Tania Carver - The Creeper

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The Creeper: краткое содержание, описание и аннотация

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Suzanne Perry is having a vivid nightmare. Someone is in her bedroom, touching her, and she can't move a muscle. She wakes, relieved to put the nightmare behind her, but when she opens the curtains, she sees a polaroid stuck to the window. A photo of her sleeping self, taken during the night. And underneath the words: 'I'm watching over you'. Her nightmare isn't over. In fact, it's just beginning. Detective Inspector Phil Brennan of the Major Incident Squad has a killer to hunt. A killer who stalks young women, insinuates himself into their lives, and ultimately tortures and murders them in the most shocking way possible. But the more Phil investigates, the more he delves into the twisted psychology of his quarry, Phil realises that it isn't just a serial killer he's hunting but something? or someone? infinitely more calculating and horrific. And much closer to home than he realised…

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Howe swallowed hard. ‘What am I… what’s happened that I should know about…?’

Phil shook his head, felt his anger rising a notch at Howe’s manner. ‘Don’t pretend you don’t know what’s happened. It’s been on the news, the internet, everywhere. Suzanne Perry is missing. Her friend Zoe Herriot is dead. Murdered.’

His hand went to his mouth. ‘Oh God…’

‘Yes, oh God.’ Phil sat back, looked at him, squirming and sweating in his seat. ‘So where is she?’

‘I… I don’t know…’

‘Not good enough.’ Phil’s voice was tight, coiled. Contained. ‘Where is she?’

‘I don’t know!’ Howe was leaning across the table, pleading to be believed.

Phil leaned in also, screaming in Howe’s face. ‘Not good enough! Where is she?’

Howe crumbled, head in hands. ‘I don’t know…’

Phil sat back, stared at him. Either he was telling the truth and was genuinely innocent or he was the cunning sociopath of Fiona Welch’s profile, hiding behind another mask. He wasn’t going to take that chance.

Phil sat back, folded his arms. Stared at Howe who couldn’t return the look, eyes darting about all over the place.

‘Suzanne Perry. Where is she?’

Howe shook his head. ‘No, no…’

‘Zoe Herriot.’

Phil slid a crime scene photo across the table. Howe looked at it, looked quickly away, his eyes screwed tight.

‘Why did you kill her?’

Howe didn’t reply.

Phil slid another crime scene photo across the table. The body from the lightship. Howe acted as if he didn’t want to look but couldn’t help himself. Once he had seen what was there he swiftly turned away once more.

‘Who is she, Anthony? What did she do to you? Did you stalk her first? Or was that never proved?’

Anthony Howe didn’t answer. He was slumped forward on the table, head in hands, sobbing.

Phil leaned back, stared at the ceiling, sighed.

‘Interview suspended,’ he said.

53

Rose Martin hadn’t gone home. Still in the station, away from the rest of the team, she was following a hunch.

And Phil and his ‘no mavericking’ rule could go to hell.

Fenwick had given her his office and she sat at his desk, opening up Julie Miller’s laptop, hoping she was going to be right. She waited for internet connection, opened up Julie Miller’s Facebook account. Went to the photos, paged through.

And eventually found what she was looking for.

The jolt, the spike she felt when she saw it was almost physical. An adrenalin rush like no other. They could do all the cross-referencing they liked, but this was going to put her far ahead of the rest of them, bring all the glory to her.

She closed the laptop, sat back, smiled.

Time to go home. Deal with it tomorrow.

But she knew she was too wired for sleep.

Wonder what time Ben was planning on leaving?

Anni Hepburn flopped backwards on to the sofa, bottle of beer in hand, sighed. Exhausted.

She had spent most of the afternoon going through patient files at the hospital, looking for possible matches with Fiona Welch’s profile. So far she hadn’t found any. But there was always tomorrow.

If Anthony Howe didn’t confess, that is.

She flicked the remote at the TV, stared at it for a few seconds, thinking about maybe running a bath, lying in there for an hour or so with another beer and this week’s heat magazine. Then her mobile rang.

