everyone were seeing the woman who had sat there the morning before.

“And what did you do then?” the county attorney at last broke the silence.

“I went out and called Harry. I thought I might — need help. I got Harry in, and we went upstairs.” His voice fell almost to a whisper.

“There he was — lying over the—”

“I think I’d rather have you go into that upstairs,” the county attorney interrupted, “where you can point it all out. Just go on now with the rest of the story.”

“Well, my first thought was to get that rope off. It looked—” He stopped, his face twitching.

“But Harry, he went up to him, and he said, ‘No, he’s dead all right, and we’d better not touch anything.’ So we went downstairs.

“She was still sitting that same way. ‘Has anybody been notified?’

I asked. ‘No,’ says she, unconcerned.

“‘Who did this, Mrs. Wright?’ said Harry. He said it business-like, and she stopped pleatin’ at her apron. ‘I don’t know,’ she says. ‘You don’t know ?’ says Harry. ‘Weren’t you sleepin’ in the bed with him?’

‘Yes,’ says she, ‘but I was on the inside.’ ‘Somebody slipped a rope round his neck and strangled him, and you didn’t wake up?’ says Harry. ‘I didn’t wake up,’ she said after him.

“We may have looked as if we didn’t see how that could be, for after a minute she said, ‘I sleep sound.’

“Harry was going to ask her more questions, but I said maybe that weren’t our business; maybe we ought to let her tell her story first to the coroner or the sheriff. So Harry went fast as he could over to High Road — the Rivers’ place, where there’s a telephone.”

“And what did she do when she knew you had gone for the coroner?” The attorney got his pencil in his hand all ready for writing.

“She moved from that chair to this one over here”—Hale pointed to a small chair in the corner—“and just sat there with her hands held together and looking down. I got a feeling that I ought to make some conversation, so I said I had come in to see if John wanted to put in a telephone: and at that she started to laugh, and then she stopped and looked at me — scared.”

At the sound of a moving pencil the man who was telling the story looked up.

“I dunno — maybe it wasn’t scared,” he hastened; “I wouldn’t like to say it was. Soon Harry got back, and then Dr. Lloyd came, and you, Mr. Peters, and so I guess that’s all I know that you don’t.”

He said that last with relief, and moved a little, as if relaxing.

Everyone moved a little. The county attorney walked toward the stair door.

“I guess we’ll go upstairs first — then out to the barn and around there.”

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