Colleen McCullough - Too Many Murders

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Proving once again that she is a master of suspense, bestselling author Colleen McCullough returns with a riveting sequel to On, Off.
The year is 1967, and the world teeters on the brink of nuclear holocaust as the Cold War goes relentlessly on. On a beautiful spring day in the little city of Holloman, Connecticut, home to prestigious Chubb University and armaments giant Cornucopia, chief of detectives Captain Carmine Delmonico has more pressing concerns than finding a name for his infant son: twelve murders have taken place in one day, and Delmonico is drawn into a gruesome web of secrets and lies.
Supported by his detective sergeants Abe Goldberg and Corey Marshall and new team member the meticulous Delia Carstairs, Delmonico embarks on what looks like an unsolvable mystery. All the murders are different and they all seem unconnected. Are they dealing with one killer, or many? How is the murder of Dee-Dee Hall, a local prostitute, related to the deaths of a mother and her disabled child? How is Chubb student Evan Pugh connected to Desmond Skeps, head of Cornucopia? And as if twelve murders were not enough, Carmine soon finds himself pitted against the mysterious Ulysses, a spy giving Cornucopia's armaments secrets to the Russians. Are the murders and espionage different cases, or are they somehow linked?
When FBI special agent Ted Kelly makes himself part of the investigation, it appears the stakes are far higher than anyone had imagined, and murder is only one part of the puzzle in the set of crimes that has sent Holloman into a panic. As the overtaxed police force contends with small town politics, academic rivalry and corporate greed, the death toll mounts, and Carmine and his team discover that the answers are not what they seem – but then, are they ever?

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“Well, it sure answers a lot,” Carmine said, putting the clear plastic envelope back among Pugh’s other possessions. “Among other things, it explains the money. Have you opened the package? Does it contain a hundred grand?”

“I don’t know. I thought I’d save that treat for you. I did wash the blood off it and remove the first layer of wrap, though I doubt I’ll find any prints on it apart from Pugh’s.”

Carmine took the brick and a pair of utility scissors and sliced the food wrap’s many layers down to bedrock. Expecting blank paper beneath an outer layer of real notes, he was astonished to find that every note was a genuine hundred-dollar bill. There had been an outbreak of counterfeit hundred-dollar bills a year ago and he had been shown what to look for, but these were genuine. What kind of blackmail victim could afford to drop a thousand C-notes in the course of a murder?

“The money only complicates matters,” he said, putting it in a steel dish and lidding it before peeling off his gloves. “There is a hundred thousand here, brand-new, but the numbers aren’t fully consecutive. I’ll have to hand it over to the Feds to find out its origins.” He leaned his rump on a wall sink and contemplated the money dish sourly. “Motor Mouth… I wonder what Motor Mouth said to warrant not only murder but the sacrifice of so much money? Whoever he is, he knew he had no hope of retrieving his outlay-or his letter. Which says he’s not worried, that he doesn’t think we stand a chance of discovering his real name or what the subject of the blackmail was.”

“Blackmail aside, Carmine, one motive is hate,” said Patsy, inserting a probe inside one vicious chest wound. “The object here is physical agony, a slow death.”

“But not a public lesson.”

“No. A private vendetta. Motor Mouth isn’t concerned about the details of his crime becoming public, but all his spleen was directed at Evan Pugh. Whoever he is, he’s not an attention seeker.”

“I’m guessing this was Pugh’s first attempt at blackmail. Man, I’d love to get my hands on Pugh’s letter of March twenty-ninth!” Carmine clenched his hands. “But Motor Mouth will have burned it. Say he got it on March twenty-ninth. That means he cooked up this incredible retaliation within four or five days. And he must know Pugh left no evidence of the blackmail behind. So it’s not pictures, letters, memos, anything visual or auditory. Pugh had no safety deposit key, even one he’d think was cunningly hidden. No bus or train station locker key either. Of course he might have sent something to his parents, but I’m guessing he didn’t.”

“Oh, come on, Carmine!” Patsy objected. “Where blackmail is concerned, there’s always physical evidence, even if it’s no more than a written description of an incident.”

“Not here,” said Carmine, straightening. “I’m convinced that Motor Mouth acted with total security. Now that Pugh’s dead, no threat remains. The blackmail evidence died with him.”

