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Tania Carver: The Surrogate

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Tania Carver The Surrogate

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A shocking double-murder scene greets Detective Inspector Philip Brennan when he is called to a flat in Colchester. Two women are viciously cut open and laying spreadeagled, one tied to the bed, one on the floor. The woman on the bed has had her stomach cut into and her unborn child is missing. But this is the third time Phil and his team have seen such an atrocity. Two other pregnant women have been killed in this way and their babies taken from them. No-one can imagine what sort of person would want to commit such evil acts. When psychologist Marina Esposito is brought in, Phil has to put aside his feelings about their shared past and get on with the job. But can they find the killer before another woman is targeted?

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The shadow moved towards the door and was gone. Claire was left alone, screaming and shouting in her head. She tried to pull her arms up, move her legs. No good. It was too much effort. Even breathing was too much effort.

She felt her lungs slow down. Her eyelids close. She could hear the pump of blood round her body slowing down, down…

She tried one last time to fight it but it was no use. Her body was closing down. And she was powerless to stop it.

Her lungs stopped inflating, her heart stopped beating.

Her eyes closed for the final time.

2

Oh my God…’

Detective Inspector Philip Brennan, Chief Investigating Officer with the Major Incident Squad, donned surgical gloves, pulled the hood of his pristine crinkling paper suit over his head and stood on the threshold of hell. He knew that when he pulled back the yellow crime-scene tape and entered, he would be crossing a line between order and chaos. Between life and death.

He lifted the tape, stepped inside. So much blood

‘Jesus…’

The tape fell back into place, the line crossed. No going back now. He took in the scene before him and knew he would never leave this apartment, mentally or emotionally, until he had found who had done this. And perhaps not even then.

The hallway looked like an abattoir. Covered in so much blood, as if several litres of red paint had been dropped from a great height, splashing up the walls and over the floor like a grisly action painting, fading to brown as it dried. But paint didn’t smell like that. Like dirty copper and rancid meat. He tried breathing though his mouth. Felt it on his tongue. Tasting as bad as it smelled. Sweat prickled his body, adding to his discomfort.

‘Can someone turn the heating off?’ he shouted.

Other white-suited individuals moved about the apartment. Intense, focused. He noticed that a few of them were carrying paper bags, some full. They were issued in extreme cases to catch any vomit that might contaminate the crime scene. One of the officers acknowledged his request, went to find the thermostat.

The body still lay in the hallway, ready to be stretchered off to the mortuary for autopsy. The SOCOs had finished extracting every last piece of information from the scene but had left the body in place so Phil could examine it, find something to kick-start his investigation.

He looked down, swallowed hard. A woman was lying there, her torso twisted, her arms outstretched and grasping, as if she had been trying to hang on to the last breath as it left her body. She was dressed in jeans and a T-shirt. A vicious slash had taken out both jugular vein and artery on either side of her neck. He could see she had struggled by the patterns made by her arms in the blood on the wooden floor. Like bloodied angel’s wings.

Phil looked to a SOCO officer standing beside him.

‘Okay if I cross?’

The SOCO nodded. ‘Think we’re done with this one. Got everything we need.’

‘Photos?’

The SOCO nodded again.

Phil stepped over the body, careful not to track blood into any other room. The bedroom door was open. He walked towards it, looked in. And felt his stomach pitch and roll.

‘Oh God, this is a bad one…’

A white-suited silhouette heard Phil’s voice, detached himself from a group of similarly dressed figures at the end of the hall, came to join him in the doorway. ‘Like we ever get good ones?’

‘Not as bad as this…’ The smell was stronger here. He couldn’t describe it; it was life, it was death, it was everything the human body was. It was something he had smelled before. It was something he knew he would never forget.

As he looked at the body on the bed, he felt his chest constrict, his arms shake. No. This was no time for a panic attack. He breathed deeply through his mouth, forced his emotions down, his breathing back to normal. React as a copper, he told himself; it’s up to you to make order out of this chaos.

Detective Sergeant Clayton Thompson, one of Phil’s team. Tall and in good shape, the white of his hood emphasising his tanned features, his usually self-confident, even cocky, smile replaced by a frown of concentration. ‘Should have waited for you to turn up before going in, boss. Sorry.’

Phil always made a point of assembling his team at any crime scene. Entering together got them pooling their initial responses, sharing their theories, working towards a common conclusion. He was slightly annoyed that Clayton hadn’t waited for him, but given the severity of the situation, it was understandable.

‘Where’s Anni?’ he asked.

In response to his question a head poked round the frame of the bathroom door.

‘Here, boss.’ Detective Constable Anni Hepburn was small, trim, with variably coloured spiked hair that always contrasted with her dark skin. The strands poking out of her white hood were today mostly blonde. She gave a quick glance to Clayton. ‘Sorry, we should have waited for you, but Forensics said-’

Phil held up a hand. ‘We’re all here now. Let’s get going.’

A look passed between Clayton and Anni. Quick, then gone. Phil caught it, couldn’t read it but hoped it wasn’t what he thought it was. He always felt slightly jealous at the amount of female attention Clayton attracted, and he knew the DS often did plenty about it. But not with members of his own team. Not with Anni. Still, now wasn’t the time to think about that. They had work to do.

He turned back to the room, took in the scene before him. Forensics had set up their arc lamps, shining down on the bed, lending the central tableau an unreal air, as if it was a film or a stage set. They moved about in the light in hushed, almost reverential silence, kneeling, bending, peering closely at what was before them, scraping and bagging, sampling and storing. Like stage management or props making final adjustments.

Or supplicants before a sacrificial altar, thought Phil. A woman lay on the bed, spreadeagled and naked, wrists and ankles tied to the metal frame. Her stomach had been cut open and her eyes had rolled back in her head as if in witness to something only she could see.

Phil swallowed hard. The one in the hall had been bad enough. This one threatened to reacquaint him with the cup of coffee and two slices of wholemeal toast and Marmite he had had for breakfast. Just what he needed on a Tuesday morning.

‘Jesus,’ said Clayton.

‘I mean, this is Colchester,’ said Anni, shaking her head. The other two looked at her. She was visibly shaken. ‘Things like this don’t happen here. What the hell’s going on?’

Clayton was ready with a retort. Phil sensed his two officers were starting to develop unprofessional responses. He had to keep them focused. ‘Right,’ he said. ‘What do we know?’

Anni snapped back into work mode, pushed a hand down her paper suit, withdrew a notebook, flipped it open. Phil took a grim pride in the fact that she had recovered so quickly, that she was professional enough to work through it. ‘The flat belongs to Claire Fielding,’ she said. ‘Primary school teacher, works out Lexden way.’

Phil nodded, eyes still on the bed. ‘Boyfriend? Husband?’

‘Boyfriend. We checked her phone and diary and we think we’ve got a name. Ryan Brotherton. Want me to look into it?’

‘Let’s get sorted here first. Any idea who’s in the hall?’

‘Julie Simpson,’ said Clayton. ‘Another teacher, works with Claire Fielding. It was her husband who contacted us.’

‘Because she didn’t go home last night?’ asked Phil.

‘Yeah,’ said Clayton. ‘He called us when she didn’t come back. This was well after midnight. Apparently there was some kind of get-together here last night. He’d tried phoning and got no reply. Not the kind to be out on a bender, apparently. ’

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