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Ruth Rendell: Adam And Eve And Pinch Me

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Ruth Rendell Adam And Eve And Pinch Me

Adam And Eve And Pinch Me: краткое содержание, описание и аннотация

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This latest gem from the British master concerns the wreckage wrought on a variety of Londoners by a womanizing con man who speaks in rhymes. Here, as in A Sight for Sore Eyes (1999), Rendell’s genius is to create characters so vivid they live beyond the frame of the novel. She pushes the ordinary to the point of the bizarre while remaining consistently believable. Araminta “Minty” Knox, the fragile center of the plot, is a 30-something woman, alone and obsessed with hygiene, who works in a dry-cleaning shop. All the world is a petri dish for Minty, who sees germs everywhere, which she attacks with Wright’s Coal Tar Soap. She is equally tormented by the ghosts she imagines, her domineering “Auntie” and the man who took her virginity. Other characters hover on the borderline between transformation and disaster. Tory MP “Jims” Melcombe-Smith, in bed politically with the “family values” crowd, is simultaneously courting a gay lover. Working-class Zillah Leach, bored with her small children and smaller bank account, schemes to marry up, even at the risk of committing bigamy. This is not a whodunit in the sense of Rendell’s Inspector Wexford novels, but a study of crime’s origins and especially its consequences as they ripple out beyond the immediate victims. The plot is intricate but brisk, and Rendell nails her characters’ psychology in all its perverse logic. She has a travel writer’s sensitivity to setting, to the architecture, cemeteries, birds and vegetation of contemporary Britain. This is a literary page-turner, both elegant and accessible.

Ruth Rendell: другие книги автора


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Was she going to leave all these lights on when she went out? Auntie would have called it a wicked waste. The upstairs ones would have to stay on. She wasn’t going to go up there and turn the lights off and have to come down the stairs with all that darkness behind her. Out in the hall she took her coat off the peg and put it on. There was always a problem with coats because you couldn’t really keep them clean. Minty had done the best she could by running up a couple of cotton linings on the Immacue machine. She could wash them and slip a clean one into the coat each time she wore it. The best thing, if she was to have any peace of mind, was not to think about the dirt on the outside of the coat, but it was a struggle not to do this and she didn’t always succeed.

The light was blazing in the front room. Minty went a little way in there, retreated, and, standing in the hall, put her hand round the door jamb and snapped off the light switch. Her eyes had closed of their own volition while she performed this action. Now she was afraid to open them in case Jock’s ghost had taken advantage of her temporary blindness to seat himself in the chair once more. With the chair pushed up against the table, perhaps he wouldn’t be able to. She opened her eyes. No ghost. Should she tell Sonovia about it? Minty couldn’t make up her mind.

The street doors in Syringa Road opened on to tiny rectangular front gardens. Minty’s garden was paved all over, Auntie had seen to that, but next door’s had earth and flowers growing out of it, masses of them in summer. Sonovia saw Minty coming and waved from the window. She was wearing her new red trouser suit and a long scarf thing in powder blue that she called a pashmina. Her lipstick matched her suit, and her hair, newly done, was just like the shiny hat on the toby jug Auntie had brought back from a trip to Southend.

“We thought we’d go on the bus,” Sonovia said. “Laf says there’s no way he’s parking the car down there and maybe getting it clamped. He has to watch his step, being in the force.”

Sonovia always said “being in the force,” never “being a policeman.” Minty was disappointed about the car but didn’t say so. She missed being taken about in Jock’s car, though it was old and what he called a “boneshaker.” Laf came out from the front room and gave her a kiss. His name was Lafcadio but that was a bit much of a name to go to bed with, as Sonovia put it, and everyone called him Laf. He and Sonovia were still only in their late forties but had been married since they were eighteen and had four grown-up children, who’d all left home now and either had their own places or were still at university. Auntie used to say you’d think no one else had ever had a son a doctor and a daughter a lawyer, another daughter at university, and the youngest at the Guildhall School of something or other, the way Sonovia went on about it. Minty thought it was something to be proud of but at the same time couldn’t really comprehend it; she couldn’t imagine all the work and study and time that had gone into getting where they had.

“I’ve seen a ghost,” she said. “When I got in from work. In the front room, sitting in a chair. It was Jock.”

They had never met Jock but knew whom she meant. “Now, Minty, don’t be so daft,” said Laf.

