Lars Kepler - The Hypnotist

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The Hypnotist: краткое содержание, описание и аннотация

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In This Spellbinding International Bestseller, a Murder Leaves Only One Route to the Killer
Tumba, Sweden. A triple homicide, all the victims from the same family, captivates Detective Inspector Joona Linna, who demands to investigate the grisly murders – against the wishes of the national police. The killer is at large, and it appears that the elder sister of the family escaped the carnage; it seems only a matter of time until she, too, is murdered.
But where can Linna begin? The only surviving witness is an intended victim – the boy whose mother, father, and little sister were killed before his eyes. Whoever committed the crimes intended for this boy to die: he has suffered more than one hundred knife wounds and lapsed into a state of shock. He's in no condition to be questioned.
Desperate for information, Linna sees one mode of recourse: hypnotism. He enlists Dr. Erik Maria Bark to mesmerize the boy, hoping to discover the killer through his eyes. It's the sort of work that Bark had sworn he would never do again – ethically dubious and psychically scarring. When he breaks his promise and hypnotizes the victim, a long and terrifying chain of events begins to unfurl.
A number-one bestselling international sensation sure to please fans of Stieg Larsson and Henning Mankell, The Hypnotist is the first novel in a series, soon to be published in thirty-three countries. With its pulse-pounding hooks and twists, it announces a stirring new contribution to the annals of crime fiction.

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They drive on in silence. Simone is thinking the same thing as the others. This trip may be a disastrous mistake. They could have been lured in the wrong direction, up into a crystal world of snow and ice, of wilderness and darkness, while Benjamin is somewhere else altogether, without protection, without his medication, perhaps no longer even alive.

It’s the middle of the day, but this far north, deep in the forests, day is like night at this time of year, an immense night that overshadows the dawn from December to January, that refuses to crack and let in the light.

Chapter 103

sunday, december 20 (fourth sunday of advent): afternoon

They reach Jussi’s house, driving the last part across the hard crust on the snow. The air is freezing, utterly still and fragile. Joona draws his gun. It’s been a long time since he saw real snow and experienced this dry feeling in his nose from severe cold.

Three small buildings face one another in a U-shaped formation. The snow has formed a huge, softly curved dome over each of the roofs, and there are drifts against the walls, right up to the windowsills. Erik gets out of the car and looks around. The Mountain Rescue team’s tyre tracks are clearly visible, as are their footprints around the buildings.

“Oh God,” Simone whispers, hurrying forward.

“Wait,” says Joona.

“There’s no one here, it’s empty, we’ve- ”

“It seems to be empty,” Joona says. “That’s all we know.”

Simone waits, shivering, as Joona crunches across the snow. He stops by one of the small windows, leans forward, and can make out a wooden chest and some rag rugs on the floor. The chairs have been placed upside down on the dining table, and the refrigerator is empty and switched off, with the door wide open.

Simone looks at Erik, who has stopped in the middle of the yard, looking around as if perplexed. She is about to ask him what’s wrong when he says loudly and clearly, “He isn’t here.”

“There’s nobody here,” Joona replies wearily.

“I mean,” Erik says, “this isn’t his haunted house.”

“What are you saying?”

“This is the wrong cottage. Jussi’s haunted house is pale green. I’ve heard him describe it: there’s a larder off the porch, a tin roof with rusty nails, a satellite dish near the gable end, and the yard is full of old cars, buses, and tractors.”

Joona waves his hand. “This is his address. This is where he’s registered.”

“But it’s the wrong place.”

Erik takes a few steps towards the house again; then he looks at Simone and Joona, his expression deadly serious, and says stubbornly, “This is not the haunted house.”

Joona swears and takes out his cell phone, then swears even more when he remembers there is no coverage.

“We’re not likely to find anyone we can ask out here, so we’ll have to drive until we pick up a signal again,” he says, getting back in the car. They reverse up the drive and are about to pull out onto the road when Simone spots a dark figure among the trees. He is standing there motionless with his arms by his sides, watching them.