She answered it.

‘Hi, it’s, er, it’s Mickey. From work, you know?’

She was surprised but managed to hide it well. ‘Yeah, I know. Hi, Mickey, what can I do for you?’

‘Well, I was just wondering…’

She smiled, waited.

‘There’s a couple of things about the case I was… I just wanted to talk through. And, well, to be honest, you were the only one that I thought would listen.’

She almost laughed out loud. That was the lamest chat-up line she had heard in a long time. Or at least from one of her colleagues.

‘I’m sorry, Mickey, I’m exhausted.’ It wasn’t a lie. ‘I just need an early night. Maybe we could talk about it tomorrow, yeah?’

She heard the disappointment in his voice. ‘OK. Tomorrow. See you then. Sorry to, you know, bother you.’

She smiled. He might look and sound like some alpha male wannabe at work but on his own he was quite sweet. And cute, too, now that she thought of it.

She said goodnight, hung up the phone, smiled.

‘Yep, girl,’ she said out loud, ‘you still got it.’

Then went to run herself a bath.

Mickey Philips put the phone down, sighed. Snow Patrol playing in the background, singing about her being the only thing right in all he’d done.

He hadn’t done anything right at all. In fact, he’d done that all wrong. Now she would think he fancied her. Well, yeah, he might, but that wasn’t the point. He had suspicions about this case. Suspicions he wanted to share with someone. Talk through, see if he was just imagining things. Or not.

Hopefully the former.

But now it would have to wait. He doubted he would have the time or the opportunity to talk to Anni alone tomorrow. Not without her thinking he was after her. He would just have to keep his suspicions to himself for now.

And having an early night? Yeah, right. How lame was that excuse?

He sighed. Sat back on the sofa. Flicked the remote at the stereo, silencing it. No longer in the mood.

On the one hand, he thought, things used to be much more complicated when he was in the Drugs Squad. But in a way, much simpler.

He got up, not wanting to stay in the flat any longer.

He would find a bar, have a couple of drinks.

Drown his suspicions at least.

And hopefully not bump into Anni, not having an early night.

He closed the door behind him.

54

‘Now, where were we?’

Phil sat down opposite Anthony Howe once more. The professor looked like he was in pieces. He had dried his tears but his face looked like it had aged ten years in the time Phil had been out of the room.

The crime scene photos were still in front of Howe, exactly where Phil had left them. He hadn’t even touched them.

‘Had a good look?’ said Phil. ‘Pleased with your handiwork? Because no one ever is, really, are they? There’s always something they could have done better. Something that seemed like a good idea at the time but just doesn’t look right once it’s finished.’ He leaned across the table. ‘Is that how it is with you, Anthony? Was there something here’ – he pointed at the photo of the woman on the lightship – ‘that maybe you could have done better? Hmm?’ He sat back, arms out, hands on the table. ‘What would that be, then? You tell me.’

Howe’s voice was tremulous, small. ‘I… I’ve never seen her before. I didn’t do it… I didn’t do it…’

During the break in the interview he had gone into the observation room. Fenwick and Fiona Welch had been watching. They both turned to him as he entered.

‘That’s it,’ said Fiona. ‘Keep at him. He’s going to crack, I know it. Just keep at him.’

Fenwick looked slightly concerned. ‘Can I talk to you outside a moment?’

Phil followed his boss into the hallway. It had the same institutional smell that every police station had. Phil had often thought there must be a spray somewhere, sitting in boxes in some store cupboard in the Home Office. Eau de Nick.

‘Are you OK?’ said Fenwick.

‘Fine.’ Phil’s eyes, face, gave nothing away.

‘Really? Because I saw you in there with that suspect and I’m not so sure.’

Phil said nothing. Fenwick continued.

‘You’re the best interviewer in the station, Phil. You know that. I’ve seen you get inside that room, get to work on someone and get them to confess while they still think you’re their best mate. I’ve seen you demolish villains that no one else could crack. But in there…’

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