Ruth Rendell - Portobello

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Portobello: краткое содержание, описание и аннотация

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The Portobello area of West London has a rich personality – vibrant, brilliant in colour, noisy, with graffiti that approach art, bizarre and splendid. An indefinable edge to it adds a spice of danger. There is nothing safe about Portobello…
Eugene Wren inherited an art gallery from his father near an arcade that now sells cashmere, handmade soaps and children's clothes. But he decided to move to a more upmarket site in Kensington Church Street. Eugene was fifty, with prematurely white hair. He was, perhaps, too secretive for his own good. He also had an addictive personality. But he had cut back radically on his alcohol consumption and had given up cigarettes. Which was just as well, considering he was going out with a doctor. For all his good intentions, though, there was something he didn't want her to know about…
On a shopping trip one day, Eugene, quite by chance, came across an envelope containing money. He picked it up. For some reason, rather than report the matter to the police, he wrote a note and stuck it up on lamppost near his house:
'Found in Chepstow Villas, a sum of money between eighty and a hundred and sixty pounds. Anyone who has lost such a sum should apply to the phone number below.'
This note would link the lives of a number of very different people – each with their obsessions, problems, dreams and despairs. And through it all the hectic life of Portobello would bustle on.

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'You think maybe I damaged it taking all those pills? They did a lot of tests.' He spoke indifferently. 'They wouldn't have let me out if there was anything wrong, would they?'

'I will check with them,' Ella said. 'Did your parents find the carer for you?'

'Ma did. He's paying, I suppose. I don't want her. She opens the curtains. She brings me food and drink and whatever.' He gave a small unamused laugh. 'I think she's frightened of me – well, I know she is. It's the shades and the scarf. Do I look frightening, Ella?'

'Not to me.' She wondered as she said it if that was quite true.

Still wearing the glasses, he turned his gaze towards the corner where hung the long mirror in a carved mahogany frame in which the bronze face was reflected. And would have been reflected again in the mirror behind it and again and again infinitely. Today the room was too dim for anything to be seen in the glass but patches of shine and dull shadows. Joel's face contorted as he seemed to peer. He stretched his neck and concentrated, subsided with a sigh.

'I think he's gone. I really think so. Sometimes I hear a whisper but I think that may be me imagining things. I haven't seen him, not since I came round – after what I did, I mean. Do you want to know why I did what I did?'

Ella could see nothing but she knew the reflections were there, the faces half turned, the never-ending faces… Was Mithras also there, though neither of them could see him? 'I don't think you meant to kill yourself,' she said.

'No. No, I didn't. I'll tell you about it. I haven't told anyone, not Ma or any of the people at the hospital.' He took off the glasses and blinked as if, instead of a greyish dimness, the room were flooded with brilliant light. 'Would you like something to eat or drink? I've never asked you that before, have I? I don't think I've ever asked anyone that before.' He had, once, and Ella remembered the glass of water, but she didn't correct him. 'Rita's here and she'll do it,' he said. 'She likes doing it.'

'I don't want anything, thanks, Joel.'

'I collected up those pills. It doesn't matter how. I don't go out much but I went out and bought myself a half-bottle of vodka. I liked the taste. They say it hasn't a taste but it has and I like it. I could take to drink – shall I?'

She ignored this. As she had thought before, in any sustained conversation he might begin by sounding adult but he gradually became more and more like a child. 'Tell me, are you taking your medication? The pills you get from Miss Crane, I mean.'

He nodded, turning his eyes once more to the mirror.

'Sure?'

'I promise, Ella. Shall I tell you why I did what I did?' It was the second time of asking.

'If you want to.'

'Do you remember what I told you about having a near-death experience? When something went wrong under the anaesthetic?'

She nodded, feeling suddenly cold in the warm close room. It was fear she felt as shivers touched her skin, moving across her shoulders and down her arms. Don't be silly, she told herself, get yourself together. You're a doctor, you've been a doctor for fifteen years.

