Tania Carver - The Creeper

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The Creeper: краткое содержание, описание и аннотация

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Suzanne Perry is having a vivid nightmare. Someone is in her bedroom, touching her, and she can't move a muscle. She wakes, relieved to put the nightmare behind her, but when she opens the curtains, she sees a polaroid stuck to the window. A photo of her sleeping self, taken during the night. And underneath the words: 'I'm watching over you'. Her nightmare isn't over. In fact, it's just beginning. Detective Inspector Phil Brennan of the Major Incident Squad has a killer to hunt. A killer who stalks young women, insinuates himself into their lives, and ultimately tortures and murders them in the most shocking way possible. But the more Phil investigates, the more he delves into the twisted psychology of his quarry, Phil realises that it isn't just a serial killer he's hunting but something? or someone? infinitely more calculating and horrific. And much closer to home than he realised…

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Anni kept her attention on the wall. She pointed at Superman. ‘What about the guy next to him?’

‘Oh. Him.’ He smiled again, and this time he looked like a university teacher about to address a class. ‘What do you think he sounds like?’

‘Pardon?’

‘Superman. His voice. What do you think he sounds like? Timid? Shy? Does he stutter?’

‘I doubt it,’ Anni said, wondering where this was leading, ‘Authoritative. In command. That kind of thing. American.’

He nodded. ‘And Clark Kent?’

‘What?’

‘His alter ego. Clark Kent. How does he talk?’

‘Erm…’ Anni had never given the matter much thought. ‘Like… a normal bloke?’

Anthony Howe nodded, as if she had just confirmed a thesis he had personally created. ‘Exactly. If he spoke like Superman he would never fit in, would he? Not at the Daily Planet . Not bumbling, mild-mannered Clark Kent, would he?’

‘No.’

Anthony Howe sat back, folded his arms. Thesis proven. ‘We change. We don’t have just one voice. We have several. Depending where we are, who we’re talking to at the time, how we want to be seen, to come across. Different voices for different situations.’ A smug smile. ‘One of the first things I teach my students. If you’re going to be a speech therapist, find out which voice – which persona – the patient needs to use most.’

She couldn’t resist the next line. His arrogant statement set him up for it.

‘And which persona did you use with Suzanne Perry?’

His expression – his demeanour – changed. The set of his mouth hardened. His eyes narrowed, were lit by a dark, ugly light. He moved his body towards her.

And in that moment, Anni wasn’t so ready to believe that Suzanne had been making it all up.

18

The death knock. The bit Phil hated most.

It made him think of his own parents, Don and Eileen. What it would be like if one of his colleagues turned up on their doorstep with news of him. And now, of course, there was Marina. And their daughter Josephina.

Everything had changed when she was born. He had been there at the birth, holding Marina’s hand as she screamed the baby out. Afterwards, he kept trying to understand the conflicting emotions he had gone through. It was a polarising experience. On the one hand there was his child, his daughter, coming into the world. Joyful, yes, but also terrifying. Another life. A huge responsibility. And there was Marina. Screaming out, her body twisted with pain. And the blood… he hadn’t expected there to be so much blood. It came gushing out of her, the weight of it pooling in the sheet underneath her. He had hated to see her suffering, and also hated the fact that he was helpless to do anything about it. But then there was the baby… And she more than made up for it.

But it was the responsibility that hit him most. A parent. A father. He had noticed himself do different things. Not take chances at red lights. Drive more carefully. Look both ways before crossing the road. Cut down his alcohol and takeaway food intake. Start running again. Because it wasn’t just him any more, or him and Marina. It was their daughter, and he had to be there for her. Because if something happened to him or Marina, Josephina might end up having the kind of upbringing he had. And he didn’t wish that on anyone.

Phil stood on the doorstep, hesitated. Rose Martin was beside him, along with Cheryl Bland, the Family Liaison Officer. She was a small, blonde woman, mid- to late twenties, Phil guessed, but difficult to place with any accuracy as she looked even younger. Soft eyes. Phil imagined that was a bonus in her area of work.