“There’s no such things as ghosts, my deah.” Sonovia always said “my deah” like that when she wanted to show she was older and wiser than you. “Absolutely not.”

Minty had known Laf and Sonovia since they came to live next door when she was ten. Later on, when she was a bit older, she’d babysat for them. “It was Jock’s ghost,” she said. “And when he’d gone I felt the seat of the chair and it was warm. It was him all right.”

“I’m not hearing this,” said Sonovia.

Laf gave Minty a pat on the shoulder. “You were hallucinating, right? On account of you being a bit under the weather of late.”

“Heed the wise words of Sergeant Lafcadio Wilson, my deah.” Sonovia glanced in the mirror, patted her hair, and went on, “Let’s go. I don’t want to miss the start of the picture.”

They walked along to the bus stop opposite the high wall of the cemetery. When she had anything worrying her Minty never trod on the cracks in the pavement but stepped over them. “Like a little kid,” said Sonovia. “My Corinne used to do that.”

Minty didn’t reply. She went on stepping over the cracks; nothing would have induced her to tread on them. On the other side of the wall were tombs and gravestones, big dark trees, the gasometer, the canal. She’d wanted Auntie buried in there but they wouldn’t have it, there was no more room, and Auntie was cremated. The undertakers had written to her and said the ashes were ready for her to collect. No one asked what she was going to do with them. She’d taken the little box of ashes into the cemetery and found the most beautiful grave, the one she liked best with an angel on it holding a broken violin kind of thing and covering up her eyes with her other hand. Using an old tablespoon, she’d dug a hole in the earth and put the ashes in. Afterward she’d felt better about Auntie, but she hadn’t been able to do the same for Jock. His ex-wife or his old mother would have had Jock’s ashes.

Sonovia was talking about her Corinne, the one who was a barrister, about what someone called for some reason the head of chambers had said to her. All compliments and praise, of course. No one ever said unpleasant things to Sonovia’s children, just as unpleasant things never happened to them. Minty thought of Jock dying in that train, in the fire, a violent death which was a cause of a return from beyond the grave.

“You’re very silent,” said Laf.

“I’m thinking about Jock’s ghost.”

The 18 bus came.

“That was an unfortunate choice of film,” said Sonovia, “under the circumstances.”

Minty thought so too. It was called The Sixth Sense and it was about a poor little mad boy who saw the ghosts of murdered people after they were murdered. Sonovia said that good it might be, but she worried about the effect on the boy actor playing the part. It couldn’t be right for a child to see all that, even if it was only acting. They went into a pub in Harrow Road and Laf bought Minty a glass of white wine. If it had been the pub where she’d first met Jock she couldn’t have stayed, it would have been too much for her. She didn’t know anyone in here.

“Now are you going to be okay going into the house on your own?”

“You go with her, Sonny. Put all the lights on.”

Minty was grateful. She wouldn’t much care to have gone in there by herself. Of course, she’d have to tomorrow and the next day and the next. She’d have to live there. The house once more ablaze with light, Sonovia gave her a kiss, which she didn’t often do, and left her to the bright emptiness. The trouble was she’d have to turn the lights out behind her before she went to bed. She went into the kitchen, washed her hands and Sonovia’s lipstick off her face. The kitchen light out behind her, she walked down the passage, expecting to feel Jock’s hand on her neck. He’d been in the habit of placing his hand on her neck and holding her head up to his before giving her one of his deep kisses. She shivered but there was nothing. Bravely, she switched off the front-room light, turned, walked to the stairs, the darkness very deep behind her. She ran up the stairs as fast as she could and into the bathroom, not closing the door, because she knew that if she did she wouldn’t dare open it again.

She scrubbed her teeth, washed her face and neck and her hands again, her underarms, her feet, and the bit between her legs that was sacred to Jock. No other man would ever touch or enter it, that was a promise. Before she left the bathroom she touched every wooden surface, choosing three different colored woods, the white of the panels that boxed in the bath, the pink picture rail, the pale yellow handle of the back brush. She wasn’t sure if something portable would do, perhaps it ought to be part of the fixtures. It had to be three surfaces or better still seven, but there weren’t seven different colors in the bathroom. No one, no ghost, was outside the door. She’d forgotten her glass of water but never mind, it couldn’t be helped, she’d have to do without. It wasn’t as if she ever drank much of it.

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