“There!” she shouts. “There’s someone over there!”

Chapter 104

sunday, december 20 (fourth sunday of advent): afternoon

The edge of the forest on the other side of the road is dense and dark, the snow packed tightly between the trunks, the branches overloaded. She gets out of the car, even though Joona tells her to wait, and tries to see between the trees. The headlights are reflected in the windows of the house. Erik catches up with her.

“I saw someone,” she whispers.

Joona gets out of the car, draws his gun, and follows them. Simone hurries toward the edge of the forest and spots the man once again among the trees, farther in this time.

“Wait, please!” she shouts.

She runs a little way but stops when she meets his gaze. It’s an old man with a furrowed, utterly serene face. He is very short, he hardly reaches up to her chest, and he is wearing a thick, stiff anorak and trousers made of reindeer skin. A couple of dead ptarmigans are slung over his shoulder.

“Sorry to bother you,” Simone says.

He says something she doesn’t understand, then looks down and mumbles something. Erik and Joona approach cautiously. Joona has already concealed his gun inside his jacket.

“I guess he’s speaking Finnish,” says Simone.

“Hang on,” says Joona, turning to the man.

Erik hears Joona introduce himself, point to the car, then mention Jussi’s name. He is speaking Finnish in a steady, muted way. The old man nods slowly, pulls out a pipe, and lights it. He listens to Joona with his face upturned, as if he were looking for something and listening at the same time. Taking a puff of his pipe, he asks Joona something in a calm, melodic, clucking voice; Joona replies, and the man shakes his head regretfully. He looks at Erik and Simone with an expression of sympathy. When he offers them the pipe, Erik has enough presence of mind to accept it, take a puff, and pass it back. The tobacco is bitter and strong; Erik wills himself not to cough.

Simone hears the Sami explain something at length to Joona. He breaks a twig from a tree and draws a few lines in the snow. Joona leans over the snow map, pointing and asking questions. He takes a small note-pad out of his inside pocket and copies the map. Simone whispers “thank you” as they walk back to the car. The little man turns away, points into the forest, and sets off along a narrow track between the trees.

They have left the car doors open, and the seats are so cold they burn their backs and legs when they get in.

Joona hands Erik the piece of paper onto which he copied the old man’s directions.

“He was speaking an odd kind of Umeå Lappish, so I didn’t really understand everything. He was talking about the Kroik family place.”

“But he knew Jussi?”

“Yes. If I understood him correctly, Jussi has another house, a hunting lodge even deeper in the forest. There’s supposed to be a lake up ahead on the left. We can drive as far as a place where three big stones have been raised in memory of the fact that the Sami used to spend their summers here. The snow-ploughs don’t go any further, so we have to walk north across the snow from there until we see an old trailer.”

Joona looks at Simone and Erik with an ironic expression and adds, “The old man said that if we fall through the ice on Lake Djuptjärnen, we’ve gone too far.”

They drive for forty minutes, slowing down to pause at the three standing stones hewn and raised by the community of Dorotea. The headlights make everything look grey and shadowy. The stones appear for a few seconds, then disappear into the darkness again.

Joona parks the car by the edge of the forest and says he probably ought to camouflage it; he cuts a few branches but changes his mind. He glances up at the starlit sky and sets off as quickly as he can. The others follow, as quietly as possible. The hard crust lies like a heavy board over the deep snow. The old man’s directions are correct; after a third of a mile, they see a rusty trailer half buried in the snow and turn off the path. Others have walked along the track they are on. Below them lies a house surrounded by snow. Smoke is rising from the chimney. In the light from the windows, the outside walls appear to be mint green.

This is Jussi’s house, Erik thinks. This is the haunted house.

In the yard they can just make out big dark snow-covered shapes that form a strange labyrinth. As they head slowly toward s the house, they move along narrow passageways between these great heaps of snow-covered vehicles- scrap cars, buses, combine harvesters, ploughs, and scooters- their feet crunching on the snow.

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