His Audi was parked in the gravel driveway. The house was detached, the plasterwork decorative, all fleur-de-lis and faux-heraldic roses. Pots of flowers lined the drive like herbaceous sentries. Twin potted bay trees flanked the heavy wooden front door.

‘What can we expect, then?’ he asked Cheryl.

‘They’re a nice couple. Decent. He might get a bit angry, wanting action, she’ll talk. About Julie.’

Phil nodded. Thought once more of Eileen and Don. ‘Any brothers or sisters?’

‘One brother. Works out in the Middle East. Supertankers, something like that.’ Cheryl smiled. ‘She did tell me.’

‘And their names?’

‘Colin and Brenda.’

Phil thanked her, rang the bell. Waited.

A woman opened it, middle-aged and in good shape, but tired looking. She looked at Phil, then Rose, hope rising in her eyes. Then she saw Cheryl Bland and the hope died.

‘Mrs Miller?’ Phil said. ‘Brenda?’

She nodded. Her mouth moved but no words emerged.

‘Can we come in?’

‘What’s happened? What have you got to tell me?’ She clung on to the edge of the door, her knuckles white.

‘I think it’s better if we come in.’ Cheryl moved forward, placed her hand on Brenda Miller’s arm.

She jerked the door backwards, stood aside, her breathing increasing.

They went in, Phil and Rose first, to the living room. Cheryl Bland, her hand still on Brenda Miller’s arm, steered her to the sofa. Cheryl sat, Brenda refused, staying standing. She looked at Rose and Phil as if only registering them now.

‘Who…’

‘I’m Detective Inspector Brennan and this is Detective Sergeant Martin.’

‘I know you,’ Brenda said. ‘You’re the one who was in charge of the…’ Her mouth hung open. ‘Oh God… you’ve… oh God…’

The three police officers shared a look between each other. Phil nodded. He would take it.

‘Mrs Miller… Brenda… I’ve got something to tell you.’

Brenda Miller’s breathing increased, her chest rising and falling, her hand to her neck.

‘We’ve discovered a body.’

‘Oh God… oh God…’

‘We can’t say for certain at this stage that it is Julie, however we strongly suspect it may be.’

But Brenda Miller wasn’t listening.

Because, like her world, she had collapsed.

19

‘Well,that went as well as expected.’

Rose Martin was sitting on the Millers’ front doorstep, a Silk Cut clamped between her lips. She was drawing the smoke down deep, as if reinflating her lungs after giving the kiss of life.

Phil closed the front door behind him, sat down next to her.

Brenda Miller had been helped to the sofa and brought round. Cheryl Bland had made tea and Phil, as tactfully as possible, had told her what had happened. She had sat there blank-faced, her mouth slightly open, as if punch-drunk from a twelve-round heavyweight fight.

Rose drew in more smoke, put her head back, let it out in a huge, grey fountain, an artificial cloud against the blue sky. She turned to Phil.

‘It was a good investigation.’

‘I don’t doubt it.’

‘We did everything we could.’ There was a hardness in her eyes, almost an anger.

‘I’m sure you did.’

‘We had no leads. None at all. It was, literally, like she had vanished. We tried everything. We…’ She stubbed the cigarette out on the gravel, so hard the filter snapped off.

‘We’ll reinterview,’ said Phil. ‘Old boyfriends, work colleagues, family. Everyone. Go back to the beginning.’

She was nodding, not hearing his words, just waiting for him to finish so she could start speaking. ‘Back to the beginning. Start again. So that’s it, is it? You come in and take it away from me.’

‘That’s not the way it works. You know that.’ Phil’s voice calm and even, trying to talk down her anger.

‘MIS comes in and we just roll over. And you glory boys get your collar and make us ordinary CID plods look like brainless shits.’

Phil managed not to rise to her words. He knew she was upset and angry and looking for someone to lash out at. ‘You’re part of the team. We need you here. I need you here.’

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