Sophie Hannah - The Other Half Lives aka The Dead Lie Down

I ran back to my car, and this time he didn’t call after me. I slammed the door and sat in the driver’s seat, panting. I tried to brainwash myself: I’d been wrong about Aidan. I’d seen nothing in him, nothing at all. And I’d been wrong about Saul; I’d thought he cared about me, but he’d set me up for a fall.

Where else could I go? What could I do? Nothing that brought me into contact with pictures or artists, nothing in a gallery. The Spilling art world was too small; this latest humiliation had brought that home to me in the most painful way. If Saul had told Aidan, who else had he told? I could go to London, but then I’d have to give up my little house that I loved. Something told me that if I lost that, I’d lose everything.

I could get the sort of job anyone could get-serving fast food or cleaning toilets. Even as I had the thought, I knew I couldn’t. However much I needed money-and I did, urgently-I wasn’t the sort of person who would do anything to get it. I didn’t see any point in prolonging my life purely for the sake of it; if I wasn’t able to do something that mattered to me, I’d rather stop doing altogether.

I turned on the ignition, then turned it off again. Carbon monoxide poisoning. Probably the easiest way, I thought. After all, I had a car. I was in it now. If I had a length of rubber hose-pipe with me, I could do it right here, get it over with.

My mind started to wander aimlessly. Him and Her came into my thoughts, but for once there was no friction. I wondered idly if, by ending my life, I would alter the balance of blame between us. I was so tired of blame-of hoarding it all for myself, of giving it out. Someone else could take over the precise measurements, the minute calculations, that were necessary for its correct distribution.

A knocking sound near my head made me jump. My vision was blurred. I felt dizzy, and couldn’t see what was outside my car at first. Then I recognised Aidan; he was tapping on the window. Funny, I thought. I’d almost completely forgotten him in a few seconds; he’d drifted far away, along with the rest of the world I was preparing to leave. I ignored his knocking.

He pulled open the car door. ‘What’s wrong with you?’ he said. ‘You look terrible.’

‘Leave me alone.’

‘Are you sick? Do you need help?’

I needed a drink. I’d eaten and drunk nothing all day; I’d been too nervous. I imagined a hot cup of tea, fizzy Coke, even flat Coke. I started to cry. How could I want to die and want flat Coke at the same time? ‘I’m a stupid fuckhead,’ I told Aidan.

‘You can talk me through your CV later,’ he said. ‘Look… you don’t want to let the likes of me upset you. My interview technique’s a bit rusty. I’ve never had anyone work for me before. It’s always just been me.’ He shrugged. ‘If you still want the job, it’s yours.’

‘I don’t want it,’ I whispered, trying to wipe my face.

Aidan crouched down beside the car. ‘Ruth, Hansard hasn’t been bad-mouthing you. Far from it. All he said was that you offended one of his regulars without meaning to, and lost him a client he was happy to see the back of. If someone as mild as Saul Hansard says something like that the way he said it to me… Look, we’ve all got nightmare customers. Hansard, me-any picture-framer’d tell you. There’s the ones who can’t choose and force you to make all the decisions for them, then kick off when it’s done and they decide they don’t like it. The ones I hate most are the neurotics who spot tiny specks of dust on the inside of the glass, and insist on having the whole thing opened up and the glass cleaned, and then you have to reframe it, but they don’t pay for the second framing.’

I felt myself slipping, my hand moist on the wheel, my head lolling. Aidan caught me. ‘What’s wrong with you?’ he asked. ‘Do I need to take you to a hospital?’

‘I’m fine,’ I said, rousing myself. ‘Just tired, hungry, thirsty. I’ll go home and-’

‘No, you won’t. You’re in no state to drive. You’re coming with me.’

He helped me out of the car, supporting me with both his arms. I felt my skin fizz, like a sort of electrical charge, when he touched me. He turned me round, pointed me in the right direction, and I stumbled back to the workshop, leaning on him. ‘Have you got any flat Coke?’ I muttered into my hair, which was falling in front of my face. I started to laugh hysterically. ‘My interview technique’s even worse than yours,’ I said. ‘This is me applying for a job.’

‘I’ve already told you, the job’s yours.’

‘I don’t want it.’

‘Yeah, you do,’ he said mildly. He paused when we reached the door of the workshop, looked at me. ‘You want it and you need it. And I’m not only talking about money.’

‘I don’t-’

‘I’m the best at what I do. This is where you want to be working. I’m stubborn, too. See these shoes?’ I looked at his feet. ‘I waited two years for them. Someone recommended me a guy in Hamblesford, makes his own shoes. A proper craftsman. I went to the shop and he told me he had a two-year waiting list. I put my name down and I waited. I could have gone to another shoe shop and bought some mass-produced crap, but I didn’t. I waited the two years, because I knew what I’d be getting was the best. Rain and snow and mud were pouring into my old boots, but I still waited.’

Aidan looked embarrassed for a moment. Then he went on, ‘Hansard told me you were first-rate. He’s crap at framing pictures, but I trust him where people are concerned.’

I made the crassest, most idiotic comment: ‘Pity your shoemaker didn’t have any elves to help him.’

Aidan completely ignored it. Maybe he never read The Elves and the Shoemaker when he was little. ‘What were you going to say before?’ he asked. ‘About art?’

‘Nothing.’

‘You started to say, “There’s nothing more…” ’

‘It’ll sound stupid.’

‘So?’ he said impatiently. ‘I want to know.’

‘I’m… kind of obsessed with art,’ I told him, blushing. ‘That’s why… that’s how I came to be working for Saul.’

Aidan’s eyes narrowed. ‘You a painter yourself?’

‘No. Not at all. I’d be hopeless.’

He nodded. ‘Good,’ he said. ‘Because it’s a framer I need.’ He led me through his messy workshop to an even messier room at the back. My eyes passed quickly over the unmade bed, the mounds of clothes, books, CDs, unwashed cups and plates. I forcibly silenced the voice in my head that was saying, ‘Okay for a bloke in his early twenties, not so okay for one in his forties.’ That was the sort of opinion my father might hold, and I didn’t want to share anything with him, not even an opinion about something trivial.

I smelled fruity soap, or shower gel. I scanned the room for a basin, but couldn’t see one. Where was Aidan’s bathroom? I wondered. On the other side of the workshop? I was about to ask when I noticed the walls, and as soon as I did, I couldn’t believe it had taken me so long to spot the only truly bizarre thing about this room. Three of the four walls were covered with what I imagined was Aidan’s handiwork: extravagant frames-one had a carved wooden crown attached to its top edge-as well as lots of ordinary ones, pale or dark wood, flat or slightly curved.

One thing was not ordinary: none of the frames had anything in them.

Aidan was squatting in front of his miniature fridge. ‘Cheese sandwich do you?’ he said. ‘Think it’ll have to. I’ve got a carton of orange juice.’ He sounded surprised.

When he stood up, he saw me staring. ‘I told you I was the best,’ he said. He crossed the room and started to point out individual frames. ‘This one’s a palladian,’ he said. ‘With the sticky-out corners. It’s based on the pattern of a Greek temple. This one’s called egg-and-dart, for obvious reasons. Can you see the pattern?’