“Cop instinct?” Patsy asked.

Halfway to the door, Carmine paused. “How are you coping with the chaos?”

“First off, no outside referrals for the moment. The last of our already autopsied cases will have gone to their funeral homes by ten tonight, and that will give us room to accommodate the murder victims plus whatever I couldn’t deflect,” Patrick said. “I’m sending Gus and his boys to the North Holloman labs to do outside cases there until my crisis evaporates.”

“Poor Gus! North Holloman is a dump.” Carmine resumed his progress. “Meeting in Silvestri’s office nine tomorrow, okay?”

The lights of Holloman’s east shore were twinkling in and out of the wealth of trees for which Holloman was famous as Carmine parked his Ford Fairlane on East Circle shortly before nine that night. Strictly speaking, the vehicle was a police unmarked, with a souped-up V-8 engine and cop springs and shocks, but it didn’t look the part; since attaining captain’s rank, Carmine got a last year’s model every year, so it bore none of the stigmata of the usual cop unmarked. He took the sloping, curving flagged path down to his front door, tried the knob, and let himself in. Desdemona didn’t bother locking doors, correctly reasoning that it would be a very rare criminal who entered Captain Delmonico’s residence. Reasoning like that wouldn’t have held water in a larger city, but everyone in Holloman knew where Carmine lived, which had its disadvantages but also its advantages.

His women were assembled in the kitchen, a large one permitting them to dine in it if they had no guests, thus saving the formal dining room and Carmine’s exquisite Lalique table with matching chandelier for more festive occasions. The kitchen was pure white and clinically clean; in the matter of domestic decor Carmine’s second wife had deferred to his taste as better than her own, and never rued that decision.

She stood at the extra-high counter putting the finishing touches on a dish of lasagna, while her stepdaughter tackled the salad enthusiastically. The counters needed to be forty-six inches high, for Desdemona Delmonico stood six foot three in bare feet; that they were not even higher was a concession to Sophia, a mere five foot seven, and to the economics of offering something usable if ever the family decided to sell. Desdemona’s hair was a little tangled from running her hands through it, as she was a learner-cook who still suffered paroxysms of anxiety over her cuisine, though lasagna was fairly safe. Carmine’s mother and sisters had taken her in hand, so what she learned tended to be southern Italian. Very alien to Desdemona, English to her fingertips, but she had her occasional victories too. A visiting friend from Lincoln had taught her to make a traditional roast dinner and a Lancashire hot pot, both devoured by her husband and his family with great pleasure. Fancy never eating potatoes peeled and roasted around the joint! To Desdemona, it was a terrible omission. Not to mention gravy made on pan drippings.

When she turned to greet Carmine it could be seen that she was rather plain of face, between the overlarge nose and the prominent chin, but when her face broke into smiles it lit up most attractively, and the eyes were truly beautiful, big, calm, the color of thick ice. Motherhood had endowed her with a bosom, all that had been lacking to render her figure splendid, if hugely tall. As her well-shaped legs were proportionately very long, men tended to think her rather dishy. Not a verdict they would have delivered during Desdemona’s days managing the Hug; marriage had done wonders for her.

She went at once to Carmine and bent her face four inches to kiss him, while Sophia hopped from foot to foot, waiting her turn.

At sixteen going on seventeen, his daughter was undeniably lovely; she took after her mother, Sandra, who had aspired to a Hollywood career. Sophia was naturally blonde, blue-eyed, fine-featured, and her figure was everything a young girl could have hoped for. But while her mother was a cokehead still living on the West Coast, Sophia had a brain, considerable ambition, and more common sense than either her father or her stepfather, the famed producer Myron Mendel Mandelbaum, had ever hoped for in Sandra’s child. She had moved from L.A. and the depressing influence of her mother when Carmine and Desdemona married nine months ago, and occupied a teenaged girl’s idea of heaven: a square tower three floors high complete with a widow’s walk. Shrewd enough to realize that its location made it nigh impossible for her to sneak people in or sneak out herself, Sophia had decided that its advantages far outweighed such minor stuff, for she was not by nature a rebel. Though her suite had a little kitchen, she was almost invariably to be found eating with her father and stepmother, with whom she got on very well.

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