He seemed not to notice her slight shrinking. His eyes were turned away from her, his gaze far away on some other plane. 'Mithras,' he said, 'I wanted him to go. I brought him back with me from that white city at the end of the river. I think maybe he was one of the angels on the battlements. But no, that's not right. They had wings and he didn't. I wanted him to go. He was getting bigger, you see. No, I don't quite mean that. He was getting clearer and his voice was too. He never said anything terrible like I was to harm someone but I kept thinking he'd start. I thought that if he – well, went on getting bigger and louder and stronger he'd take me over, he'd take this place over.

'I once saw a picture. It was an illustration for Alice in Wonderland . I was only about eight or nine. Alice had drunk something and it made her grow big. She grew huge till she filled the house, she had to lie down, her arms and legs couldn't get through the doors. I don't know why but that picture frightened me terribly. I screamed when I first saw it and I couldn't get it out of my head. That was how I was starting to feel about Mithras, that he'd get so big he'd never be able to get out. He'd take me over, kind of absorb me. I knew I'd have to do something.'

'What did you do?' she asked, although she guessed.

'I thought that if I had another near-death experience I'd go back to that place, the river and the meadows and the city at the end of it, I mean. I'd see all those white walls like castle walls and see the angels walking there. And Mithras would come with me, he would , he'd want to because it was the only way for him to get back there. And he'd stay. He'd be happy and I'd be free.'

'So you took the pills and the vodka to get yourself near death ?'

'That's what I did. I told Mithras to come with me and he came, I think he did, and when I started to leave again I think I left him behind but I don't know. I didn't see the city or the river or the sunshine, Ella. It was all dark with kind of moving shapes, vague dark shapes moving in the dark. I talked to you out of the dark and then I – then I sort of passed out. Now I keep looking for Mithras but I can't see him and it's only in the night time that I hear his voice. It's coming from a long long way off so I know he's talking to me from the city.'

She sat quite still, feeling a kind of despair. There was nothing to say.

'I went to all that trouble to take him back,' Joel said, 'but now he's gone, I half want him back. I miss him.' He lifted to her an abject little boy's face and met her eyes for the first time since she arrived there. 'I'm so lonely, Ella.'

She reached for his hand but thinking this inadequate for his great need, got up, sat beside him and took him in her arms. Holding him, she felt his heart beating against her as if he were more afraid than she was.

CHAPTER TWENTY-THREE

Once more they were out on the balcony, watching the roadway. A crowd of gesticulating men ran about shouting at the driver of an articulated truck, which had wedged itself between a bendy bus and a concrete mixer. Lance's nan had let him in before rushing back to her ringside seat, anxious not to miss more than a minute of the sitcom currently being enacted in the Harrow Road. Lance followed her out there. His hospitable grandmother had already poured him a large glass of Pino Grigio. Enthralled by the sight of the lorry driver landing a mighty punch on the bus driver's jaw, Dave passed Lance the crisps without turning round.

His nan leant over the railing and began yelling at the lorry driver. 'Give him another, mate! Them bendy buses are a menace! They think they own the bloody road.' Spectators in the street turned their faces upwards as one. 'Who d'you think you're looking at?'

'Cool it now, Kath,' said Dave, as police sirens sounded coming closer. 'You calm down. We don't want no trouble.'

Lance looked at him admiringly. Dave seemed to be the only one he had ever come across, within the family or outside it, able to exert any sort of control over his nan. Two officers had got out of their car and strolled over to the men who had moved into a stand-off. Things quickly quietened down as the concrete mixer was expertly reversed through a narrow gap and the crowd began to dissolve.

Lance's nan, deprived of entertainment, sighed resignedly and turned to him. 'So how's the world treating you, lovely?'

'I'm good,' said Lance with a hopeful glance at Dave.

Dave refilled their glasses. He shook the last of the crisp crumbs into the palm of his hand, dropped the bag over the railing and watched it float gently down into the street below. Then he turned to Lance and smiled in an avuncular sort of way. 'You'll be wanting to know what them bits and bobs fetched.'

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